A young programmer is selected to participate in a ground-breaking experiment in synthetic intelligence by evaluating the human qualities of a highly advanced humanoid A.I.
Director:
Writer:
Awards:
- Won 1 Oscar. Another 73 wins & 161 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Domhnall Gleeson | ... |
Caleb
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| Alicia Vikander | ... |
Ava
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| Oscar Isaac | ... |
Nathan
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| Sonoya Mizuno | ... |
Kyoko
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| Corey Johnson | ... |
Jay
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 |
Claire Selby | ... |
Lily
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Symara A. Templeman | ... |
Jasmine
(as Symara Templeman)
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| Gana Bayarsaikhan | ... |
Jade
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Tiffany Pisani | ... |
Katya
|
| Elina Alminas | ... |
Amber
(as Lina Alminas)
|
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| Rest of cast listed alphabetically: | |||
| Chelsea Li | ... |
Office Worker (uncredited)
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Caitlin Morton | ... |
Office Worker (uncredited)
|
| Deborah Rosan | ... |
Office Manager (uncredited)
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Evie Wray | ... |
Secretary (uncredited)
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Directed by
| Alex Garland | ||
Written by
| Alex Garland | ... | (written by) |
Produced by
| Eli Bush | ... | executive producer |
| Caroline Levy | ... | line producer |
| Andrew Macdonald | ... | producer |
| Allon Reich | ... | producer |
| Tessa Ross | ... | executive producer |
| Scott Rudin | ... | executive producer |
| Jason Sack | ... | associate producer: Scott Rudin Productions |
| Joanne Smith | ... | associate producer |
| Jarle Tangen | ... | line producer: Norway |
Music by
| Geoff Barrow | ||
| Ben Salisbury | ||
Cinematography by
| Rob Hardy | ||
Editing by
| Mark Day | ||
Editorial Department
| Hermione Byrt | ... | first assistant editor |
| Tom Cairns | ... | digital intermediate conform editor |
| James Corless | ... | operations manager: Pinewood Digital |
| Michelle Cort | ... | digital intermediate conform editor |
| Johnathan Wei Dickinson | ... | data transfer |
| Tim Drewett | ... | digital intermediate conform editor |
| J.D. Funari | ... | teaser trailer editor |
| Steve Harrow | ... | post production consultant |
| Matt James | ... | digital intermediate manager |
| Francois Kamffer | ... | digital intermediate coordinator (as François Kamffer) |
| Todd Kleparski | ... | senior digital intermediate producer |
| Justin Lanchbury | ... | digital intermediate film consultant |
| Jonny Monks | ... | data transfer |
| Lizzie Newsham | ... | data transfer |
| Erline O'Donovan-Clarke | ... | assistant editor (as Erline O'Donovan) |
| Steve Owen | ... | digital intermediate conform editor |
| George Papuashvili | ... | additional post-production services |
| Gareth Parry | ... | on-line editor |
| Jamie Welsh | ... | digital intermediate conform editor |
Casting By
| Francine Maisler | ||
Production Design by
| Mark Digby | ||
Art Direction by
| Katrina Mackay | ||
| Denis Schnegg | ... | supervising art director |
Set Decoration by
| Michelle Day | ||
Costume Design by
| Sammy Sheldon | ... | (as Sammy Sheldon Differ) |
Makeup Department
| Chris Fitzpatrick | ... | prosthetic technician |
| Sian Grigg | ... | hair designer / makeup designer |
| Shaune Harrison | ... | prosthetics lifecasting |
| Colum Mangan | ... | prosthetics lifecasting |
| Charlotte Rogers | ... | makeup artist |
| Tristan Versluis | ... | key prosthetic artist |
| Ray Marston | ... | wigmaker (uncredited) |
Production Management
| Sara Desmond | ... | unit production manager |
| Clare St. John | ... | post-production supervisor |
| Tor Arne Øvrebø | ... | production manager |
