Ryna (2005) Poster

(2005)

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8/10
A metaphor for the young post-communist Romanian democracy
mdesteptu10 August 2017
Warning: Spoilers
Young Ryna is, in my opinion, a metaphor for the young democracy in post-communist Romania.

The reason I'm saying this is based on the following: - The action takes place in a remote forgotten town a the far-est corner of Romania. Similarly, Romania was/is, from a western point of view, a little known country in the eastern corner of Europe - At the micro level, Biris family is struggling to make their incipient free-enterprise business work, while at the macro level Romania was going through similar pains in the new free-market economy. - The old generation, still indoctrinated by communism, opposing to the new, is represented by the strict father, who wants her daughter to be something else than what she actually is constantly blocking her dreams, aspirations and initiatives. - the initial foreign investments in Romania are represented by the innocent flirtation between the Frenchman and young Ryna. - but foreign companies were seen with suspicion and often greeted by old school mobs with slogans like "We will not sell-off our country", being blamed and accused of vicious interests. Similarly, the Frenchman is the first suspect in the rape of young Ryna - the real rapists of the young Romania were in fact the same old communist leaders, represented here by the mayor of the forgotten town, who is the real rapist of the young and naive Ryna.

It is sad to see how hope and dreams are so abruptly and viciously terminated. Both at the micro and macro level. It is sad to see how the rape is accepted and goes unpunished. Both at the micro and macro level.
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9/10
Everything it what it seems
lord_acesco27 July 2005
This movie transports us in the Delta of the Danube, within a small town located in Romania, where the river meets the sea. The Delta can be seen as a beginning as well as the end. As the end: Ryna is a teenager living in a small and poor town of the Danube's border - almost an island - where everybody hopes to reach the wealth of the "material" world which is getting everyday closer, without any real chance to get to it. As a beginning: the Delta has always been like that. Nothing can change it, except it's own cycles. When the storm arrives, the roots are coming back to life, ready to support a new beginning. Ryna has to find her own way, like many of the teenagers facing the brutal changes in some eastern countries. But more than the social background, the movie is focusing on Ryna's character, showing us this contrasted world through her teenager's eyes.
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5/10
Eastern European Movie Syndrome warning
fnorful4 April 2006
Warning: Spoilers
This is yet another movie from Romania where we find out that life is not good.

The teenager Ryna is living a life where her femininity is suppressed by her father, a drunken mechanic. Mom is ineffectual and not really part of the plot. Minor plot lines aside, this is about weak men and a dearth of hope. Dad cares more about ripping off passing motorists (and the locals, too, but that's a side-business) and making sure he sucks up to the local authorities and sucks down large quantities of alcohol.

Ryna's job as a competent mechanic should be a vehicle for her betterment. Instead, she is just part of Dad's schemes, gets raped by the Mayor, decides not to rock the boat and then runs away from home.

We know it won't be better for her wherever she's going. It's just going to be the inevitable "slow awful rowing to death" that Eastern European movie exports seem intent on portraying.

There may in interest in this for you folks who can see beyond the story presented, who can see the metaphors presented by the delta, the rhythms, ebbs and flows of life, the struggles of the poor. I just see this as suffering without redemption, suffering without hope.
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Another Christian orthodox nationalist discourse placed behind a feminist mask
ersbel5 March 2015
Warning: Spoilers
This is another Christian orthodox nationalist discourse, this time placed behind a feminist mask. The mask does not cover the story well, so I assume it was later mixed into just to milk the funding commissions.

Ryna is a 16 innocent tomboy played by a 23 year old actress who looks like 27 and gives the cool of a 30+ woman. Her story could have been in any remote place as in Romania you can easily find villages without roads or power. But the production team chose the Danube Delta - a romantic place considered very relevant to tourism by the government. It is a disputed area and parts of it were claimed by Ukraine. Also it is a very diverse ethnic area. Yet the only non-Romanian is a Frenchman looking for the Latin roots although the only Latin related are the Romanians who are present in the area after the colonisation less century and a half before the action takes place.

The patriarchate is omnipresent. Yet at no time you get the feeling it is something wrong. The patriarchy is presented as something that belongs to those places and people.

It could have been a stand for equality between sexes. But the writer prefers to make Ryna a submissive woman with cliché feminine desires like being liked by the boys or buying a dress.

All this spiked with the regular Romanian bad acting and too many characters and subplots.

Contact me with Questions, Comments or Suggestions ryitfork @ bitmail.ch
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