"Doctor Who" The Seeds of Death: Episode One (TV Episode 1969) Poster

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7/10
The return of the Ice Warriors.
Sleepin_Dragon25 September 2015
It's the Tenty first century and all transport and Earth deliveries are controlled by T Mat, a centrally controlled device that has superseded all other means of travel. T-Mat is operated by the stern Earth woman, Miss Kelly. T-Mat links to the Moonbase, an Earth station which is invaded by Ice Warriors. The Ice Warriors kill without question, any non co operation results in death a worker wrecks T-Mat and suffers a grim fate, they demand the Maintenance team repair T Mat. As communications have broken down Earth has no means of contacting the team on Moonbase, only a defunct rocket could solve the problem. Moonbase manage to send a message back to Earth but the Ice Warriors react...

This serial aimed to build on the success of Season 5's 'The Ice Warriors, a serial that introduced the giant race from Mars.

I love Patrick and Frazer's humour, 'Look at the size of this one Doc,' and the glorious response, 'yes my word, that's a pretty large,' so funny.

Zoe's outfit is rather crazy, only in the 60s. PVC. Enough said.

Classic Series 6 is a real mix of good and bad, The Krotons and Space Pirates are very poor, The Invasion an War Games are both very good, I'd say overall The Ice Warriors rates somewhere in the middle.

Part 1 is a very interesting opener, there is lots going on. The identity of the Ice Warriors is guarded for a little while, to pretty good effect. It looks wonderfully space age, exactly what you'd expect from the 60s. The Ice Warriors are effective and prove to be a real threat. 7/10
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6/10
Solid fun, but it's not Who as you know it
Leofwine_draca15 May 2015
Review of the Complete Story:

THE SEEDS OF DEATH is one of the most enjoyable of the Patrick Troughton Dr Who adventures I've watched yet, up there with TOMB OF THE CYBERMEN in terms of entertainment value. However, it's not really like a Who serial at all; the storyline is classic, H. G. Wells-type science fiction, with a rocket travelling to a moonbase to investigate the disappearance of the crew. It soon transpires that deadly Martians are behind the attack, which dates this even more.

The Doctor and his companions Zoe and Jamie appear to have been drafted in from another story, as they abandon the Tardis early on and even engage in a lengthy rocket ship journey in the second half. Still, the villains prove a decent menace and look pretty cool, not dissimilar to the Cybermen, although the copious use of foam to animate the deadly spores will fool nobody.

THE SEEDS OF DEATH has plenty of incident and hard sci-fi principles to recommend it, and despite the six episode length it rarely feels slow or dull. Troughton gives a decent performance as the Doctor and Frazer Hines and Wendy Padbury are reliable as ever. It's not the best of Who but it is one of the better serials from the decade.
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6/10
Pulp Sci-Fi
Theo Robertson20 August 2013
Warning: Spoilers
Spoilers to all six episodes

In the twenty first century all traditional forms of transportation are redundant replaced by T-Mat that can instantly teleport personnel and goods to anywhere on the planet . The T-Mat relay station on the Moon suffers a breakdown endangering the T-Mat system on Earth and as it transpires it has been taken over by a race of Martians known as The Ice warriors

This is the second story featuring the Brian Hayles creation The Ice Warriors and unlike so many monsters that appeared in the 1960s in to the 70s and 80s they're unique in that unlike the Daleks . Cybermen and Sontarans they've only been written by one writer so Hayles knows his creations well . Unfortunately here they're just generic villains that could be Daleks , Cybermen or a one off race of aliens who want to invade Earth by using fungus spores to eliminate all the oxygen from Earth

Actually despite the fantasy element DOCTOR WHO has I had a serious problem with the internal logic of this scenario . Someone invents a teleport system which makes all other modes of transport obsolete therefore mankind has no need for them and consign them to either the history books or museums . Hmmm . So what happens if say the T-Mat on the Moon breaks down ? It's this all too obvious contrived plot point devoid of common sense that leads to ask if human beings are so stupid then maybe they deserve to become extinct