Second Unit Director or Assistant Director
| Gayle Dickie | ... | third assistant director |
| Nick Heckstall-Smith | ... | first assistant director |
| Ray Kenny | ... | second assistant director |
| Tonje S. Rolland | ... | second assistant director: Norway |
Art Department
| George Ausburger | ... | carpenter |
| Jo Berglund | ... | assistant buyer |
| Sean Board | ... | dressing prop |
| Andrea Bond | ... | scenic painter |
| Tiffany M. Carpenter | ... | graphic designer |
| Charlie Cobb | ... | fine art painter |
| Ian Cooper | ... | dressing prop |
| Dan Crandon | ... | construction manager |
| Oliver Cubbage | ... | concept artist |
| Lauren Doss | ... | art department assistant |
| Charles Edwards | ... | clearances |
| James Enright | ... | asset producer |
| Emma Field-Rayner | ... | props buyer |
| Jamie Goodfellow | ... | plasterer |
| Bruce Gordon | ... | sculptor |
| David Gray | ... | standby rigger |
| Josh Hartnett | ... | stand by props |
| Ian Hazlewood | ... | painter |
| Gustav Hoegen | ... | props |
| Claire Holland | ... | scenic painter |
| Clare Holland | ... | scenic painter |
| Jason Htay | ... | carpenter |
| Simon Hutchings | ... | scenic painter (as Simon Hutchins) |
| Jock | ... | ava concept artist |
| Matthew Kerly | ... | draughtsman |
| Nigel Kirk | ... | scenic painter |
| Robin Lawrence | ... | props |
| Joe Linfield | ... | dressing prop |
| Dan Marsden | ... | carpenter |
| Ginger McCarthy | ... | head construction rigger |
| Lisa McDiarmid | ... | stand-by art director |
| Lara Murray | ... | head scenic painter |
| Tom Newton-Chance | ... | carpenter |
| Philip O'Connell | ... | props |
| Seb Palmer | ... | carpenter |
| Matthew Parsons | ... | scenic painter |
| Steve Patterson | ... | carpenter |
| Kathryn Pyle | ... | production buyer |
| Paul Rigby | ... | carpenter |
| Paul Robinson | ... | chargehand stand-by props |
| Martin Rootes | ... | dressing prop |
| Richard Rowntree | ... | additional greens: Palmbrokers |
| Laura Savage | ... | art department assistant |
| Matt Sedgewick | ... | prop modeller |
| Jessica Sinclair | ... | concept artist |
| Tom Symes | ... | carpenter |
| Kouji Tajima | ... | concept aritst |
| Andrew Tapper | ... | graphic designer |
| Nick Thomas | ... | property master |
| Joe Vassallo | ... | scenic painter |
| Ketan Waikar | ... | assistant art director |
| Mark Wallis | ... | charge hand carpenter: Norway |
| Keith Weir | ... | storyboard artist |
| Carl Wilson | ... | senior propmaker |
| Bugra Yilmaz | ... | assistant art director (creditOnly) |
| Gary Bird | ... | carpenter (uncredited) |
| Tony Hoskins | ... | carpenter (uncredited) |
| Jamie Knight | ... | props (uncredited) |
| Gary Moore | ... | carpenter (uncredited) |
| Tim Powis | ... | construction (uncredited) |
| Caradoc Rouse | ... | carpenter (uncredited) |
| Rob Seex | ... | prop modeller: Propshop (uncredited) |
| Donna Turner | ... | scenic painter (uncredited) |
| Steve Williams | ... | carpenter (uncredited) |
Sound Department
| Niv Adiri | ... | re-recording mixer / sound design editor |
| Ben Barker | ... | sound design editor |
| Nicolas Becker | ... | foley artist |
| Peter Burgis | ... | foley artist |
| Gillian Dodders | ... | adr & dialogue editor |
| Danny Freemantle | ... | sound effects editor |
| Glenn Freemantle | ... | sound designer / supervising sound editor |
| Nick Freemantle | ... | assistant sound editor |
| Glen Gathard | ... | foley mixer |
| Peter Gleaves | ... | adr mixer |
| Peter Hanson | ... | foley editor |
| Bobby Johanson | ... | adr mixer |
| Mitch Low | ... | production sound mixer |
| Stephane Malenfant | ... | boom operator |
| Rolf Martens | ... | mix technician |
| Jonathan Martins | ... | fr dub recordist |
| Matthias Neumann | ... | dubbing recordist |
| Jemma Riley-Tolch | ... | assistant foley mixer |
| Michael Rivera | ... | adr recordist |
| Jason Stevens | ... | sound negative |
| Ian Tapp | ... | re-recording mixer |
| Mike Tehrani | ... | adr recordist |
| Jack Woods | ... | sound assistant |
