Red Road (2006)
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- Not Rated
- 1h 53min
- Drama, Mystery
- 27 Oct 2006 (UK)
- Movie
Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she...
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Director:
Writers:
Stars:
Awards:
- 22 wins & 12 nominations.
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Photos and Videos
Cast
| Kate Dickie | ... |
Jackie
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| Tony Curran | ... |
Clyde
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| Martin Compston | ... |
Stevie
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| Natalie Press | ... |
April
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| Paul Higgins | ... |
Avery
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Andrew Armour | ... |
Alfred
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Carolyn Calder | ... |
Cleaner
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John Comerford | ... |
Man With Dog
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Jessica Angus | ... |
Bronwyn
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Martin McCardie | ... |
Angus
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Martin O'Neill | ... |
Frank
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Cora Bissett | ... |
Jo
(as Cora Bisset)
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Charles Brown | ... |
Broomfield Barman
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Annie Bain | ... |
Aunt Kath
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Frances Kelly | ... |
Woman in Denim Skirt
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John McDonald | ... |
Broomfield Barman
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William Cassidy | ... |
Stevie's Dad
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Sarah Haworth | ... |
Police Woman
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Elizabeth Allan | ... |
Kind Lady on Bus
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| Anne Kidd | ... |
Brenda
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Allan Sawers | ... |
Rob
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Frances McEwan | ... |
Woman Who Flirts with Clyde
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Anne McColgan | ... |
Purple Coat with Cat
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Graeme Wright | ... |
Top Man Jacket
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Sanije Robeli | ... |
Blonde Cleaner
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| Rest of cast listed alphabetically: | |||
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Neil Cairns | ... |
Lawyer (uncredited)
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Directed by
| Andrea Arnold | ||
Written by
| Andrea Arnold | ... | (written by) |
| Lone Scherfig | ... | (characters) & |
| Anders Thomas Jensen | ... | (characters) |
Produced by
| Gillian Berrie | ... | executive producer |
| Claire Chapman | ... | executive producer |
| Carrie Comerford | ... | producer |
| Leonard Crooks | ... | executive producer (as Lenny Crooks) |
| Marie Gade Denessen | ... | co-producer (as Marie Gade) |
| Anna Duffield | ... | associate producer |
| Wendy Griffin | ... | line producer |
| Sisse Graum Jørgensen | ... | executive producer (as Sisse Graum Jorgensen) |
| David M. Thompson | ... | executive producer |
| Paul Trijbits | ... | executive producer |
Music by
| Glenn Gregory | ||
Cinematography by
| Robbie Ryan | ... | director of photography |
Editing by
| Nicolas Chaudeurge | ||
Editorial Department
| Matt Adams | ... | digital intermediate producer |
| Brian Coffey | ... | post-production coordinator |
| Rob Gordon | ... | digital on-line editor |
| Emily Greenwood | ... | assistant digital on-line editor |
| John Hinchliffe | ... | digital intermediate technical manager |
| Patrick Malone | ... | digital intermediate producer |
| Anna Mehta | ... | assistant editor: Scotland |
| Steve Mercer | ... | assistant editor: London |
| Alexandra Montgomery | ... | post-production paperwork |
| Michael Nollet | ... | assistant editor: London |
| Rob Pizzey | ... | digital colorist |
| Tom Thomson | ... | editing trainee: Scotland |
| Laurent Treherne | ... | digital intermediate technical director |
| Paul Jones | ... | digital intermediate manager (uncredited) |
Casting By
| Kahleen Crawford | ||
| Des Hamilton | ||
Production Design by
| Helen Scott | ||
Costume Design by
| Carole Millar | ... | (as Carole K. Millar) |
Makeup Department
| Sarah Fidelo | ... | makeup designer |
| Niamh Morrison | ... | makeup artist |
| Tracy Young | ... | daily makeup trainee (uncredited) |
Production Management
| Fiona Morham | ... | head of production: UK Film Council |
| Emma Murphy | ... | post-production supervisor |
| Jenny Williams | ... | head of production: Glasgow Film Council |
| Emma Zee | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Andrew Gardiner | ... | third assistant director |
