Directed by
| Paul Goldman | ||
Writing Credits
| Alice Bell | ... | (original screenplay) |
Cast (in credits order) verified as complete
Produced by
| Jan Chapman | ... | executive producer |
| Leah Churchill-Brown | ... | producer |
| Libby Sharpe | ... | line producer |
Music by
| Mick Harvey | ||
Cinematography by
| Robert Humphreys | ... | director of photography |
Editing by
| Stephen Evans | ||
Casting By
| Anousha Zarkesh | ||
Production Design by
| Nell Hanson | ||
Art Direction by
| Janie Parker | ||
Set Decoration by
| Richie Dehne | ||
Costume Design by
| Melinda Doring | ||
Makeup Department
| Wendy De Waal | ... | key makeup artist |
| Jason Gardner | ... | assistant makeup artist |
Production Management
| Libby Sharpe | ... | production manager |
Second Unit Director or Assistant Director
| Miranda Colman | ... | third assistant director |
| Scott Lovelock | ... | second assistant director |
| Hamish Roxburgh | ... | assistant director |
| Chris Webb | ... | first assistant director |
| Ben West | ... | second unit director |
Art Department
| Peter Malatesta | ... | props buyer |
| Brooke Morris | ... | props buyer/set dresser |
| Ronald Rametta | ... | props |
| Danny Strachan | ... | scenic artist |
Sound Department
| Yulia Akerholt | ... | sound editor |
| Adrienne Alexander | ... | assistant sound editor |
| Liam Egan | ... | sound designer |
| Les Fiddess | ... | foley artist |
| Sam Hayward | ... | foley editor |
| Mike Jones | ... | foley recordist |
| Phil Judd | ... | re-recording mixer |
| Pip Mason | ... | boom operator |
| Tony Murtagh | ... | dialogue editor |
| Martin Oswin | ... | foley mixer |
| Stephen Vaughan | ... | sound recordist |
| Danielle Wiessner | ... | adr supervisor |
| Gregory Wise | ... | sound attachment |
Special Effects by
| Brendan Savage | ... | title design |
Visual Effects by
| Justin Alvarez | ... | compositor: FSM |
| Steve Dunn | ... | visual effects producer |
| Jamie Hediger | ... | digital compositor |
Stunts
| Philip Partridge | ... | stunt performer / stunts |
| Leo Stripp | ... | stunt performer (as Leon Stripp) |
Camera and Electrical Department
| Richard Bradshaw | ... | cameraman: title sequence |
| Adam Kuiper | ... | best boy grip / dolly grip |
| Pim Kulk | ... | second assistant camera |
| Judd Overton | ... | additional cinematographer |
| Kevin Scott | ... | first assistant camera |
| Poppy Stockell | ... | video assistant |
| Jayden York | ... | libra head technician |
Costume and Wardrobe Department
| Bernadette Croft | ... | costume assistant |
| Robyn Elliott | ... | costume supervisor (as Robyn Elliot) |
Editorial Department
| Bec Cubitt | ... | post-production coordinator |
| Steve Dunn | ... | post production supervisor |
| Al Hansen | ... | digital colorist |
| David Lawrance | ... | film colorist |
| Tamara Meem | ... | assistant editor |
Location Management
| Ali Malone | ... | location manager |
Music Department
| David McCluney | ... | music engineer |
| Norman Parkhill | ... | music supervisor |
Script and Continuity Department
| Kristin Witcombe | ... | script supervisor |
Transportation Department
| Matt Worth | ... | action vehicle coordinator |
Additional Crew
| Alice Bell | ... | double: Katrina |
| Sophie Dick | ... | production coordinator |
| Jonathan Dixon | ... | digital liaison |
| David Field | ... | acting coach |
| Kathy Freeman | ... | making-of |
| Rebecca Howcroft | ... | assistant accountant |
| Tim 'Pommy' Obank | ... | Unit Assistant |
| Anna Marie Pitman | ... | assistant to producers / production secretary |
| Louise Tan | ... | stand-in: Ms Barclay |
| Susan Temby | ... | dialect coach |
| Greg Tynan | ... | production runner |
Thanks
| Emily Barclay | ... | special thanks (as 'Barkers' and 'swan girl') |
| Greg Bearup | ... | dedicatee |
| Sally Chesher | ... | thanks |
| Daniel Johns | ... | thanks: for his manor and his manners (as Sir Whillem Hathaway) |