| Ken Yasumoto | ... | design fx recordist |
| Mark Appleby | ... | adr mixer (uncredited) |
Special Effects by
| Richard Conway | ... | special effects supervisor |
| Neill Gorton | ... | prosthetic effects designer: Millennium FX |
| Martina Hawkins | ... | prosthetic effects admin: Millennium FX |
| Rhiannon Marshall | ... | model making assistant: Millennium FX |
| Rob Mayor | ... | special props |
| Stephen McClure | ... | model maker: Millennium FX |
| Tim Quinton | ... | workshop runner: Millennium FX |
| Nick Smith | ... | senior technician |
| Kate Walshe | ... | prosthetic effects producer: Millennium FX |
| Mark White | ... | senior special effects technician / special effects floor supervisor |
| Rosie Whittle | ... | mould making assistant: Millennium FX |
Visual Effects by
| Dominic Alderson | ... | lighting technical director |
| Neil Alford | ... | compositor: Milk Visual Effects |
| Kanika Andrew | ... | roto/prep artist: Double Negative |
| Mike Andrews | ... | digital restoration |
| Tolga Ari | ... | visual effects artist: Double Negative |
| Eric Bachtiar | ... | studio data assistant |
| Michael John Baker | ... | roto artist: Double Negative |
| Michael Jeff Baldemoro | ... | roto/prep artist: Double Negative |
| Giulia Ballone | ... | digital restoration: Milk Visual Effects |
| Adam Barnett | ... | tech support |
| Keith Barton | ... | technical support: Milk Visual Effects |
| Katie Bell | ... | production support |
| Sara Bennett | ... | visual effects supervisor: Milk Visual Effects |
| Martin Bohm | ... | visual effects artist: Double Negative |
| Mark Boorer | ... | research and development |
| James Braid | ... | technology: Double Negative |
| Adam Broderick | ... | digital compositor |
| Daniel Caffrey | ... | matchmove artist: Double Negative |
| Ignacio Caicoya | ... | Double Negative |
| Aaron Carey | ... | research and development |
| Benjamin Carlson | ... | vfx production coordinator: Double Negative |
| Vasco Cerqueira | ... | compositor: Milk Visual Effects |
| Chris Chadwick | ... | matchmover: Double Negative |
| Jerly Chang | ... | lighting td: Double Negative |
| Josh James Chappell | ... | matchmove artist: Double Negative |
| Ricky Cheung | ... | prep artist |
| Nick Chiang | ... | roto prep artist |
| Giuseppe Chisari | ... | character td |
| Laurence Chong | ... | matchmove artist: Double Negative |
| Bun Yue Choy | ... | roto prep artist: Double Negative |
| Francesco Cosatti | ... | digital compositor: Double Negative |
| Beren Croll | ... | digital restoration (as Beren Sowter-Croll) |
| Kelvin Daley | ... | digital restoration |
| Alistair Darby | ... | visual effects artist: Double Negative |
| Russell Darling | ... | research and development: Double Negative |
| Richard Diver | ... | visual effects editor: Double Negative |
| Nick Drew | ... | visual effects executive producer: Milk VFX |
| Lorna Dumba | ... | head of production: Milk VFX |
| Kimberley Dunne | ... | visual effects artist |
| Finella Fan | ... | visual effects artist |
| Stuart Farley | ... | cg supervisor: Double Negative |
| Liam Farnham | ... | matchmove artist: Double Negative |
| Amy Felce | ... | lead matchmove (as Amy Lloyd) |
| Ricardo Ferreira | ... | digital compositor |
| Izzy Field | ... | data wrangler |
| Tim Field | ... | visual effects producer |
| Gabriele Filippelli | ... | digital compositor |
| Clement Gharini | ... | digital compositor: Milk Visual Effects |
| Paolo Giordana | ... | lighting td: Double Negative |
| Henning Glabbart | ... | digital compositor: Milk Visual Effects |
| Harrison Goldstein | ... | visual effects line producer: Double Negative |
| Sam Gunn | ... | generalist td: Double Negative |
| Steve Gurr | ... | motion graphic artist: previz |
| Simon Gustafsson | ... | concept artist |
| James Guy | ... | visual effects artist: double negative |
| Varun Hadkar | ... | visual effects: Double Negative |
| Luan Hall | ... | junior compositor |
| Laurent Hamery | ... | shader writer |
| Sam Hanover | ... | bodytrack artist: Double Negative |
