Becoming Jane (2007)
Reference View | Change View
- PG
- 2h 0min
- Biography, Drama
- 10 Aug 2007 (USA)
- Movie
- 3 wins & 6 nominations.
- See more »
Photos and Videos
Cast verified as complete
Anne Hathaway | ... |
Jane Austen
|
|
James McAvoy | ... |
Tom Lefroy
|
|
Julie Walters | ... |
Mrs. Austen
|
|
James Cromwell | ... |
Reverend Austen
|
|
Maggie Smith | ... |
Lady Gresham
|
|
Anna Maxwell Martin | ... |
Cassandra Austen
|
|
Lucy Cohu | ... |
Eliza De Feuillide
|
|
Laurence Fox | ... |
Mr. Wisley
|
|
Ian Richardson | ... |
Judge Langlois
|
|
Joe Anderson | ... |
Henry Austen
|
|
Leo Bill | ... |
John Warren
|
|
Jessica Ashworth | ... |
Lucy Lefroy
|
|
Eleanor Methven | ... |
Mrs. Lefroy
|
|
Michael James Ford | ... |
Mr. Lefroy
|
|
Tom Vaughan-Lawlor | ... |
Robert Fowle
|
|
Elaine Murphy | ... |
Jenny
|
|
Guy Carleton | ... |
Coachman
|
|
Russell Smith | ... |
Second Coachman
|
|
Philip Culhane | ... |
George Austen
|
|
Helen McCrory | ... |
Mrs. Radcliffe
|
|
Louise Marie Kerr | ... |
Admirer
|
|
Sophie Vavasseur | ... |
Jane Lefroy
(as Sophie Vavassuer)
|
|
Gina Costigan | ... |
Caroline
|
|
Chris McHallem | ... |
Mr. Curtis
|
|
Michael Patric | ... |
Don Dogarty
|
|
Tara Lynne O'Neill | ... |
Wine Whore
(as Tara Nixon O'Neill)
|
|
Tom Maguire | ... |
Miscreant
|
|
Lynda Lee | ... |
Soprano
|
|
Rest of cast listed alphabetically: | |||
Aidan Broadbridge | ... |
Fiddler (uncredited)
|
|
Tony Brown | ... |
Player (uncredited)
|
|
Una C. | ... |
Opera Guest (uncredited)
|
|
Judy Donovan | ... |
Lady at Gresham Ball (uncredited)
|
|
Glenn Gannon | ... |
Mr. Radcliffe (uncredited)
|
|
Lucy McKenna | ... |
Lady Gresham's Maid (uncredited)
|
|
Stephen Daniel Morrison | ... |
Lamp Lighter (uncredited)
|
|
Dave Murray | ... |
Bow Street Runner (uncredited)
|
|
Giedrius Nagys | ... |
Farmer Boy (uncredited)
|
|
Donal O'Farrell | ... |
Black Bob (uncredited)
|
|
Laurence Richardson | ... |
Alan Brett (uncredited)
|
|
Mark Rush | ... |
Rioting Apprentice (uncredited)
|
|
Nikky Smedley | ... |
Miss Larrimore - Opera Guest (uncredited)
|
|
Alan Smyth | ... |
The Showman (uncredited)
|
Directed by
Julian Jarrold |
Written by
Jane Austen | ... | (letters) |
Kevin Hood | ... | (written by) |
Sarah Williams | ... | (written by) |
Produced by
Jeff Abberley | ... | executive producer |
Joanna Anderson | ... | associate producer: Ecosse Films |
Robert Bernstein | ... | producer |
Julia Blackman | ... | executive producer |
Graham Broadbent | ... | producer |
Noëlette Buckley | ... | line producer |
Nicole Finnan | ... | executive producer |
James Flynn | ... | co-producer |
Tim Haslam | ... | executive producer |
Morgan O'Sullivan | ... | co-producer |
Douglas Rae | ... | producer |
James Saynor | ... | co-producer |
Music by
Adrian Johnston |
Cinematography by
Eigil Bryld | ... | director of photography |
Editing by
Emma E. Hickox |
Editorial Department
Kevin de la Isla O'Neill | ... | assistant editor |
Erik Goodbody | ... | film grader |
Sarah Gower | ... | digital intermediate producer: Framestore CFC (as Sarah Micallef) |
Charlie Habanananda | ... | digital grading assistant |
Andrew Jadavji | ... | first assistant editor |
Angus Munro | ... | avid engineer |
Asha Radwan | ... | post-production coordinator |
Josh Rappaport | ... | post production coordinator: Miramax Films |
Asa Shoul | ... | digital intermediate colorist: Framestore CFC |
Casting By
Gail Stevens |
Production Design by
Eve Stewart |
Art Direction by
David McHenry |
Set Decoration by
Johnny Byrne | ||
Jenny Oman |
Costume Design by
Eimer Ní Mhaoldomhnaigh |
Makeup Department
Francesco Alberico | ... | hair assistant / makeup assistant |
Muriel Bell | ... | crowd hair coordinator |
Lucy Browne | ... | makeup artist |
Sonia Dolan | ... | makeup artist: dailies |
Deirdre Fitzgerald | ... | makeup trainee |
Andrew Fitzsimons | ... | hair stylist |
Paul Gooch | ... | hair stylist / makeup artist |
Neill Gorton | ... | prosthetic makeup application (as Neil Gorton) |
