| Frank Adams-Brown | ... | Wolfgang Mozart as a child | |
| Debbie Arnold | ... | Female Voices | |
| Sean Barrett | ... | Leopold Mozart | |
| John Davies | ... | Male Voices | |
| Renée Fleming | ... | Herself | |
| Lang Lang | ... | Himself | |
| Louis Langrée | ... | Himself | |
| Juliet Stevenson | ... | Narrator | |
| Sam West | ... | Wolfgang Mozart |
Directed by | |||
| Phil Grabsky | |||
Writing credits(in alphabetical order) | ||
| Phil Grabsky | writer | |
Cinematography by | |||
| Phil Grabsky | |||
Film Editing by | |||
| Phil Reynolds | |||
Sound Department | |||
| Ben Ormerod | .... | sound editor | |
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| An Evening with Kiri Te Kanawa | What Made Mozart Tic | Kylie | Feltham Sings | Concert for George |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb UK section | Add this title to MyMovies |
Stunning. Bought the DVD but loved seeing it in the cinema more. And hearing it too. I really liked the voices used - Sam West to read Mozart was smart but Juliet Stephenson narrating added a lovely tone (and a female side to a largely male film). The thing that impresses at first is the wide variety of interviewees and performers - I loved Ronald Brautigam and also the Orchestra of the 18th century. Lang Lang is funny and endearing too. Most insightful historians were Jonathan Miller and Cliff Eisen - but it's a cracking good story well told. I'd have liked it longer but that's because sometimes the music extracts seem a bit short but there's a lot to fit in. Beautiful camera-work but best of all is the editing - what a task that must have been. Best of all: no dramatic reconstructions apart from one or two stagecoach wheels turning here and there (not really needed but no big deal). Def recommend you make the effort to see it.