Buffy fans tend to mock the infamous I, Robot...You, Jane, citing terrible dialogue like the somberly delivered, "If you're not jacked in, you're not alive." But in context, the line is SUPPOSED to sound dumb. Miss Calendar immediately undercuts it by saying, "Thank you. Fritz, for making us all sound like crazy people." The writers understood what they were doing. You're not meant to take it all that seriously.
Maybe I'm primed to be more forgiving to this treatment of the "terrors of technology" parable because anxiety about the Internet/AI was running rampant in genre fiction in the '90s, and most of it was much worse than this. The X-Files tried it (season one's "Ghost in the Machine"), Are You Afraid of the Dark had a stupid episode about gigapets or whatever, the Sci-Fi Channel had original movies where people were getting attacked by sentient coax cables. IRYJ taps into more grounded fears about the information superhighway, albeit in a lighthearted way.
It's also the first time we see conflict between Buffy and Willow, which I think is handled well. It's telling that Buffy expresses her paranoia about Willow getting catfished through concerns about "Malcolm's" physical appearance, which Willow maintains doesn't matter if you really know someone's heart. I guess on her dating profile today she would describe herself as a sapiosexual. It's consistent with the series as a whole--Buffy falls for hunks that are not good for her, while Willow's love interests are excessively supportive but not appearance-focused. (I'm ignoring Kennedy here, as one should.)
On a more superficial note, I laugh like an idiot when Xander tries to hop the fence and falls screaming to the ground. I enjoy Buffy tailing someone in a trench coat and dark glasses, especially since the disguise doesn't even work. And Moloch looks pretty cool in his cyborg-demon form. I do like the reveal that he DOES love Willow, in his own way...he just has a very twisted definition of love.
Maybe I'm primed to be more forgiving to this treatment of the "terrors of technology" parable because anxiety about the Internet/AI was running rampant in genre fiction in the '90s, and most of it was much worse than this. The X-Files tried it (season one's "Ghost in the Machine"), Are You Afraid of the Dark had a stupid episode about gigapets or whatever, the Sci-Fi Channel had original movies where people were getting attacked by sentient coax cables. IRYJ taps into more grounded fears about the information superhighway, albeit in a lighthearted way.
It's also the first time we see conflict between Buffy and Willow, which I think is handled well. It's telling that Buffy expresses her paranoia about Willow getting catfished through concerns about "Malcolm's" physical appearance, which Willow maintains doesn't matter if you really know someone's heart. I guess on her dating profile today she would describe herself as a sapiosexual. It's consistent with the series as a whole--Buffy falls for hunks that are not good for her, while Willow's love interests are excessively supportive but not appearance-focused. (I'm ignoring Kennedy here, as one should.)
On a more superficial note, I laugh like an idiot when Xander tries to hop the fence and falls screaming to the ground. I enjoy Buffy tailing someone in a trench coat and dark glasses, especially since the disguise doesn't even work. And Moloch looks pretty cool in his cyborg-demon form. I do like the reveal that he DOES love Willow, in his own way...he just has a very twisted definition of love.