Anna Gronerus | ... | hair trainee (as Anna Grönérus) |
Sandra Kelly | ... | key hair stylist |
Veronica McAleer | ... | hair designer (as Veronica Brebner) / makeup designer (as Veronica Brebner) |
Lorraine McCrann | ... | additional makeup trainee |
Patricia McDevitt | ... | wig dresser |
Tom McInerney | ... | prosthetic makeup application |
Paul Mooney | ... | hair assistant / makeup assistant |
Tina Phelan | ... | makeup assistant (as Christina Phelan) |
Simon Rose | ... | prosthetic makeup application |
Tapio Salmi | ... | hair stylist / makeup artist |
Barbara Taylor | ... | hair assistant: UK / makeup artist |
Olivier Seyfrid | ... | additional hair stylist (uncredited) |
Production Management
Alistair Hopkins | ... | post-production supervisor |
Fiona Morham | ... | head of production: UK Film Council |
Tim Morris | ... | post-production supervisor: rushes |
Sean Cooney | ... | post-production executive (uncredited) |
Second Unit Director or Assistant Director
Cathriona Glynn | ... | trainee assistant director (as Caitríona Glynn) |
Mary Gough | ... | second assistant director |
Sean Griffin | ... | third assistant director (as Seán Griffin) |
Anna Harrison | ... | trainee assistant director |
Luke Johnston | ... | first assistant director |
Kate McLaughlin | ... | trainee assistant director |
Art Department
Eoin Bailey | ... | stagehand |
Danielle Bogley | ... | art department trainee (as Danielle Begley) |
Deirdre Byrne | ... | storeperson |
Gareth Byrne | ... | greensman |
Patrick Byrne | ... | greensman |
Ray Byrne | ... | greensman |
Jenni Cooney | ... | assistant art director |
Richard Cooney | ... | carpenter |
Ultan Courtney | ... | art department trainee |
Darren Crimmins | ... | assistant construction manager |
Seamus Crowley | ... | plumber |
Elimer Cruz | ... | upholstery |
Robert Daly | ... | carpenter |
Deborah Davis | ... | trainee prop buyer |
John Delaney | ... | master stagehand |
Anthony Dixon | ... | painter |
Shane Donnelly | ... | stagehand |
Tom Dowling | ... | construction manager |
Dave Flanagan | ... | dressing props |
Jimmy Gillen | ... | stand-by stagehand |
Martin Hanley | ... | storyboard artist |
Tuireann Herriott | ... | trainee prop buyer |
Michael Higgins | ... | stand-by art director |
Lyndon Johnston | ... | dressing props |
Jimmy Kavanagh | ... | drapesman |
Mick Kearns | ... | stand-by carpenter (as Michael Kearns) |
Pat Kelly | ... | painter |
Ronan Kennedy | ... | assistant dressing props |
Tony Kennedy | ... | carpenter |
Paul Keogh | ... | chargehand carpenter |
Thomas Lavelle | ... | decorative painter (as Tommy Lavelle) |
Eoin Lewis | ... | chargehand dressing props |
Bernard Lyster | ... | dressing props |
Martin Maloney | ... | plasterer |
Leon McCarthy | ... | additional art director |
Kate McColgan | ... | art department coordinator |
Jerome McDonnell | ... | stand-by props |
Noel McKenna | ... | stand-by rigger (as Noel 'Badger' McKenna) |
Nuala McKernan | ... | property master |
Sue Meehan | ... | assistant dressing props |
Philip Murphy | ... | props |
Niamh Nic Raois | ... | assistant art director |
Anthony Nugent | ... | stand-by props |
John O'Connell | ... | carpenter |
Ciara O'Donnell | ... | graphic designer |
Gary O'Donnell | ... | painter |
Christy O'Shaughnessy | ... | master painter (as Christopher O'Shaughnessy) |
Martin O'Shaughnessy | ... | painter |
Thomas O'Shaughnessy | ... | stand-by painter |
Jenny Oman | ... | props buyer |
Guy Rutter | ... | scenic artist |
Brendan Stephens | ... | painter |
Thomas Stephens | ... | painter |
Brian Thompson | ... | construction buyer |
Maurice Thompson | ... | construction buyer |
Paul Treacy | ... | rigger |
Sound Department
Nick Adams | ... | supervising sound editor |
Jeremy Adamson | ... | sound effects recordist |
Mark Barry | ... | sound trainee |
Carlie Bergman | ... | adr recordist |
Peter Blayney | ... | re-recording mixer |
Gordon Brown | ... | additional adr editor |
