Between 1968 and 1983, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California wi... Read allBetween 1968 and 1983, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.Between 1968 and 1983, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
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- Stars
- Awards
- 3 wins & 71 nominations total
June Diane Raphael
- Mrs. Toschi
- (as June Raphael)
- Director
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Featured reviews
8rs25
I am tired of people writing comments like this, "Not Fincher's best". Honestly who cares. We all agree that Fincher's best is either Seven or Fight Club, two outstanding masterpieces. There is a big margin between a film like one of those and a terrible film, and people don't seem to realize that. These people even do this with other filmmakers like Spielberg or Scorsese, the fact that these filmmakers don't reproduce Schindler's List or Raging Bull doesn't mean that their new stuff isn't good, or worth seeing. I think it is a stupid way to comment on a film, eliminating the critic's credibility. I was lucky enough to catch an advanced screening of Zodiac last night, and I must say that at first I was discouraged by two things, some of the comments I have read and the running time. However I am glad to say that I enjoyed this film, very much. It is a solid suspense thriller that pins you to your seat. Being a true story adds quite a lot to the experience, and besides, Fincher did a wonderful job is staying loyal to the story and at the same time adding his unique flavor to it. The cinematography, like every Fincher film, is great, the darkness and griddiness of the story are perfectly portrayed in the film's visual elements. I was surprised by the picture quality of the Viper, the digital camera with which this film was shot. Many people have been criticizing this choice, but I respect it, he is embracing a new technology and making it work. Of course its still not a match to 35 mm, but if quality filmmakers don't start experimenting with it, it will never be. Now the reason why this film falls behind Seven and Fight Club, I think, is because of a problem with the characters. They seem to be a little weak at times. The performances were great, especially Robert Downey Jr., but I think that this film falls short, when it comes to a true exploration of complex characters, which is the key to Fincher's previous films.
So... my advice to everyone is to ignore most of the negative comments and see the film yourself. I found it to be a great story told in a remarkable way, very entertaining, with great performances, and wonderful direction.
So... my advice to everyone is to ignore most of the negative comments and see the film yourself. I found it to be a great story told in a remarkable way, very entertaining, with great performances, and wonderful direction.
On July 4, 1969, a killer shoots a couple on lovers' lane in Vallejo, California. The boy survives. The San Francisco Chronicle receives a letter from the Zodiac killer to print his letters with symbols. Reporter Paul Avery (Robert Downey, Jr) is on the case with the help of eager cartoonist Robert Graysmith (Jake Gyllenhaal). The brutal murders continue moving to San Francisco. San Francisco police detectives Dave Toschi (Mark Ruffalo) and William Armstrong (Anthony Edwards) are given the case. Other police include Jack Mulanax (Elias Koteas) in Vallejo and Detective Ken Narlow (Donal Logue) in Napa. Defense lawyer Melvin Belli (Brian Cox) appearing on TV gets a call from the supposed killer.
This starts off as an interesting serial killer mystery. The attacks are horrifically shown. The couple forced to be tied up and stabbed is probably the most memorable. However the movie turns into something deeper. This is not another serial killer movie like the endless TV shows that populate modern networks. It may not even be about the central characters. This is an immersive experience living with the serial killer always on the mind. The Zodiac killer is just out there in this world. It's fascinating in its dark undertones and the lack of flashiness.
This starts off as an interesting serial killer mystery. The attacks are horrifically shown. The couple forced to be tied up and stabbed is probably the most memorable. However the movie turns into something deeper. This is not another serial killer movie like the endless TV shows that populate modern networks. It may not even be about the central characters. This is an immersive experience living with the serial killer always on the mind. The Zodiac killer is just out there in this world. It's fascinating in its dark undertones and the lack of flashiness.
First up (and it's already been said)...this film is not going to appeal to the crash-bang- wallop-attention-span-of-a-bored-gnat brigade out there. Having read a lot of the reviews here, everyone seems to be divided in two. Love it...hate it. Which way will you go?
Yes, it's long. But let's face it, this is not a film that can be wrapped up in an hour and a half. There's an awful lot of detail involved in this case. David Fincher was very thorough in his research and full marks to him. This is an excellent, compelling film for anyone interested in true crime and general detective work.
I saw this film a few hours ago and was completely absorbed by it. The opening 4th of July sequence is worthy of the ticket price alone. And I challenge anyone to listen to "Hurdy Gurdy Man" by Donovan without a cold chill running down their spine after watching this...