| Pete Hanson | ... | studio manager: Double Negative |
| Nicolas Hernandez | ... | cg supervisor: Milk Visual Effects |
| Christopher Hiess | ... | atd: Double Negative |
| Sarah Iduwe | ... | digital compositor |
| Muhammad Hidayat Bin Isnin | ... | roto artist: Double Negative |
| Sana Jamie | ... | facilities crew |
| Chris Jestico | ... | vfx company scheduler |
| David Jones | ... | visual effects artist: Milk Visual Effects |
| Fatemeh Khoshkhou | ... | digital restoration producer |
| Duncan Kinnaird | ... | visual effects artist |
| Michelle Kuginis | ... | visual effects coordinator |
| Matthew Leach | ... | r&d |
| Alexis Lemonis | ... | visual effects artist (as Alexis) |
| Luka Leskovsek | ... | compositor: Milk Visual Effects |
| Benoit Leveau | ... | head of software: Milk VFX |
| Jules Lister | ... | prep artist |
| John Lockwood | ... | visual effects supervisor |
| Esther Lopez Rodriguez | ... | matchmove artist / matchmove artist: Double Negative |
| Michael Lowry | ... | prep artist |
| Will Lucas | ... | visual effects |
| Alex James Macieira | ... | matchmove supervisor: Double Negative |
| Garry Maddison | ... | vfx colourist: Double Negative |
| Greg Malkin | ... | matchmove artist: Double Negative |
| Matthew Crowe | ... | matchmove artist: Double Negative |
| Fay McConkey | ... | visual effects executive producer: Double Negative |
| Owen McGonigle | ... | visual effects artist |
| Alex Melville | ... | lead bodytrack artist (as Alexander Melville) |
| Charlotte Merrill | ... | digital compositor |
| Adam Miels | ... | research and development: Double Negative |
| Nicolas Millot | ... | roto artist: Double Negative |
| Fernanda Moreno | ... | digital artist |
| James Moxon | ... | digital compositor: Milk Visual Effects |
| Darcie Muangman | ... | visual effects producer: Double Negative Singapore |
| Steve Muangman | ... | compositing supervisor: Double Negative |
| Stuart Nelhams | ... | visual effects editor: Double Negative |
| Gretel Ng | ... | visual effects coordinator |
| Aaron Noordally | ... | roto/prep artist |
| Kevin Norris | ... | senior paint artist: Double Negative |
| Paul Norris | ... | 2D supervisor: Double Negative |
| Collette Nunes | ... | visual effects editor |
| Robert Nzengou-Tayo | ... | matchmove artist |
| Jack O'Kersey | ... | matchmover: Double Negative (as Jack Kersey) |
| Noel O'Malley | ... | matchmove artist: Milk Visual Effects |
| Yvonne Oh | ... | roto/prep artist: Double Negative |
| Andreas Opferkuch | ... | prep artist |
| Camille Paleni | ... | compositor: Double Negative |
| Francisco Palomares Pozas | ... | lead compositor: Double Negative |
| Ellis Parry | ... | matchmove artist: Double Negative |
| Mark Payne | ... | compositor |
| Laurie Pellard | ... | studio: Double Negative |
| Philip Pendlebury | ... | studio: Double Negative |
| David Penn | ... | screen graphics |
| Guy Penwill | ... | prep artist: Double Negative |
| Daniel Pereira | ... | roto/prep artist |
| Will Phillips | ... | matchmove artist (as William Phillips) |
| Kate Porter | ... | lead compositer: Double Negative |
| Xinyi Puah | ... | visual effects editor: Double Negative |
| Michael Ranalletta | ... | lead compositor: Double Negative |
| Natalie Reid | ... | visual effects line producer: Milk Visual Effects |
| Tina Richardson | ... | visual effects editor |
| Pasquale Riefoli | ... | pipeline technical director: Double Negative |
| Carrie Rishel | ... | visual effects producer: Double Negative |
| Chris Ritvo | ... | visual effects artist |
| Neil Roche | ... | rigging supervisor: Milk Visual Effects |
| Natalie Rocks | ... | matchmove artist: Double Negative |
| Chus Rodriguez | ... | software research & development |
| Arron Roebuck | ... | vfx on set data |
| Dale Rostron | ... | matchmove artist: Double Negative |
| Sean Rowe | ... | matchmove artist: Double Negative |
| Francesco Russo | ... | roto/prep artist: The Mill |
| Rhys Salcombe | ... | lighting td: Double Negative |