Alan Collins | ... | sound facility supervisor: Ardmore Sound |
Daniel Crowley | ... | boom operator |
Mark DeSimone | ... | adr mixer |
Caoimhe Doyle | ... | foley artist |
Samir Foco | ... | foley editor / location foley mixer |
Sue Harding | ... | location foley artist |
Tom Johnson | ... | re-recording mixer |
Mark Kenna | ... | consultant: dolby film sound |
Goro Koyama | ... | foley artist |
Andy Malcolm | ... | foley artist |
Anna Malkin | ... | foley recording assistant |
Mervyn Moore | ... | location sound |
Douglas Murray | ... | adr mixer |
Jonathan Rimas | ... | adr mixer |
Jamie Roden | ... | adr mixer |
Lionel Strutt | ... | adr coordinator |
Joakim Sundström | ... | supervising dialogue editor |
Poppy Watson | ... | assistant sound editor |
Don White | ... | foley recording mixer |
Paul Wrightson | ... | adr editor |
Robert Edwards | ... | adr recordist (uncredited) |
Anthony Faust | ... | adr mixer (uncredited) |
Iain Jamieson | ... | assistant adr recordist (uncredited) |
Onofre Ortega | ... | dubbing mixer (uncredited) |
Special Effects by
Aidan Byrne | ... | senior special effects technician: Team FX (as Aiden Byrne) |
Brendan Byrne | ... | special effects supervisor: Team FX |
Michael Kearns | ... | special effects senior technician: Team FX (as Michael Kerns) |
Pat Redmond | ... | special effects senior technician: Team FX |
Dave Roddham | ... | special effects technician |
Visual Effects by
Louie Alexander | ... | retouch and restoration: Framestore CFC |
Sule Bryan | ... | compositor: Framestore CFC |
Helen Bunker | ... | compositor: Framestore CFC |
Jason Burnett | ... | scanning and recording: Framestore CFC |
Andy Burrow | ... | scanning and recording manager: Framestore CFC |
Paul Doogan | ... | scanning and recording: Framestore CFC |
James D. Fleming | ... | digital paint & roto artist: Framestore CFC (as James Fleming) |
Joe Godfrey | ... | scanning and recording: Framestore CFC |
Charlie Habanananda | ... | digital grading assistant: Framestore CFC |
Adam Hawkes | ... | retouch and restoration: Framestore CFC |
Yan Jennings | ... | film mastering engineer: Framestore CFC |
Aaron Lear | ... | retouch and restoration: Framestore CFC |
Ben Lock | ... | visual effects producer: Framestore CFC (as Ben Locke) |
Kevin Lowery | ... | film mastering engineer: Framestore CFC |
Rebecca Manning | ... | digital paint & roto artist: Framestore CFC |
Ephraim Mwakandu | ... | digital paint & roto artist: Framestore CFC |
Savneet Nagi | ... | retouch and restoration: Framestore CFC |
Mark Nelmes | ... | compositor: Framestore CFC |
Stuart Nippard | ... | retouch and restoration: Framestore CFC |
Alex Payman | ... | visual effects supervisor: Framestore CFC |
Dan Perry | ... | scanning and recording: Framestore CFC |
Asa Shoul | ... | digital colourist: Framestore CFC |
Donna Smith | ... | visual effects editorial: Framestore CFC |
Vishal Songara | ... | data operator: Framestore CFC |
Nick Stanley | ... | retouch and restoration: Framestore CFC |
Alex Tate | ... | digital paint & roto artist: Framestore CFC |
Michael Adam Thompson | ... | visual effects camera tracking: Framestore CFC (as Michael Thompson) |
Odean Thompson | ... | retouch and restoration: Framestore CFC (as O'Dean Thompson) |
Shahin Toosi | ... | digital paint & roto artist: Framestore CFC |
Dan Victoire | ... | data operator: Framestore CFC |
Simon Wessely | ... | data operator: Framestore CFC |
Ben Baker | ... | head of digital lab: Framestore CFC (uncredited) |
Eric D'Souza | ... | digital lab engineer: Framestore CFC (uncredited) |
Jerome Dewhurst | ... | digital lab engineer: Framestore CFC (uncredited) |
Alistair Hamer | ... | film mastering engineer (uncredited) |
Jan Hogevold | ... | executive producer: Framestore CFC (uncredited) |
John Inch | ... | retouch and restoration: Framestore/CFC (uncredited) |
Ian Redmond | ... | digital lab engineer: Framestore CFC (uncredited) |
Stunts
Peter Dillon | ... | stunt double |
Dominick Hewitt | ... | stunt double |
