L.A. Law (TV Series)
Where There's a Will (1993)
Full Cast & Crew
Directed by
Michael Schultz | ... | (as Michael A. Schultz) |
Writing Credits
Steven Bochco | ... | (created by) & |
Terry Louise Fisher | ... | (created by) |
Hugh O'Neill | ... | (written by) |
Cast (in credits order)
Produced by
James C. Hart | ... | senior producer |
Elodie Keene | ... | supervising producer |
John Masius | ... | co-executive producer |
Christina Musrey | ... | associate producer |
Denny Salvaryn | ... | coordinating producer |
John Tinker | ... | co-executive producer |
Rick Wallace | ... | executive producer |
Pamela J. Wisne | ... | co-producer |
Music by
Mike Post |
Cinematography by
Timothy E. Wade | ... | director of photography |
Editing by
Chuck Weiss |
Casting By
Ronnie Yeskel |
Production Design by
Michael L. Mayer |
Set Decoration by
Bill Harp |
Costume Design by
Pat Welch |
Makeup Department
Kathryn Fenton | ... | makeup department head (as Kathryn Miles Kelly) |
Norma Lee | ... | hair stylist |
Jacklin Masteran | ... | hair stylist |
Bradley Wexler | ... | makeup artist |
Production Management
Denny Salvaryn | ... | unit production manager |
Second Unit Director or Assistant Director
Michael DeMeritt | ... | second second assistant director |
Richard E. Gershman | ... | first assistant director (as Richard Gershman) |
Susan Moen | ... | second assistant director |
Art Department
Craig Binkley | ... | property master |
Sim Ezzes | ... | lead person |
Dave Shauger | ... | construction coordinator |
Jason Weil | ... | set designer |
Sound Department
Brad Brock | ... | re-recording mixer |
Kenneth R. Burton | ... | re-recording mixer (as Ken Burton) |
Manuel Carrión | ... | foley artist |
Mark R. Crookston | ... | sound editor |
Chris David | ... | re-recording mixer |
Terrance Emerson | ... | boom operator |
Franklin Jones Jr. | ... | re-recording mixer |
Greg LaPlante | ... | sound editor |
Paul Lewis | ... | boom operator |
Maciek Malish | ... | dialogue editor |
Jacques Nosco | ... | sound mixer |
Camera and Electrical Department
Dic Alexander | ... | key grip |
Norman G. Langley | ... | camera operator |
Jim Marquette | ... | assistant camera |
Jeffrey Ray Strong | ... | chief lighting technician (as Jeffrey R. Strong) |
Kazuhiko Takeuchi | ... | grip |
Casting Department
Peggy Kennedy | ... | casting associate |
Costume and Wardrobe Department
Molly Harris Campbell | ... | costume supervisor: women |
Eric Harrison | ... | costume supervisor: men |
Editorial Department
Amy Eskanos-Skepner | ... | post-production assistant (as Amy Eskanos) |
Cindy Kunze | ... | post-production coordinator |
Michael D. Most | ... | colorist |
Location Management
Caitlin Amans | ... | assistant location manager (as Caitlin Cartwright) |
Orin Kennedy | ... | location manager (uncredited) |
Music Department
Libby Pedersen | ... | music editor |
Script and Continuity Department
Jean Gennis | ... | script processor |
Margaret Varian | ... | script supervisor |
Transportation Department
Wayne Morris | ... | transportation coordinator |
Additional Crew
Nancy Anderson | ... | assistant to producers |
Steven Bochco | ... | executive consultant |
Robert Breech | ... | technical legal advisor |
Mary A. Byrd | ... | assistant to producers (as Mary Byrd) |
Kirk G. Carter | ... | researcher |
Briton W. Erwin | ... | production assistant |
Linda Gase | ... | assistant: John Masius |
Marinelle Guy | ... | assistant: Rick Wallace |
Alison Howard-Smith | ... | assistant to producers (as Alice Smith) |
Lark Karamardian | ... | production coordinator |
Roger Lowenstein | ... | story editor |
Paul Manning | ... | story consultant |
Julie Martin | ... | story editor |
Pam Meily | ... | assistant: John Tinker |
Charles B. Rosenberg | ... | technical legal advisor |
Peter Schneider | ... | executive story consultant |
Jill Vance | ... | stand-in (uncredited) |