| Matthew Salisbury | ... | matchmove supervisor: Double Negative |
| Kevin San | ... | texture artist: Double Negative |
| Jan Schubert | ... | lead technical director: Milk Visual Effects |
| Andy Scrase | ... | on set vfx support: Double Negative (as Andrew E. Scrase) |
| Gregory Shimp | ... | paint and roto (as Greg Shimp) |
| Asa Shoul | ... | digital colourist |
| Elisa Simoncelli | ... | roto artist: Milk Visual Effects |
| Rahul Singh | ... | research and development |
| Anton Smit | ... | bodytrack artist: Double Negative |
| Alex Smith | ... | digital supervisor: Utopia |
| Tom Smith | ... | roto/prep artist: Double Negative |
| Henry South | ... | texturing artist |
| Eliot Speed | ... | visual effects |
| Richard Stay | ... | compositor: Double Negative |
| Thomas R. Steiner | ... | digital compositor |
| Steve Street | ... | visual effects producer: Utopia / visual effects supervisor: Utopia |
| Mariangela Suma | ... | visual effects coordinator: Milk Visual Effects |
| Yanti Suryati | ... | matchmove artist: Double Negative |
| Eleanor Sutton | ... | lead compositor |
| Glen Swetez | ... | senior vfx artist: Double Negative |
| Seng Kiat Tan | ... | matchmove artist: Double Negative (as Tan Seng Kiat) |
| Joe Tarrant | ... | visual effects artist |
| Zelda Tinska | ... | visual effects line producer: Double Negative |
| Shermaine Toh | ... | junior compositor: Double Negative VFX / prep artist: Double Negative VFX |
| Iyi Tubi | ... | compositor |
| Alonso Varela | ... | digital artist |
| Helga Victoria | ... | lighting artist: Double Negative |
| Sukumaran Lalithambika Vijin | ... | compositor: Double Negative Visual Effects |
| Jonathan Webb | ... | visual effects artist |
| Huw Whiddon | ... | roto artist: Double Negative |
| Andrew Whitehurst | ... | visual effects supervisor |
| Mark Williams Ardington | ... | cg lead |
| Sauyan Wong | ... | data i/o manger |
| Cheng Yang | ... | matchmove artist: Double Negative |
| Esther Yap | ... | matchmove artist: Double Negative |
| Luca Zappala | ... | effects lead: Milk Visual Effects |
| Ian Abbott | ... | technology: Double Negative (uncredited) |
| Joel Aguilar | ... | compositor: Double Negative (uncredited) |
| Africa Aguirre Martín | ... | data managing: Double Negative (uncredited) |
| Oliver Atherton | ... | visual effects (uncredited) |
| Rajesh Babu | ... | production manager (uncredited) |
| Daniel Baker | ... | technology: Double Negative (uncredited) |
| Lester Brown | ... | compositor (uncredited) |
| Chas Cash | ... | cg supervisor (uncredited) |
| Max Decroix | ... | visual effects (uncredited) |
| Sotiris Georghiou | ... | visual effects artist (uncredited) |
| John Moffett | ... | compositor (uncredited) |
| Stella Hui Sze Ng | ... | visual effects (uncredited) |
| Prakash Pathak | ... | production and technical support (uncredited) |
| Dan-hee Ryu | ... | concept artist (uncredited) |
| Hayley Easton Street | ... | visual effects (uncredited) |
| Peter Sumner | ... | research and development: Double Negative (uncredited) |
| Kat Tysoe | ... | visual effects (uncredited) |
| Vanessa Velasquez | ... | technology: Double Negative (uncredited) |
| Malcolm Watts | ... | visual effects (uncredited) |
Stunts
| Andy Bennett | ... | stunt coordinator |
| Heather Phillips | ... | stunt performer |
| Pablo Verdejo | ... | stunt performer |
Camera and Electrical Department
| Will Akbar | ... | vt operator |
| Jeremy Braben | ... | aerial director of photography |
| Ross Busby | ... | lighting technician |
| Andrea Fishburn | ... | camera trainee: "a" camera |
| Kevin Fitzpatrick | ... | hod practical electrician |
| Scot Gill | ... | head of department: electrical rigger |
| Rob Hardy | ... | camera operator |
| Stuart Howell | ... | b camera operator / steadicam operator |
| Darren Howton | ... | practical electrician |
| Sally Low | ... | first assistant camera: dailies |
| Danny McGee | ... | practical electrician |
| Adam McGrady | ... | video assist operator: dailies |
| Tim Morris | ... | second assistant camera, a camera, main unit |
