Neil Young: Heart of Gold (2006)

Director:

Jonathan Demme

Release Date:

11 May 2006 (Australia)

Genre:

Documentary | Music

Tagline:

From the director of one of the greatest music movies ever - The Talking Heads' STOP MAKING SENSE

Plot:

A film shot over during a two-night performance by Neil Young at Nashville's Ryman Auditorium. |

Plot Keywords:

Folk Music | Country Music | Concert Film | Non Fiction | Character Name In Title

Awards:

1 win & 1 nomination

US TV Schedule:

Sun. May 25

7:40 AM

TMC

Cast

Neil Young	...	Himself
Emmylou Harris	...	Herself
Ben Keith	...	Himself
Spooner Oldham	...	Himself
Rick Rosas	...	Himself
Karl T. Himmel	...	Himself (as Karl Himmel)
Chad Cromwell	...	Himself
Wayne Jackson	...	Himself
Pegi Young	...	Herself
Grant Boatwright	...	Himself
Diana DeWitt	...	Herself
Gary W. Pigg	...	Himself (as Gary Pigg)
Anthony Crawford	...	Himself
Tom McGinley	...	Himself
Jimmy Sharp	...	Himself

Also Known As:

Prairie Wind (USA) (working title)

MPAA:

Rated PG for some drug-related lyrics.

Runtime:

103 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

Ireland:G | USA:PG (MPAA #42291) | Australia:PG (DVD rating) | Sweden:Btl | Finland:K-3 | UK:PG | Australia:G | Singapore:PG

Filming Locations:

Nashville, Tennessee, USA

Company:

Clinica Estetico

Movie Connections:

Referenced in "The Daily Show: (2006-03-08)" (2006)

Soundtrack:

Four Strong Winds

Concert gold.

When Neil Young breaks from singing his own lyrical compositions in Neil Young: Heart of Gold to sing what he calls the most beautiful song ever composed, I knew exactly which Canadian piece it would be, for it was mine too. I listened as a young man to Ian Tyson's "Four Strong Winds" for an entire evening, over and over, as Young did emptying his pockets for a juke box at i6 years old in Calgary. Young had my heart for this performance and a lifetime.

At this point in Jonathan Demme's two days of filming Young and friends at Nashville's Ryman Auditorium, weeks before his operation for a brain aneurysm, I also knew this was the best concert film I had seen in recent memory.

Young's singing Tyson's song symbolized the real heart of gold he so obviously has calling someone else's work the best. In this film, however, no one could be better than Young. His voice seems to have lost none of its resonance and feeling since his searching for a heart of gold song made him almost iconic; his stories, such as one about his guitar coming from Hank Williams and then set to song in The Old Guitar, make the only bridges necessary among songs in a concert of songs. When he duets with Emmylou Harris on that song, her delivery seems consciously stoic in order to let Young's understated performance be the gold standard that night.

Demme, who has successes with Stop Making Sense and Storefront Hitchcock, concentrates most of his shots on close-ups of Young, whose low-key style demands the audience get as close as possible. The backgrounds change on the theme of his new album, Prairie Wind, so that a new mural of the southwest is brought across as the songs change.

Concert gold.