Spoilers to all four episodes of which only three and a bit exist
The Tardis lands in the south pole in 1986 a time where the Earth space program is taking tentative but confident steps . Finding themselves in what's known as the Snowbase , a underground station tracking spacecraft the Snowbase crew are shocked to find another planet heading towards Earth
The Tenth Planet is the second story of the fourth season of DOCTOR WHO and by the season's end the show would have changed beyond all recognition . Out went the historical dramas and the production team of producer Innes Lloyd and script editor Gerry Davis changed the whole feel of the show in to one of science fiction horror which subsequent production teams continued to a degree . Terry Nation tried to get American networks interested in a Dalek spin off series and withdrew the copyright to the BBC for them hence they made their last planned appearance at the end of the season in Evil Of The Daleks and disappeared for several years leading new monsters to take their place as iconic creatures . Most radical of all was the change of actor in the title role
There's so much going on in this episode that if you know where it's heading with its introduction of the Cybermen and the writing out of Hartnell and the introduction of Troughton you almost forget all about the story itself which is rather nonsensical given any thought , Earth's twin planet Mondas suddenly traveling home to leech the energy from Earth , Z bombs , mad generals cybernetic men . All this feels it belongs in an Ed Wood movie or a Roger Cormen production and yet the imagination behind all this sweeps you along you forget the plot deficiencies and the awful American accents
Pride of place belongs to the Cybermen who are literally Cybernetic men and a million miles from the generic creatures they appear as in the new show . You might laugh at the sock masks but the scene where they make their first as they walk through the snowy wastelands of the South pole does hint that monsters to rival the Daleks as icons of numinous horror have arrived . Their sing song voices are both striking and chilling
Like Mavic Chen in the previous season's The Dalek Masterplan if you've got robotic villains it helps if you've got a human equivalent of sorts for dramatic purposes . Robert Beatty as General Cutler gives a fine performance . Not necessarily a villain he's just a man driven by emotion - a dramatic dichotomy counterpoint to the emotionless Cybermen - and the stress overwhelms him due to the fate of his son
It's interesting how redundant the Doctor is in this story and doesn't have much to do except to return to the Tardis at the end and regenerate in to the next Doctor . Internal BBC documentation recently released show that the regeneration scene was to be inspired by a bad LSD trip . Well it was 1966 but this means that the show is guaranteed an immortality of sorts . One lead actor leaves so you can just get a new one . Looking back now though the Hartnell era was unique and entirely different from the rest of the ear . There was a constant dramatic gravitas and a lack of horror and sexy bimbo companions and with the introduction of Troughton a new type of show had been born that continued in this spirit to lesser or greater degrees all the way up to the late 1970s
The Tardis lands in the south pole in 1986 a time where the Earth space program is taking tentative but confident steps . Finding themselves in what's known as the Snowbase , a underground station tracking spacecraft the Snowbase crew are shocked to find another planet heading towards Earth
The Tenth Planet is the second story of the fourth season of DOCTOR WHO and by the season's end the show would have changed beyond all recognition . Out went the historical dramas and the production team of producer Innes Lloyd and script editor Gerry Davis changed the whole feel of the show in to one of science fiction horror which subsequent production teams continued to a degree . Terry Nation tried to get American networks interested in a Dalek spin off series and withdrew the copyright to the BBC for them hence they made their last planned appearance at the end of the season in Evil Of The Daleks and disappeared for several years leading new monsters to take their place as iconic creatures . Most radical of all was the change of actor in the title role
There's so much going on in this episode that if you know where it's heading with its introduction of the Cybermen and the writing out of Hartnell and the introduction of Troughton you almost forget all about the story itself which is rather nonsensical given any thought , Earth's twin planet Mondas suddenly traveling home to leech the energy from Earth , Z bombs , mad generals cybernetic men . All this feels it belongs in an Ed Wood movie or a Roger Cormen production and yet the imagination behind all this sweeps you along you forget the plot deficiencies and the awful American accents
Pride of place belongs to the Cybermen who are literally Cybernetic men and a million miles from the generic creatures they appear as in the new show . You might laugh at the sock masks but the scene where they make their first as they walk through the snowy wastelands of the South pole does hint that monsters to rival the Daleks as icons of numinous horror have arrived . Their sing song voices are both striking and chilling
Like Mavic Chen in the previous season's The Dalek Masterplan if you've got robotic villains it helps if you've got a human equivalent of sorts for dramatic purposes . Robert Beatty as General Cutler gives a fine performance . Not necessarily a villain he's just a man driven by emotion - a dramatic dichotomy counterpoint to the emotionless Cybermen - and the stress overwhelms him due to the fate of his son
It's interesting how redundant the Doctor is in this story and doesn't have much to do except to return to the Tardis at the end and regenerate in to the next Doctor . Internal BBC documentation recently released show that the regeneration scene was to be inspired by a bad LSD trip . Well it was 1966 but this means that the show is guaranteed an immortality of sorts . One lead actor leaves so you can just get a new one . Looking back now though the Hartnell era was unique and entirely different from the rest of the ear . There was a constant dramatic gravitas and a lack of horror and sexy bimbo companions and with the introduction of Troughton a new type of show had been born that continued in this spirit to lesser or greater degrees all the way up to the late 1970s