| Andrew Nolan | ... | electrician |
| Ian Ogden | ... | grip trainee |
| Arturo Ollandini | ... | Desk Operator |
| Jennie Paddon | ... | first assistant camera |
| Jay Patel | ... | digital imaging technician |
| Sam Phillips | ... | key grip |
| Elliott Polley | ... | grip trainee |
| Simon Purdy | ... | practical electrician |
| Paul Sharp | ... | best boy |
| Richard B. Shean | ... | video playback operator |
| Aimee Spinks | ... | stills photographer: dailies |
| Tom Stansfield | ... | grip/dailies/pick ups |
| Tom Storey | ... | camera trainee |
| Lee Walters | ... | gaffer |
| Dave Wells | ... | best boy grip |
| Liam Daniel | ... | still photographer (uncredited) |
| Colin Field | ... | electrician (uncredited) |
| Stuart Howell | ... | cinematographer: second unit (uncredited) |
| Clive Mackey | ... | assistant camera (uncredited) |
| Sophie Monneret | ... | assistant camera (uncredited) |
| Arturo Ollandini | ... | electrician (uncredited) |
| Terry Roberts | ... | electrician (uncredited) |
| Dan Sansom | ... | rigging electrician (uncredited) |
| Martin Smith | ... | rigging electrician (uncredited) |
Animation Department
| Richard Durant | ... | character concept designer |
Casting Department
| Kathy Driscoll | ... | casting associate (as Kathy Driscoll-Mohler) |
| Melissa Kostenbauder | ... | casting associate |
| Liora Reich | ... | casting: UK |
Costume and Wardrobe Department
| Becky Johnson | ... | costume assistant |
| Nadia Merabti | ... | costume maker |
| Joanna Nicholls | ... | costume maker |
| Josie Pledge | ... | costume cutter |
| Kate-Beth Walling | ... | costume assistant (as Kate Walling) |
| Nicole Young | ... | costume supervisor |
| Becky Johnson | ... | costumer (uncredited) |
Location Management
| Per Henry Borch | ... | location manager: norway |
| Colin Giles | ... | location security |
| Alex Gladstone | ... | location manager |
| Saba Kia | ... | location assistant |
| Philip Lobban | ... | locations scout |
| Leo Resnes | ... | location assistant (uncredited) |
| Hugo Smith-Bingham | ... | location manager (uncredited) |
Music Department
| Aidinbeats | ... | music editor / musician |
| Simon Ashdown | ... | audio editing/score sound design |
| Joby Burgess | ... | musician: vibraphone and glockenspiel |
| Rupert Coulson | ... | score mixer |
| Jerry Crozier-Cole | ... | musician: guitars |
| Joshua Fielstra | ... | composer: trailer |
| Yann McCullough | ... | music editor |
Script and Continuity Department
| San Davey | ... | script supervisor |
Transportation Department
| Martin Birmingham | ... | transportation |
| Jonas Fylling Christiansen | ... | driver: Norway (as Jonas F. Christiansen) |
| Chris Dudley | ... | driver: cast |
| Jarle Hoel | ... | driver: Norway |
| Merete Svarstad | ... | driver: Norway |
| Richard von Løwensprung | ... | unit driver |
Additional Crew
| Nuala Alen-Buckley | ... | production accountant |
| Geraldine Atlee | ... | head of legal and business affairs |
| Thom Berryman | ... | digital lab supervisor |
| Samantha Black | ... | production coordinator |
| Daniel Budd | ... | first assistant accountant |
| Nick Bull | ... | Stills Approvals Service: Film Solutions |
| Sandra Butterworth | ... | dialect coach: adr |
| Sarah Clark | ... | unit publicist |
| Leah Clarke | ... | development executive |
| James Corless | ... | operations manager: Pinewood Digital |
| Celine Coulson | ... | executive assistant to head of film4 |
| Rebecca Cronshey | ... | producers' assistant: DNA Films |
| Matt Curtis | ... | titles designer |
| Ella Daines-Smith | ... | assistant co-ordinator |
| Robin Demetriou | ... | catering supervisor |
| Michael Dovey | ... | Film & Media travel services |
| Rose Garnett | ... | head of development: Film4 |
| Colin Greten | ... | assistant: Mr. Rudin |
| John David Gunkle | ... | unit manager: London |
| Ruth Hodgson | ... | completion guarantor |
| Robert Hoffman | ... | assistant: Scott Rudin Productions |
| Sigmund Elias Holm | ... | film commissioner: Norway |