The main performances are excellent - Robert Downey Jr and Jake Gyllenhaal in particular are a standout. Any feminists out there won't be happy with the rather one-dimensional women's roles (and I happen to be female), but this is not what this film is about. It's about a handful of men's obsessive involvement with one case. And these men ARE utterly obsessed. And after so much taunting by the Zodiac with his letters and cyphers, who can blame them for their obsession?
As for the depiction of the murders, they are quite shocking in their brief brutality with absolutely no glamorous or excessive lingering shots of the aftermath. This makes them infinitely more real and much more disturbing...
Combine this with utterly believable dialogue, a superb soundtrack and marvellous production design and you have one classy movie. For all those tired of your average eye and brain-candy fodder...Go see. For those who can't appreciate a class act when you see it, you've missed out...
Yes, it's long. But let's face it, this is not a film that can be wrapped up in an hour and a half. There's an awful lot of detail involved in this case. David Fincher was very thorough in his research and full marks to him. This is an excellent, compelling film for anyone interested in true crime and general detective work.
I saw this film a few hours ago and was completely absorbed by it. The opening 4th of July sequence is worthy of the ticket price alone. And I challenge anyone to listen to "Hurdy Gurdy Man" by Donovan without a cold chill running down their spine after watching this...
The main performances are excellent - Robert Downey Jr and Jake Gyllenhaal in particular are a standout. Any feminists out there won't be happy with the rather one-dimensional women's roles (and I happen to be female), but this is not what this film is about. It's about a handful of men's obsessive involvement with one case. And these men ARE utterly obsessed. And after so much taunting by the Zodiac with his letters and cyphers, who can blame them for their obsession?
As for the depiction of the murders, they are quite shocking in their brief brutality with absolutely no glamorous or excessive lingering shots of the aftermath. This makes them infinitely more real and much more disturbing...
Combine this with utterly believable dialogue, a superb soundtrack and marvellous production design and you have one classy movie. For all those tired of your average eye and brain-candy fodder...Go see. For those who can't appreciate a class act when you see it, you've missed out...
Zodiac, David Fincher's film about the impact the San Francisco Bay Area serial killer's case had on three primary characters is delivered with great attention to detail and proper pacing. Zodiac is not a film that uses or relies on suspended disbelief to succeed and does not attempt to compress five years of story into one in order to keep viewers interested. Instead it relies heavily on the facts and uses all of its 158 minutes to present them in almost linear form and staccato fashion.
Set primarily in San Francisco in the late 1960's and 70's (and eventually the 80's) Fincher's Zodiac takes no artistic license by adding the obligatory car chase scene down Russian Hill, drug enhanced evening in Haight-Ashbury or conspiracy oriented behind the scenes moves by City Hall. Instead the audience is presented with a credible story that portrays how stress, tension, frustration and fascination play upon the lives of S. F. Police Inspector David Toschi (Mark Ruffalo), S.F. Chronicle Editorial Cartoonist Robert Graysmith (Jake Gyllenhall), and S.F. Chronicle reporter Paul Avery (Robert Downey Jr.). Each of these people, as well as those surrounding them are operating well within the confines of every day life and the establishment. Fincher does not let Zodiac wander outside its central story, and therefore no editorial comment about the Vietnam War or similar events of the day are offered. Insights about the impact on the victims (who survive) or their families are only touched upon if they remain central to the story.
The initial scenes of the movie depict the killer in operation and they are not sugar coated. However, viewers wanting to see a film in the style of Fincher's Alien (3), Se7en or even Fight Club (i.e., blood and gore to almost surreal levels) should look elsewhere.
Zodiac is a well crafted production on all fronts. In addition to Fincher, the lead actors and extensive (and well known) supporting cast Zodiac producer's assembled a credible team. James Vanderbilt (Screenplay), David Shire (Score), Donald Burt (Production Design), Keith Cunningham (Art Direction), Victor Zolfo (Set Direction) and Casey Storm (Costume Design) all deliver quality work in their respective areas. There are no weak spots in this film. Zodiac may not (or attempt to) dazzle, but it does please.
Set primarily in San Francisco in the late 1960's and 70's (and eventually the 80's) Fincher's Zodiac takes no artistic license by adding the obligatory car chase scene down Russian Hill, drug enhanced evening in Haight-Ashbury or conspiracy oriented behind the scenes moves by City Hall. Instead the audience is presented with a credible story that portrays how stress, tension, frustration and fascination play upon the lives of S. F. Police Inspector David Toschi (Mark Ruffalo), S.F. Chronicle Editorial Cartoonist Robert Graysmith (Jake Gyllenhall), and S.F. Chronicle reporter Paul Avery (Robert Downey Jr.). Each of these people, as well as those surrounding them are operating well within the confines of every day life and the establishment. Fincher does not let Zodiac wander outside its central story, and therefore no editorial comment about the Vietnam War or similar events of the day are offered. Insights about the impact on the victims (who survive) or their families are only touched upon if they remain central to the story.
