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Directed by | |||
| Diane English | |||
Writing credits(WGA) | ||
| Diane English | (screenplay) | |
| Clare Boothe Luce | (play) | |
| Anita Loos | (1939 screenplay) and | |
| Jane Murfin | (1939 screenplay) | |
Produced by | |||
| Diane English | .... | producer | |
| Mick Jagger | .... | producer | |
| Bill Johnson | .... | producer | |
| Victoria Pearman | .... | producer | |
| Jim Seibel | .... | executive producer | |
| Bobby Sheng | .... | executive producer | |
| James W. Skotchdopole | .... | executive producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Anastas N. Michos | |||
Film Editing by | |||
| Tia Nolan | |||
Production Design by | |||
| Jane Musky | |||
Art Direction by | |||
| Mario Ventenilla | |||
Set Decoration by | |||
| Debbie Cutler | |||
| Mimi Watstein | |||
Costume Design by | |||
| John A. Dunn | |||
Makeup Department | |||
| Cydney Cornell | .... | hair stylist: Annette Bening and Eva Mendes | |
| Julie Hewett | .... | makeup department head | |
| Melanie Hughes | .... | co-makeup department head | |
| Araxi Lindsey | .... | hair stylist: Jada Pinkett Smith & Lynn Whitfield | |
| Araxi Lindsey | .... | makeup artist | |
| Kelley Mitchell | .... | key makeup artist | |
| Elaine L. Offers | .... | makeup artist: Meg Ryan & Eva Mendes | |
| Roxanne Wightman | .... | assistant department head hair | |
Production Management | |||
| Daniel Hank | .... | unit production manager: New York | |
| Tracey Landon | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Takahide Kawakami | .... | second assistant director | |
| Kenyon Noble | .... | second second assistant director | |
Art Department | |||
| Anthony Ambrosino | .... | set dresser | |
| Stephanie Armstrong | .... | props | |
| Kristopher Avedisian | .... | set dresser | |
| Audra Avery | .... | props | |
| Adam D. Bouchard | .... | set dresser | |
| Aimee Butterfield | .... | set dresser | |
| Brandon Cook | .... | set dresser | |
| Kaem Coughlin | .... | scenic artist | |
| Peter DeCurtis | .... | leadman | |
| Nicholas Delmenico | .... | set dresser | |
| Keri Dillard | .... | set dresser | |
| Jennifer Engel | .... | assistant property master | |
| Emily Gaunt | .... | scenic charge | |
| Derrick Kardos | .... | graphic designer | |
| Vanessa Knoll | .... | buyer | |
| Dave Major | .... | additional on-set dresser | |
| Luke Malloy | .... | set dresser | |
| Michele Mayas | .... | camera scenic | |
| Brian McKenzie | .... | set dresser | |
| John F. O'Neil | .... | on-set dresser | |
| Colby E. Peterson | .... | construction production assistant | |
| Christopher Plummer | .... | art department production assistant | |
| John Ryder | .... | set dresser | |
| Christopher Sawtelle | .... | set dresser | |
| Lisa Shaftel | .... | set dresser | |
| Cleo Wang | .... | set dresser | |
| Ryan Webb | .... | assistant property master | |
Sound Department | |||
| Joshua Adeniji | .... | foley editor | |
| Gioia Birkett-Foa | .... | additional sound utility | |
| Brian Courchine | .... | sound utility | |
| Robert Dehn | .... | assistant sound editor | |
| Levent Erdogan | .... | assistant sound editor | |
| Judah Getz | .... | adr mixer | |
| Judah Getz | .... | foley mixer | |
| Scott Hinkley | .... | sound re-recording mixer | |
| Cody King | .... | sound effects editor | |
| Richard Kitting | .... | sound recordist | |
| Andrew Morgado | .... | adr mixer | |
| Jay Nierenberg | .... | supervising sound editor | |
| Angelo Palazzo | .... | sound effects editor | |
| Tyler Parkinson | .... | pre-record engineer | |
| Stuart Provine | .... | sound effects editor | |
| Vic Radulich | .... | dialogue editor | |
| Joel Reidy | .... | boom operator | |
| Cathie Speakman | .... | supervising adr editor | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Tom Williams | .... | sound | |
| Phillip J. Young | .... | assistant sound editor (as Phillip Young) | |
Visual Effects by | |||
| Jamie Baxter | .... | digital compositor | |
| Ryan Beadle | .... | digital I/O | |
| Patrick Clancey | .... | digital opticals | |
| Sam Dabbs | .... | lead title designer | |
| Shaina Holmes | .... | digital compositor | |
| Paulina Kuszta | .... | visual effects coordinator | |
| Amani Williams | .... | digital compositor | |
Casting Department | |||
| Matt Bouldry | .... | casting assistant | |
| Meredith Jacobson | .... | local extras casting | |
| Marisa Kushner | .... | extras casting | |
| Carolyn Pickman | .... | location casting | |
| Adam Vincentz | .... | local extras casting | |
Costume and Wardrobe Department | |||
| Michael Burke | .... | set costumer (as Mike Burke) | |
| Elizabeth Clifford | .... | key costumer | |
| Sharon Globerson | .... | assistant costume designer | |
| Virginia Johnson | .... | costume supervisor | |
| Margaret Moy | .... | costume assistant | |
| Barbara Dalton Rotundo | .... | additional costumer | |
Editorial Department | |||
| Michael Hatzer | .... | digital intermediate colorist: Efilm | |
| Benjamin Wiser | .... | post-production assistant | |
Music Department | |||
| Chris Douridas | .... | music supervisor | |
| Jennifer Nash | .... | music editor | |
| Cindy O'Connor | .... | composer: additional music | |
| Tyler Parkinson | .... | composer: stock music | |
| Dennis S. Sands | .... | music scoring mixer | |
| Erin Scully | .... | music executive | |
Transportation Department | |||
| William Gillespie | .... | driver: production van | |
| Ronald R. Harrison | .... | driver | |
| Marc Scott | .... | transportation coordinator | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Main details |