| Rory Johnston | ... | production assistant |
| Antonius Kasbergen | ... | creative consultant |
| Alexandra Keen | ... | legal and business affairs: Universal Pictures International |
| Vivien Kenny | ... | DNA Films: Production Assistant |
| Daniela Kriston | ... | research and development engineer |
| Syd Lawrence | ... | software developer |
| Reinier Martínez | ... | assistant |
| Jill McCullough | ... | dialect coach |
| Agnes Meath Baker | ... | producers' assistant: DNA Films |
| Luke Moorcock | ... | digital lab technician |
| Richard Neale | ... | on-set computer technician: Compuhire |
| Tim Orlik | ... | assistant accountant |
| Arthur Pita | ... | choreographer |
| Leif Reinstein | ... | finance counsel |
| Dan Sarrow | ... | assistant: Scott Rudin Productions |
| Jason Shrier | ... | assistant: Scott Rudin Productions |
| Pål Tangen | ... | caterer |
| Edward Taroghion | ... | accounting assistant: dailies |
| Richard Taylor | ... | travel agent |
| Joe Utichi | ... | production notes |
| Linda Bowen | ... | post-production accountant (uncredited) |
| Len Brown | ... | consultant (uncredited) |
| Peter Eszenyi | ... | screen graphics (uncredited) |
| Ben Hope | ... | base manager/lead security (uncredited) |
| Tracey Josephs | ... | production (uncredited) |
| Davina Pem | ... | assistant accountant (uncredited) |
| Martí Romances | ... | screen graphics (uncredited) |
| Mark Rossi | ... | set production assistant (uncredited) |
| David Sheldon-Hicks | ... | screen graphics (uncredited) |
| Christopher Verone | ... | development (uncredited) |
Thanks
| Andy Cooper | ... | thanks |
| Walter Donohue | ... | thanks |
| Kazuo Ishiguro | ... | thanks |
| Chris Menges | ... | special thanks |
| Gia Milinovich | ... | thanks |
| Andrew O'Hagan | ... | thanks |
| Richard Russell | ... | thanks |
| Adam Rutherford | ... | thanks |
| Murray Shanahan | ... | thanks |
Production Companies
- A24 (presents)
- Universal Pictures (presents)
- Film4 (presents)
- DNA Films
- IAC Films
Distributors
- A24 (2015) (United States) (theatrical)
- B&H Film Distribution (2015) (Ukraine) (theatrical)
- Mongrel Media (2015) (Canada) (theatrical)
- Parco Co. Ltd. (2016) (Japan) (theatrical) (in association with)
- Toho-Towa (2016) (Japan) (theatrical)
- United International Pictures (UIP) (2015) (Denmark) (theatrical)
- United International Pictures (UIP) (2015) (Greece) (theatrical)
- United International Pictures (UIP) (2015) (Hong Kong) (theatrical)
- United International Pictures (UIP) (2015) (Hungary) (theatrical)
- United International Pictures (UIP) (2015) (Indonesia) (theatrical)
- United International Pictures (UIP) (2015) (Israel) (theatrical)
- United International Pictures (UIP) (2015) (Poland) (theatrical)
- United International Pictures (UIP) (2015) (Thailand) (theatrical)
- United International Pictures (UIP) (2015) (Turkey) (theatrical)
- United International Pictures (UIP) (2015) (Taiwan) (theatrical)
- United International Pictures (2015) (Argentina) (theatrical)
- Universal Pictures International (UPI) (2015) (Germany) (theatrical)
- Universal Pictures International (UPI) (2015) (France) (theatrical)
- Universal Pictures International (UPI) (2015) (United Kingdom) (theatrical)
- Universal Pictures International (UPI) (2015) (Italy) (theatrical)
- Universal Pictures International (UPI) (2015) (Australia) (theatrical)
- Universal Pictures International (UPI) (2015) (Belgium) (theatrical)
- Universal Pictures International (UPI) (2015) (Mexico) (theatrical)
- Universal Pictures International (UPI) (2015) (Netherlands) (theatrical)
- Universal Pictures International (UPI) (2015) (Portugal) (theatrical)
- Universal Pictures International (UPI) (2015) (Russia) (theatrical)
- Universal Pictures International (UPI) (2015) (Spain) (theatrical)
- Feelgood Entertainment (2015) (Greece) (Blu-ray) (DVD)
- HBO Max (2022) (United States) (video) (VOD)
- Home Box Office (HBO) (2016) (Netherlands) (tv) (limited)
- Intercontinental Video (2015) (Hong Kong) (DVD)
- Kanal 2 (2020) (Estonia) (tv)