Another irritating fact is the costume design . The more you try to make something look futuristic the more you're in danger of making something look silly and I'm afraid humans running around with fish bowls on their head does look very silly indeed . The Ice Warriors plan is a bit too easily defeated also

That said there are a few good points to the story . Despite being a stock villain we get to see the Ice Lords which does give The Ice Warrior Race a background of sorts . Interesting to that there's an impact aesthetic to them where a nameless human is blasted by the Ice Warriors unique distorting image sonic gun before they actually appear on screen . Likewise seeing Harry Towb in the opening episode who would have been a very well known face due to his regular stint in THE ARMY LIFE gives the impression that his character will be a major character only to have him quickly written out is a shock of sorts . But at the end of the day the Seeds Of Death is only very average pulp sci-fi material
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The Seeds of Death (Story #48): A great example of why I'm a Doctor Who fan
ametaphysicalshark15 December 2007
This is quite fantastic, isn't it? One of very, very few (six in total, though the DW restoration team did a fantastic job with animation to complete the epic 8-part serial "The Invasion", effectively making it 7) fully surviving Doctor Who stories from the Second Doctor's (Patrick Troughton) era, and boy is it good. No, it's not absolutely perfect, but who cares if it's a bit padded, when this one is thrilling, it's thrilling.

I consider myself a huge Doctor Who fan, but I must admit to drastically preferring 70's and even to an extent 80's Doctor Who over 60's Who. From what I've read of Target novelizations and from the reconstructions I've seen it doesn't really appear that the Second Doctor's era was consistently great, but the evidence to the contrary is overwhelming. First we have the surviving stories (all of which excluding "The Krotons" are rather excellent), then we have a couple of stories which have reconstructions that rival in riveting thrills some of the best Who stories. So maybe it's more accurate to say I generally am not fond of Hartnell's era (though it too has its fair share of hits). Anyway, the point I'm getting at is that even for someone who doesn't like the pacing and feel of 60's Who this is great entertainment.

I think that the fluid visuals help keep this story alive. It's very well filmed (well, videotaped) and there's actually some very interesting video editing used as special effects (which by the way look great by Who standards in this serial other than the monster costumes). It's a welcome change from the frequently static feel of early Who. The direction is very good, both in terms of visuals and dramatic elements as the performances are excellent all around. The script by Brian Hayles is very good and provides ample room for excellent interaction between the Doctor and two of his best companions, Zoe and Jamie. Oh, and this one has a good number of scares too!

9/10
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6/10
Not that great
jimpayne196719 October 2015
Warning: Spoilers
This review covers the whole tale - all six episodes.

Patrick Troughton was the second Doctor and although I am told I did not so much hide behind the couch as cower in the kitchen when William Hartnell was in charge of the TARDIS it is Troughton's version that I have slightly clearer memories of. There was a story involving the Cybermen that seemed to be set inside a pyramid that was the scariest, creepiest thing I had ever seen- and when I saw an episode of that story not long before Doctor Who regenerated in 2005 it still seemed pretty spooky. There were stories with Yeti, stories set on space ships where the crews were infected with creeping diseases, another where the Doc had a doppelganger and one that was set during the First World War. I liked Troughton when I was a child and when he turned up in a variety of Multi-Doctor stories he still seemed fine.

There are not too many of the second Doctor era stories that see the light of day these days. The Mind Robber is repeated fairly regularly and is, I am slightly ashamed to say, memorable mostly for the sight of the Doctor's female companion, Zoe, draped over the console in a figure hugging costume although the basic premise of that tale is quite a clever one.