The initial scenes of the movie depict the killer in operation and they are not sugar coated. However, viewers wanting to see a film in the style of Fincher's Alien (3), Se7en or even Fight Club (i.e., blood and gore to almost surreal levels) should look elsewhere.
Zodiac is a well crafted production on all fronts. In addition to Fincher, the lead actors and extensive (and well known) supporting cast Zodiac producer's assembled a credible team. James Vanderbilt (Screenplay), David Shire (Score), Donald Burt (Production Design), Keith Cunningham (Art Direction), Victor Zolfo (Set Direction) and Casey Storm (Costume Design) all deliver quality work in their respective areas. There are no weak spots in this film. Zodiac may not (or attempt to) dazzle, but it does please.
Based on the wonderful novel, this film brilliantly tells the story of the unknown Zodiac killer, who operated in the late 60's and early 70's.
You will easily lose a full night or afternoon with this movie, it's incredibly, it's engaging, dramatic, and captivating. I love how the time passes by on the film, everything changes accordingly, it's very well produced. At times it's very sinister, and creepy, but it's subtle, nothing is forced or heavy handed.
The acting is terrific, Ruffalo and Downey are brilliant, a fresh faced Jake Gyllenhaal is arguably the one that steals the show.
It really is a brilliant movie, I would recommend it highly. 9/10.
You will easily lose a full night or afternoon with this movie, it's incredibly, it's engaging, dramatic, and captivating. I love how the time passes by on the film, everything changes accordingly, it's very well produced. At times it's very sinister, and creepy, but it's subtle, nothing is forced or heavy handed.
The acting is terrific, Ruffalo and Downey are brilliant, a fresh faced Jake Gyllenhaal is arguably the one that steals the show.
It really is a brilliant movie, I would recommend it highly. 9/10.
Storyline
Did you know
- TriviaThe murder victims' costumes were meticulously recreated from forensic evidence that was lent to the production.
- Goofs(at around 52 mins) One of the books Robert Graysmith has in 1969 has a barcode on the back. Barcodes did not even exist in any stores until the summer of 1974, and most items did not contain barcodes for several years after that.
- Quotes
Arthur Leigh Allen: I am not the Zodiac. And if I was, I certainly wouldn't tell you.
- Crazy creditsThe end text reads as follows: Following Mike Mageau's identification of Arthur Leigh Allen, authorities scheduled a meeting to discuss charging him with the murders. Allen suffered a fatal heart attack before this meeting could take place. In 2002, a partial DNA profile, that did not match Allen, was developed from a 33 year-old Zodiac envelope. Investigators in San Francisco and Vallejo refused to rule out Allen as a suspect on the basis of this test. In 2004, the San Francisco Police Department deactivated their Zodiac investigation. Today, the case remains open in Napa County, Solano County, and in the city of Vallejo, where Arthur Leigh Allen is still the prime and only suspect. Inspector David Toschi retired from the San Francisco Police Department in 1989. He was cleared of all charges that he wrote the 1978 Zodiac letter. Paul Avery passed away on December 10, 2000 of pulmonary emphysema. He was 66. His Ashes were scattered by his family in the San Francisco Bay. Robert Graysmith lives in San Francisco and enjoys a healthy relationship with his children. He claims he has not received a single anonymous call since Allen's death.
- Alternate versionsThe director's cut contains approximately 5 minutes of new footage, including:
- Melvin Belli (Brian Cox) talks about his Safari trip (when the Zodiac letter came to his house)
- Toschi (Mark Ruffalo) introduces himself to the Riverside Police Chief
- A new scene between Graysmith (Jake Gyllenhaal) and Avery (Robert Downey Jr.)
- A three-way conversation laying Leigh as a suspect to get a search warrant
- Extended audio montage (over a black screen)
- Plus extra bits of dialogue
- ConnectionsFeatured in Siskel & Ebert: Zodiac/Gray Matters/Wild Hogs/Smarter for 10 (2007)
Details
- Release date
- Country of origin
- Language
- Also known as
- Zodiaco
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $65,000,000 (estimated)
- Gross US & Canada
- $33,080,084
- Opening weekend US & Canada
- $13,395,610
- Mar 4, 2007
- Gross worldwide
- $84,786,496
- Runtime2 hours 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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