- Lionsgate Home Entertainment (2015) (United States) (DVD)
- Lionsgate Home Entertainment (2015) (United States) (Blu-ray) (DVD)
- Lionsgate Home Entertainment (2017) (United States) (Ultra HD Blu-ray)
- Net5 (2017) (Netherlands) (tv)
- Universal Home Entertainment (2015) (United Kingdom) (DVD)
- Universal Home Entertainment (2015) (United Kingdom) (Blu-ray) (DVD)
- Universal Pictures Home Entertainment (2015) (Brazil) (DVD)
- Universal Pictures Home Entertainment (2020) (Brazil) (Blu-ray)
- Universal Pictures Home Entertainment (2015) (Germany) (DVD)
- Universal Pictures Home Entertainment (2015) (Germany) (Blu-ray) (DVD)
- Universal Pictures Home Entertainment (2015) (Netherlands) (Blu-ray)
- Universal Pictures Home Entertainment (2015) (Netherlands) (DVD)
- Universal Pictures Video (2015) (France) (DVD)
- Universal Pictures (2015) (Germany) (DVD)
- Universal Pictures (2015) (Germany) (Blu-ray) (DVD)
- Universal Pictures (2015) (Netherlands) (Blu-ray)
- Universal Pictures (2015) (Netherlands) (DVD)
Special Effects
- Double Negative (DNEG) (visual effects)
- Milk Visual Effects (additional visual effects)
- Utopia VFX (additional visual effects)
- Webvfx (additional visual effects)
- Artem (special props)
- Territory Studio (computer graphics design and animation)
Other Companies
- 4K London (digital imaging services)
- Audiolink Radio Communications (cell phone rentals)
- Audiolink Radio Communications (walkie talkies)
- Back Lot Music (soundtrack)
- Chapman/Leonard Studio Equipment (camera dollies)
- Compuhire (computer playback)
- Film Finances (film completion guarantor)
- Fugitive Studios (end title animation)
- Harbor Picture Company (post-production facilities)
- Helicopter Film Services (aerial filming and coordination)
- HireWorks (Avid Nitris DX rental)
- Mediacom 24-7 (travel agent)
- Molinare Studio (post-production)
- Panavision (anamorphic lenses)
- Pinewood Studios (digital production services)
- Propshop (prop makers)
- Representation Upson Edwards (production services)
- Sapex Scripts (post-production script services)
- Sapex Scripts (subtitles)
- South By Southwest Film Festival (SXSW) (festival)
- Special Treats Production Company (EPK)
- Territory (graphic displays)
Storyline
| Plot Summary |
Caleb, a 26 year old programmer at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl. Written by DNA FILMS |
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| Taglines | To erase the line between man and machine is to obscure the line between men and gods See more » |
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| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $15,000,000 (estimated) |
| Cumulative Worldwide Gross | $38,978,784 |
Did You Know?
| Trivia | The location of the house in the movie is the Juvet Landscape Hotel in Norway. See more » |
| Goofs | When Ava and Kyoko meet in the corridor, there are masks on the wall. At the end of the scene, the masks are gone. Correction: The camera angle is not a reverse shot along the same corridor with the masks. The camera has moved to where Kyoto is standing, turned 90 degrees right and is looking down the corridor she came from. When Nathan finds them, he is looking from the other end of the corridor where Kyoto came from. See more » |
| Movie Connections | Featured in Episode #44.2 (2015). See more » |
| Soundtracks | Schubert Piano Sonata No.21 in B Flat Major, D.960 See more » |
| Crazy Credits | The end credits starts with a single dot in the background which then grows and various patterns emerge from it. See more » |
| Quotes |
Nathan:
One day the AIs are going to look back on us the same way we look at fossil skeletons on the plains of Africa. An upright ape living in dust with crude language and tools, all set for extinction. Caleb: I am become Death, the destroyer of worlds. Nathan: There you go again, Mr. Quotable. Caleb: There you go again. It's not my quote. It's what Oppenheimer said after he made Nathan, Caleb: The atomic bomb. Nathan: Yeah, I know what it is, dude. See more » |