I do not know that you could really say that the idea for the Seeds Of Death is a particularly strong one. Lunar base that is used to 'Transmat' goods and chattels around the earth is invaded by an alien force so that it can be used as a springboard for an invasion of Earth before the Doctor and his allies outwit the aliens sending their battle fleet to their doom whilst saving the Earth. 147 minutes or so of screen time summed up in a few dozen words. I know that you can sum up all sorts of long literary classics and revered cinematic masterpieces in phrases such as 'Upper class gossip, some of it quite racy, recounted by asthmatic Parisian aesthete' or 'Media Tycoon yearns for his childhood sled' but really the point about the Seeds of Death is that it is far too padded out - at least two 25 minute episodes too long- and the plot itself was already not just old hat for Science Fiction by 1969 it was old hat for Doctor Who and it was only 5 years old by then.

There are good things about this story though. The aforementioned Zoe is, like most of the Doctor's female companions, pre- Tegan and Nyssa more than just eye candy that can scream ( though she is attractive and has a good set of lungs on her). She is clever, courageous and she works things out for herself - without her character the earth would have been wiped out. The aliens are the Ice Warriors who have never been in the upper echelons of great Who adversaries but with their scaly skins, blank eyes and raspy, angry voices they are underrated in the nastiness scale and I can still see now why they scared me at least as far as the kitchen door when I was eight years old. Louise Pajo is not an actress I remember as having been in much subsequently but as the efficient, feisty Gia Kelly she is one of the more interesting temporary allies the Doctor ever had. Christopher Coll - later a love rival of Derek Wilton's for the favour of Mavis Riley in Coronation Street- is okay too and Terry Scully as the terrified lunar worker in an unwelcome (by him) alliance with The Ice Warrors is fine. The idea that Mankind will abandon serious manned space exploration in favour of commercial interests probably seemed quite a bold idea in the year that the Apollo missions were slated to (as they did) land on the Moon but now it seems a pretty accurate prediction.

The earth based characters are pretty dire and I am prepared to bet that by the end of this century or the beginning of the next men will not wear ill fitting overalls that appear to have Y-Fronts drawn on them when going to their work. Ronald Leigh-Hunt was always a pretty wooden actor but here he and his cohorts are made to look ridiculous by the costume designers. Fraser Hines as Jamie was a great favourite of mine as a child- even though I knew his Scottish accent was pretty rubbish- but in this story he mostly seems like a spare part. The special effects were rarely a triumph in Doctor Who until Christopher Ecclestone appeared but in the Seeds of Death the threat to the earth seems to be something not unlike a bath where you put too much of the old foam bath solution in,

As for Troughton as the Doctor he is not good. Admittedly in one episode he says nothing as he has been knocked unconscious and then locked in a prison cell (I believe Patrick Troughton was actually on holiday)but for the most part he is a gibbering ninny who overacts throughout. I think he was already plotting his escape from the show by the stage this story was broadcast and it shows.

I have fond memories of Troughton and have seen enough in relatively recent times to know that he was better in other better stories. By 1969 Doctor Who was in a rut where ideas that were quite often inspired were undermined by weak special effects and fairly mediocre acting and a public that seemed to only want the Daleks to be the baddies. The show only really began to pick up when Roger Delgado appeared as The Master in 1971. It is a pity that Troughton did not stick around until then as he deserves to be remembered for something better than saving a strangely clad world from bubble bath.
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10/10
The Seeds of Success, needed a little more watering for a perfect result but still a fruitful attempt.
A_Kind_Of_CineMagic30 April 2014
This story (written by Brian Hayles and an uncredited Terrance Dicks) has aspects which are very strong but aspects which are a slight letdown. It is decent, solid entertainment without reaching the brilliance of the Doctor's best adventures.

Episode 1 is an excellent set up episode, a very promising start with a good script and some intelligent and well characterised parts such as the ageing and rather wise Earth scientist Eldred and officers Radnor and Kelly which are very well acted and thoughtfully written throughout the story. The good characters and strong dialogue are given centre stage in the opening episode.

The plot revolves around the T-Mat transport system controlled from the Moon and used by a future Earth as an instant way of transmitting people and goods between places. When it breaks down it is proved they put all their eggs in one basket (as the Doctor points out) and instantly food shortages and huge issues arise. The Ice Warriors attack the T-Mat control base and use it to launch an attack on Earth. The Doctor steps in to battle them of course.