| Jo Gibson | ... | additional first assistant director |
| Ray Kenny | ... | second assistant director |
| Kathleen Wishart | ... | first assistant director |
| Ewan Stewart | ... | additional assistant director: dailies (uncredited) |
Art Department
| Douglas Ferguson | ... | property master |
| Angus Gentleman | ... | stand-by props |
| Iain Gower | ... | art department runner (as Ian Gower) |
| Janice Macrae | ... | prop buyer (as Janice MacRae) |
| Shona Paton | ... | art department assistant |
| Sue Porter | ... | prop buyer |
| Charles Wright | ... | construction |
Sound Department
| Iain Anderson | ... | sound effects editor |
| Phillip Barrett | ... | foley recordist (as Phill Barratt) |
| Nicolas Becker | ... | foley artist |
| Martin Belshaw | ... | sound recordist |
| Mark DeSimone | ... | adr mixer |
| Colin Gregory | ... | boom operator |
| Paul Hanks | ... | foley artist |
| Kahl Henderson | ... | dialogue editor / re-recording mixer |
| Lorraine Keiller | ... | foley editor |
| Douglas MacDougall | ... | sound designer |
| Micheal MacKinnon | ... | adr recordist (as Michael McKinnon) |
| Ian Morgan | ... | adr supervisor |
| Ian Palmer | ... | sound assistant |
| Chris Sinclair | ... | re-recording mixer |
| Lauren Ana Walker | ... | preview sound mixer (as Lauren Walker) |
| Florent Lavallée | ... | foley recordist (uncredited) |
Visual Effects by
| Michael Deming | ... | digital film bureau |
| Louise Hussey | ... | visual effects producer: Rushes Post Production |
| Alex Llewellyn | ... | compositor: Rushes Post Production |
| Mark Pascoe | ... | compositor: Rushes Post Production |
| Jonathan Privett | ... | visual effects supervisor: Rushes Post Production |
| Lee Tibbetts | ... | compositor: Rushes Post Production |
| Jocelin Capper | ... | Managing Director Rushes Film & TV (uncredited) |
| John Palmer | ... | digital film bureau manager: Laser Record (uncredited) |
| Jez Tucker | ... | senior systems administrator (uncredited) |
Stunts
| Clive Curtis | ... | stunt coordinator |
| Levan Doran | ... | stunt double: Avery |
| David Goodall | ... | fight coordinator |
| Ian Kay | ... | stunt performer |
| Rod Young | ... | fight coordinator |
Camera and Electrical Department
| Paul Bates | ... | electrician |
| Jaime Feliu-Torres | ... | focus puller |
| Holly Horner | ... | still photographer |
| Naresh Kaushal | ... | camera trainee |
| Callum Milne | ... | electrician |
| Scott Napier | ... | gaffer |
| Chris Shaw | ... | camera assistant |
Costume and Wardrobe Department
| Danni Millar | ... | wardrobe supervisor |
Location Management
| Jennifer Brooks | ... | location assistant |
| Naomi Liston | ... | location manager |
| Neil Murray | ... | location daily |
Music Department
| Nicolas Becker | ... | additional musical sounds |
| Roz Colls | ... | music supervisor: Music Matters |
| Keith Lowndes | ... | musician |
Script and Continuity Department
| Iain Andrew | ... | script supervisor |
Transportation Department
| Iain Gower | ... | additional driver: minibus (as Ian Gower) |
| Euan Milne | ... | driver: minibus |
Additional Crew
| James Armitage | ... | legal service: Lee & Thompson |
| Tack Baldwin | ... | harness advisor |
| Andy Boyd | ... | location and set security and assistance |
| Mary Brehony | ... | legals: Scottish Screen |
| Neil Cairns | ... | production accountant |
| Neil Calder | ... | completion guarantor: Film Finances Inc. |
| Emma Clarke | ... | senior production executive: UK Film Council |
| Brian Collins | ... | Location Security |
| Anita Cox | ... | business affairs: Scottish Screen |
| Tone Davies | ... | laboratory contact: Soho Images |
| Tone Davis | ... | laboratory contact: Soho Images |
| Lars Dela | ... | technical liaison: Mainstream ApS |
| Jeremy Gawade | ... | legal services: Lee & thompson |
| Robin Haig | ... | floor runner |
| Wendy Kidd | ... | publicity notes |
| Anders Kjærhauge | ... | legal services: Zentropa Administration ApS (as Anders Kjaerhauge) |
| Kathleen Lambie | ... | production secretary (as Kathleen MacLeod) |
| Margaret McDonald | ... | production coordinator |
| Neil Murray | ... | additional floor runner |
| Natasha Pilbrow | ... | legal services: Lee & Thompson |
| Martin Poultney | ... | representative: Ascent Media Group |
| Jennifer Reynolds | ... | production executive: Glasgow Film Office |
| Carole Sheridan | ... | development: Scottish Screen |
| Dave Stewart | ... | animal handler |
| Natalie Usher | ... | business affairs: UK Film Council (as Natalie Bass) |
| Paul Zieleniec | ... | assistant production accountant |
| Mary Brehony | ... | Legal Services: Scottish Screen (uncredited) |
Thanks
| Beth Allan | ... | thanks |
| Haydn Arnold | ... | thanks |
| Guillermo Arriaga | ... | thanks |
| Kara Baker | ... | thanks |
| Matthew Bates | ... | thanks |
| Jeff Betancourt | ... | thanks |
| Teresa Campbell | ... | thanks |
| Francoise Certin | ... | thanks |
| Valentine Chaudeurge | ... | thanks |
| Katie Clare | ... | thanks |
