Rich American Howard Latimer visits London, and bets 1,000 pounds that he can spend the night in a room that is said to be haunted.Rich American Howard Latimer visits London, and bets 1,000 pounds that he can spend the night in a room that is said to be haunted.Rich American Howard Latimer visits London, and bets 1,000 pounds that he can spend the night in a room that is said to be haunted.
- Hanson
- (as Eric Snowdon)
- Club Patron
- (uncredited)
- Club Patron
- (uncredited)
- Director
- Writers
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Storyline
Did you know
- TriviaAt the end of the episode, there is a promo for Alfred Hitchcock's newest film The Trouble with Harry (1955).
- GoofsHurstwood hands a gun to Latimer and tells him, "You have seven shots, in all." However, Latimer fires the gun nine times - once into the fireplace and eight more times when he's alone in the room.
- Quotes
[first lines]
Himself - Host: [Hitchcock is sitting in a high chair with a lit candle, a small box, and a couple of books all on a narrow desk in front of a closed door with a hung sign marked "QUIET"] Good evening. Do you believe in ghosts?
[the lit candle disappears]
Himself - Host: Of course not. I knew you didn't.
[the entire desk with the box and books disappears]
Himself - Host: Noise is the mortal enemy of good motion picture making and television broadcasting. That is why I hired this particular house. It is deathly quiet-
[people start screaming off screen; Hitchcock turns to look with mild annoyance]
Himself - Host: Most of the time. And its reputation for being haunted keeps away the curious.
[Hitchcock's high chair disappears]
Himself - Host: The shifting of scenery also seems to be better here. The human element has been removed. So, if you would just lean back and relax, I'll tell you a little ghost story. Please don't hesitate to turn out your lights. I'm sure the warm glow from the picture tube will be sufficient to melt all your fears of the dark. But, before we view with alarm, allow us to point with pride.
- SoundtracksFuneral March of a Marionette
Written by Charles Gounod
What i do notice as a dominant fact to much of the episodes is that we are always allowed to define the degree of human manipulation or super natural unexplained events that take place (or that is revealed to us). So, in this case, we suspect the American is being manipulated, but we also wonder whether we are being manipulated as well. The plot is predictable, but it leaves some shadows, which might be enough for us to wonder enough to feel in doubt. Is there a real ghost? Would the manipulators fall in their own trap and be caught in the middle of something they didn't understand? Would the American over top his deceivers and come out with something more clever? Well, apparently they chose the dullest solution. The American does exactly what is intended by the money chasers, everything is according to the book (not the one he reads, i wish it was according to that). We have a minor twist, of finding out what happened to the American after the night in the mansion, but instead of fun irony, they moralize. Bad choice, to me.
So it fails in the plot, and to me it fails in the building of the tension in the ghost house. That has to do with direction, but also probably due to the ghost itself, which is laughable by today's production standards, so it is badly dated.
My opinion: 1/5
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- RResende
- Nov 5, 2009
Details
- Runtime30 minutes
- Color
- Aspect ratio
- 1.33 : 1