The whole story features Troughton delivering his usual high quality and the villain Slaar, leader of the Ice Warrior attack on the Moon who is excellent and up to the sort of standard of the Ice Warriors in their brilliant debut story. Hines and Padbury as the companions are good throughout the story and acting of the other major guest characters is good. Some of the direction and effects are very impressive for its day while other aspects are a slight letdown.

The rocket journey in episode 2 which is not well done is the first letdown and would have been better not to include at all. That causes episode 2 to drop a bit, the rest of the episode before the rocket trip is pretty solid. Episode 3 is very good. It moves along well developing the story strongly and the villain Slaar with his hissing voice is particularly good in this episode.

Episode 4 is solid but not excellent, the absence of Troughton in that episode hurts it a tiny bit. Episode 5 is a bit weak due to having more scenes involving the seeds and the fungus. The idea of the seeds themselves is not brilliant as it is clearly an inflating balloon but it is to some extent a forgivable limitation of the age and budget. The fungus is another unimpressive idea involving some fun but slightly silly scenes in episode 5 flailing about in soap suds. These scenes mean that Episode 5 is the low-point of the story.

The villain Slaar is great but his fellow Ice Warriors, particularly in episode 5, are far less well realised with their cumbersome movement and lack of character. They are a rather pale shadow of those featured in the Ice Warriors debut story.

Episode 6 is a very enjoyable and solid conclusion but if the strength of Episodes 1 (especially), 3 and 6 had been matched by cutting the rocket journey out of part 2 and less reliance on unimpressive effects, particularly in episode 5, it could have been a really strong Doctor Who story instead of just a solid Doctor Who story which is what it is.

My Ratings: Episode 1 - 9.5/10, Episode 2 - 7.5/10, Episode 3 - 9/10, Episode 4 - 8/10, Episode 5 - 7/10, Episode 6 - 8.5/10
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7/10
The Ice Warriors Strikes Back!
wetmars16 January 2021
Warning: Spoilers
The TARDIS lands in a space museum on Earth in the late 21st century, where the Second Doctor, Jamie and Zoe learn that contact has been lost between Earth and the Moon. In this era, instant travel - T-Mat - has revolutionised the Earth. Its people have lost interest in space travel. The Doctor and his companions travel to the Moon in an old-style rocket and reach the Moonbase, control centre for T-Mat, only to find a squad of Ice Warriors have commandeered the base and plan to use the T-Mat network to their advantage.

As a space enthusiast, I immediately recognized the scene where the Doctor, Jamie, and Zoe discovers a Soviet helmet wandering around outer space. The helmet has a mark which is "CCCP" which stands for the Soviet Union. In 1969, it was a massive year for human spaceflight or you should say, the Space Race between the Americans and the Soviets to get to the Moon first. It was a big deal back then. I assume the producers used a picture of Alexei as he was performing the first spacewalk in 1965 if I remember correctly. It's fun seeing the set(s) of the ZA-685 rocket and the lunar base. It's creative.

The Ice Warriors felt more menacing in this one. They are powerful and, I wouldn't like to mess with them. I do like the overall music theme of the story. We get to know that the Ice Warriors have a weakness and that would be heat and solar energy.

The foam stuff returns in this story. We discover that sulphuric, hydrochloric, and acetic acid might fight off the foam temporary. It's fun seeing footage of the Atlas rocket that was used in the early ages of NASA. I think I saw a shot of the Saturn IB or I, and another footage of a V2 rocket launch. Episode Three had a good and terrifying cliffhanger, Poor Doctor. It's pretty realistic how they mentioned that people had lost interest in space travel which is very true. About the foam, we now know that the foam's weakness is water itself.

I would say that the story is similar to The Moonbase. It was a great idea to create another Ice Warrior character which is the Ice Lord. Zoe finally gets to do more as she knows stuff. Yeah, the story is all over the place. I cannot understand what was going on.