| Arnold Clark | ... | thanks |
| Chris Collins | ... | thanks |
| Chris Curling | ... | thanks |
| Wendy de Silva | ... | thanks |
| Karen Fielding | ... | thanks |
| Naomi Foner | ... | thanks |
| Peter Galletly | ... | thanks |
| Peter Garde | ... | thanks |
| Todd Graff | ... | thanks |
| Matthew Greenfield | ... | thanks |
| Matt Hale | ... | thanks |
| Steve Inch | ... | thanks |
| Peter Aalbæk Jensen | ... | thanks |
| Donald Francis Michael John | ... | thanks |
| Kees Kasander | ... | thanks (as Kees Kassander) |
| Myron Kerstein | ... | thanks |
| Alex Knights | ... | thanks |
| Coral Knights | ... | thanks |
| Lucy Lee | ... | thanks |
| Craig Lucas | ... | thanks |
| Dan Macrae | ... | thanks |
| Anne Maitland | ... | thanks |
| Clive Maitland | ... | thanks |
| Ilyse McKimmie | ... | thanks |
| Morag McKinnon | ... | thanks (as Morag Mckinnon) |
| Mike Mohan | ... | thanks |
| Patrick Morrison | ... | thanks |
| Walter Mosley | ... | thanks |
| Louise Muller | ... | thanks |
| Pia Nielsen | ... | thanks |
| Mikkel Nørgaard | ... | thanks |
| Sarah Perry | ... | thanks |
| Angus Pigott | ... | thanks |
| Alastair Reid | ... | thanks |
| Howard A. Rodman | ... | thanks (as Howard Rodman) |
| Michelle Saffer | ... | thanks |
| Eyal Shaphyr | ... | thanks (as Eyal Shapyr) |
| Jenny Shaw | ... | thanks |
| Susan Shilliday | ... | thanks |
| Sandhya Suri | ... | thanks |
| Karen Syratt | ... | thanks |
| Sarah Wells | ... | thanks |
| Alesia Weston | ... | thanks |
| Zuba | ... | thanks |
Production Companies
- Advanced Party Scheme
- BBC Film
- Glasgow Film Office
- Scottish Screen
- Sigma Films (in co-operation with)
- UK Film Council
- Verve Pictures
- Zentropa Entertainments (co-producer)
- Zoma Films Ltd. (in cooperation with)
Distributors
- Verve Pictures (2006) (United Kingdom) (theatrical)
- Eclipse Pictures (2006) (Ireland) (theatrical)
- Palisades Tartan (2006) (United States)
- A-Film Distribution (2007) (Netherlands) (theatrical)
- A-Film Home Entertainment (2007) (Netherlands) (DVD)
- Arkles Entertainment (2007) (Australia) (DVD)
- California Filmes (2007) (Brazil)
- Frenetic Films (2007) (Switzerland) (theatrical)
- Palisades Pictures (2007) (United States)
- Tartan (2007) (United States) (theatrical)
- Vivarto (2007) (Poland)
- SundanceTV (2008) (United States) (tv) (as Sundance Channel)
- Fugu-Filmverleih (2007) (Germany) (theatrical)
Special Effects
- Rushes Post Production (visual effects)
Other Companies
- Arnold Clarke Car Hire (vehicles)
- Audiolink Radio Communications (walkie talkies)
- Bellwood Media (negative check)
- Cannes Film Festival (festival)
- Compuhire (video playback)
- Fatts (post-production script services)
- Film Finances (completion guarantor)
- GT Caterers (catering and facilities)
- Invicta Capital (sale and leasdback financing)
- J & E Post Production (post-production paperwork)
- J & E Post Production (post-production supervision)
- Lee & Thompson (legal services)
- Lee Lighting (electrician dailies)
- Mainstream ApS (sound mix studio)
- Media Insurance Brokers (MIB) (insurance)
- Music Matters (music supervision)
- One Post (digital intermediate)
- Savalas Audio Post-Production (sound post-production)
- Soho Images (film laboratory services)
- St. Anne's Post (post-production facilities)
- Sundance Film Festival (festival)
- Teknik Facilities (equipment facilities)
- The Film Editors [gb] (edit suites)
- Toronto International Film Festival (festival)
- Zentrope Administration (legal service: Zentropa)
Storyline
| Plot Summary |
Whilst working as a CCTV operator in Glasgow's working-class Red Road estate, Jackie sees a face from the past, a face that she thought would no longer haunt her dreams. Keeping her distance, and with the use of her CCTV cameras, she follows the face and the man and she finally decides to confront him. It is here that past lives are once again entwined and reconciliations are aired. Written by Cinema_Fan |
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| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Cumulative Worldwide Gross | $866,550 |
Did You Know?
| Trivia | Red Road is the first of three films made at the behest of The Advance Party, a Danish project inspired by Lars von Trier, who challenged Arnold and two other new directors to create films with the same group of characters. See more » |
| Goofs | The video screens in the surveillance centre do not show the date and time, which would severely limit their usefulness as filmed evidence in real life. The date and time have clearly been disabled to avoid continuity errors in filming. The 'shadow' of the numbers is however visible. See more » |
| Movie Connections | Featured in Top 20 Incredible Movies by First-Time Directors (2021). See more » |
| Soundtracks | Cha Cha Slide See more » |
| Quotes |
Clyde:
Do you know what I wonder about you? Jackie: What? Clyde: How your cunt taste like. [looking at Clyde blankly, not being surprised at all] Clyde: Shocked? Jackie: [blankly] Not really. See more » |