Looking for the killer wave may actually kill you. The location South of the Border is called the "Point of Open Eyes" and seems ideal for surfing and screwing, and five young adults decide to drive down there hoping to "ride the perfect wave". Beautiful Americans far from home, in a stunning secluded beach, the gorgeous waves crashing, seems enthralling, doesn't it? I guess looks can be deceiving. You know what they say, that which seems too good to be true normally is. Upon entering Mexico, it doesn't take very long before our Americans are engaged in not-so-pleasant relations with the locals. After resolving this minor squabble, the gang come across a gas station seemingly abandoned, finding a Mexican devouring a live chicken as it was squirming relentlessly to escape, setting up the rest of the movie..could the group come across savages with a hunger for something other than live chickens? You might could use the description of beauty and the beasts regarding the peninsula and the human monsters which occupies it. As presented in the movie, the savages hunt and move like a pack of ravenous wolves, ripping into their meal without restraint. Director Ian McCrudden does apply the less-is-more approach, but does establish the kind of predatory fiends these savages are..there's this cool scene where we see a huge pit of bones, with all kinds of skeletal remains, cattle, dogs, humans. There's even one doozy of a scene where Colin and Rose find Tyler's group's compound, with a freshly skinned alive corpse inside one of the tents. They are quite ferocious and bloodthirsty, snarling and menacing..they are photographed in a manner where we can not quite see them for any length of time. The movie looks to have been shot on digital, in the steadicam method so visually you will have to adjust accordingly.
We get an idea of where the savages come from, considered the "curse of El Gringo." I think this herein lies the film's problem. It seems that oftentimes the filmmakers need to weave an elaborate backstory for the predators of their movie. I think I'm not the only one who doesn't necessarily demand an explanation as to why these savages exist in such a way. And, the possession angle for the savages just removes the realism of quite a harrowing survival storyline. These characters caught in what seemed like the perfect tourist trap, actually lives up to it's title in that they find themselves imprisoned in the sand dunes shrouded by the dark, with the savages out there somewhere lurking, an insatiable hunger for human flesh. That more than satisfies me, but to incorporate a mythos for them seems forced when unneeded.
"It's really eerie out here, in the middle of nowhere."--Ashley.
Colin's older brother Tyler invited him to the spot and when they get there, he and his mates are missing. Colin(Kaiwi Lyman) is a blond surfer, and Ashley(Michelle Borth) is Colin's girlfriend. Ashley's gal pal, Rose(Joleigh Fioravanti;Hatchet)tags along as does Colin's male buddies, Javier(Jon Ada)and Lucky(Alex Feldman). Javier brings along his guitar and Rose is more than interested in him, not knowing he's homosexual. Rose, though, seems perfectly fine flirting with Colin, as well. Ashley doesn't appreciate Rose's unbridled and aware lust for Colin, not acknowledging that he's taken. Lucky is the tag-along no one really asked to accompany them on the trip, he sort of invited himself. He has a camcorder which is utilized in the plot when he vanishes after seeing some horrifying things. When the group break up into pairs, Javier and Ashley riding off on a bike to ask locals what happened to Tyler and company, while Colin and Rose look around the beach for the compound. This is when nightfall soon occurs and the creatures come out to hunt.
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