7/10.
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5/10
An average second Doctor six parter, entertaining enough but nothing amazing & riddled with plot holes.
poolandrews6 March 2008
Warning: Spoilers
Doctor Who: The Seeds of Death: Episode One is set sometime during the 21st Century where a system called T-Mat which transmits matter anywhere on Earth instantly has replaced all other forms of transport, the system is considered foolproof although it does rely on a vital relay base on the Moon. Senior technician Harry Osgood (Harry Towb) is trans-matted to the Moon base to oversee & fix a problem but while there the outer airlock is breached & the base is invaded by Martian Ice Warriors lead by Grand Marshal Slaar (Alan Bennion) who want to take control of the T-Mat for themselves, Osgood manages to sabotage the T-Mat controls but is killed & Slaar orders other technicians to repair it. Back on Earth the T-Mat is useless & the inventor of the T-Mat Gia Kelly (Lousie Pajo) says the only way to find out what's going on is to fly to the Moon in a rocket...

Episode 23 from season 6 this Doctor Who adventure originally aired here in the UK during January 1969, The Seeds of Death was the fifth story from Patrick Troughton's third & final season as the Doctor & because the BBC junked & wiped many black and white Doctor Who episodes The Seeds of Death is the fifth of only six complete Patrick Troughton stories out of twenty one that were made. I don't know about anyone else but when you consider all the great Patrick Troughton stories that were wiped & are now lost forever like The Power of the Daleks (1966), The Evil of the Daleks (1967), The Web of Fear (1968) & Fury from the Deep (1968) one has to say that it's maybe a shame somewhat lacklustre stories such as The Dominators (1969) & The Seeds of Death are left to represent the second Doctor's era. Anyway, not to be confused with the similar titled Tom Baker story The Seeds of Doom (1976) from season thirteen the script by Brian Hayles is notable for the reappearance of the Ice Warriors last seen during the previous season in The Ice Warriros (1967) also written by Hayles. The Seeds of Death is actually fairly similar in many ways with both set in the future, both having small groups of humans menaced by the Ice Warriors in some sort of scientific setting. Personally I think the script here is weak, the notion that Earth would literally abandon every form of transport because of the T-Mat & that if anything went wrong on the Moon they could not be contacted & the problem could not be repaired. Talk about putting all your eggs in one basket! Wouldn't someone have a plan 'B' of some sort? No-one seems to know what they are doing I just find the whole set-up very implausible & stretches credibility to breaking point. The Doctor, Jamie & Zoe are virtual spectators in this episode & don't actually do anything other than arrive.

The direction for The Seeds of Death is actually quite impressive although the usual poor production values & goofs are all to noticeable. The costumes look silly with everyone wearing their underwear on the outside, when the first technician runs away & is killed by the Ice Warrior at the start he is seen to run behind the control panel & is killed by a ray gun but the very next shot show's that Slaar & his Ice Warriors are still outside & only just approaching the control room door so who shot the technician? Within the first few minutes when Osgood talks to Miss Kelly his briefcase rubs against the computer panel with the flip switches on it & it visibly wobbles! I guess they just don't make computer panels like they used to. Slaar & his Ice Warriors are only seen right at the end as part of the cliffhanger.

The Seeds of Death: Episode One is an alright opening episode that I'm sure most Doctor Who fans will enjoy but the story requires the viewer to suspend their disbelief & not actually think about it which just isn't going to happen these days. I just don't think it holds up at all if you give it any sort of logical thought. Watchable in a fun dated sort of way but there are a lot of plot holes in it.
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One Giant Leap Backwards for Mankind
JamesHitchcock25 July 2014
Warning: Spoilers
Patrick Troughton can be seen as having established the tradition that each actor to play Doctor Who endows the character with his own unique personality. His Second Doctor is very different to William Hartnell's First- kindly, rather disorganised and somewhat dishevelled. (He has been called the "Hobo Doctor"). Unfortunately, only a comparatively small number of complete serials survive from his time, the reason being the short-sighted, penny-pinching policy of the BBC during the seventies, which allowed tapes of old programmes to be erased so they could be reused. Not only did this policy deprive us of irreplaceable material of historic interest, it also meant that, in the long run, the Beeb lost out financially, as much of this material could have been exploited commercially. "The Seeds of Death" is one of the few Second Doctor serials to survive in its entirety.

The Doctor and his companions Zoe and Jamie arrive in London at some unspecified time in the future, probably during the twenty-first or twenty-second century. In the intervening period between 1969 and 2100 (or whenever), life on Earth has been revolutionised by the invention of a teleportation technology called "T-Mat" (presumably working on the same principle as the transportation beams in "Star Trek") which enable people and objects to travel instantly anywhere on Earth. The whole system is controlled by a base on the Moon. Other forms of transport have become obsolete and are only found in museums. This includes space rockets; mankind has lost interest in exploring outer space and government funding for space programmes has been brought to an end. This probably seemed like blasphemy in 1969, the year which saw, a few months after this programme was broadcast, the first manned moon landing, but its prediction proved to be very prescient; manned space exploration has indeed come to an end through lack of funding. ("That's one giant leap backwards for mankind!")

Soon after the Doctor's arrival, the entire T-Mat system breaks down because of problems at the moonbase. The cause is initially unknown, but it transpires that the base has been captured by the Ice Warriors, a race of beings from the planet Mars, who hope to use it as a stepping- stone in their attempt to conquer Earth. (Ever since the days of H G Wells, the conquest of Earth has been the dearest ambition of every self-respecting Martian). The Ice Warriors were one of several aggressive, warlike enemy races featured in the series; this was their second appearance. (The first was in the now-incomplete adventure "The Ice Warriors"). Like the Cybermen, they were invented as substitute Daleks when the producers realised they could not include the Daleks in every episode. Unlike the mechanical Daleks, the Ice Warriors are reptilian in appearance, and speak in hissing, sibilant voices rather than electronic ones, but they share some essential Dalek characteristics. They have a technologically advanced civilisation, are resourceful and inventive, are coldly logical and emotionless and are utterly ruthless and amoral in their willingness to kill anyone who gets in their way. (They would probably say "destroy" rather than "kill", just as the Daleks would say "exterminate").

"Doctor Who" has sometimes been criticised for being "sexist" on the grounds that the Doctor's young, primarily female companions have little to do except standing around looking pretty, screaming, and running away from various monsters, generally ending with their being caught and having to be rescued. This criticism, however, would not apply to "The Seeds of Death", which features two attractive young women who are also strong and active and who play at least as important a role in defeating the Ice Warriors as does the Doctor himself. (The Doctor fades out of the programme altogether in the fourth episode; the ostensible explanation is that he has been knocked unconscious, but the real reason was that Troughton was on holiday!) The first is Wendy Padbury's Zoe Herriot, whose sweet girl-next-door looks and manner hide great intelligence and technical knowledge. The other is Louise Pajo's Gia Kelly, a brilliant T-Mat scientist who does not bother to hide her intelligence and knowledge at all. Her manner towards her male colleagues is often abrasive, but that is probably because she knows more than the lot of them put together. Another memorable character is Daniel Eldred, the crusty elderly scientist who is eccentric enough to believe that rockets and space travel still have a future- and is proved right.

The series contains one massive plot-hole. The Ice Warriors' plan involves sending the seeds of a deadly fungus to Earth, but this fungus has one weakness- it can be destroyed by water. Don't the Ice Warriors realise what a damp climate we have? (A similar plot-hole occurred in the recent science-fiction film "Signs"). An attempt to overcome this by reference to a "weather control station" is not entirely convincing. This weakness apart, however, "The Seeds of Death" is a pretty good adventure. It has some strong characters and manages to maintain tension over its six episodes by rationing information- we do not learn the full details of the Ice Warriors' plan until more than halfway through- and by that traditional device of ending each episode at some cliffhanging point. We are fortunate that this is one of the Second Doctor serials to survive.
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