Giedrius Nagys | ... | stunt double |
Donal O'Farrell | ... | stunt coordinator |
Alan Walsh | ... | stunt double |
Camera and Electrical Department
Garret Baldwin | ... | gaffer |
Ciarán Barry | ... | director of photography: second unit |
Amy Breen | ... | additional camera trainee |
Alan Butler | ... | focus puller |
William Cash | ... | practical electrician (as Will Cash) |
Pete Cavaciuti | ... | additional steadicam operator (as Peter Cavaciuti) |
Bonnie Dempsey | ... | clapper loader: second unit |
Richard Donnelly | ... | focus puller: second unit (as Richie Donnelly) |
Billy Doyle | ... | best boy |
Jessica Drum | ... | clapper loader |
Owen Farrell | ... | clapper loader: second unit |
Lorcan Fox | ... | video assist |
Russell Gleeson | ... | focus puller: second unit |
Damien Heffernan | ... | practical electrician |
Colm Hogan | ... | still photographer |
Noel Holland | ... | electrician |
Ciaran Kavanagh | ... | camera operator: second unit |
David Keith | ... | crane operator |
Donal Lenehan | ... | video assist |
Ian Madden | ... | electrician |
Simon Magee | ... | practical electrician |
Aideen McCarthy | ... | camera trainee |
Philip Murphy | ... | grip |
Stephen Murphy | ... | Steadicam operator |
Simon Walsh | ... | focus puller: second unit |
Stephen Murphy | ... | camera operator: "b" camera (uncredited) |
Casting Department
William Davies | ... | casting associate: UK |
Sarah Finn | ... | additional casting: USA |
Randi Hiller | ... | additional casting: USA |
Gillian Reynolds | ... | casting: Ireland |
Marcella Riordan | ... | voice casting |
Costume and Wardrobe Department
Fiona Brownlie | ... | wardrobe assistant |
Niamh Buckley | ... | extras wardrobe trainee |
Angel Concepcion | ... | wardrobe trainee |
Nikki Connor | ... | wardrobe assistant |
Dennis D'Arcy | ... | costume maker (as Denis Darcy) |
Veerle De Haine | ... | costume maker (as Veerle Dehaene) |
Georgina Diaz | ... | costume maker |
Breege Fahy | ... | costume maker (as Breege Anne Fahy) |
Laura Fortune | ... | costume maker |
Wendy Judge | ... | hat maker |
Valerie Kelly | ... | wardrobe trainee |
Louise Kennedy | ... | wardrobe trainee |
Audrey Lynch | ... | wardrobe trainee |
Derbhla McClelland | ... | wardrobe assistant |
Helen McCusker | ... | set costumer |
Helen McCusker | ... | dresser: Maggie Smith |
Caitriona Ní Threasaigh | ... | costume breakdown artist (as Caitríona Ni Threasaigh) |
Susan O'Connor Cave | ... | wardrobe supervisor |
Janet O'Leary | ... | chief costume cutter |
Anne O'Mahoney | ... | costume maker (as Anne O'Mahony) |
Leonie Prendergast | ... | costume design assistant |
Emma-Louise Ryan | ... | costume trainee |
Morgan Semmens | ... | extras wardrobe assistant |
Frances Sweeney | ... | chief costume cutter |
Liz Treacy | ... | wardrobe assistant |
Lucy McKenna | ... | trainee costume (uncredited) |
Location Management
Manus Hingerty | ... | location manager |
Eoin Holohan | ... | assistant location manager |
Evelyn O'Neill | ... | location assistant |
Sarah Worsley | ... | location trainee |
Music Department
Mark Berrow | ... | musician: violin |
Aidan Broadbridge | ... | musician: dance violin accompaniment |
Nicholas Broadbridge | ... | music consultant: dance music |
Nicholas Bucknall | ... | musician: clarinet |
Sophie Cornet | ... | music editor |
Marcia Crayford | ... | musician: violin soloist |
Andrew Dudman | ... | assistant music engineer (as Andy Dudman) |
Paul Englishby | ... | conductor / orchestrator |
Isobel Griffiths | ... | orchestral contractor |
Adrian Johnston | ... | orchestrator |
John Lenehan | ... | musician: piano soloist |
Gabrielle Lester | ... | musician: violin soloist (as Gaby Lester) |
Catherine Manners | ... | score coordinator |
Adam Noble | ... | assistant music engineer |
Jean O'Sullivan | ... | music transcription |
Anthony Pleeth | ... | musician: cello soloist |
Colin Rae | ... | music copyist |
Dave Slevin | ... | music engineer |
Karl Sweeney | ... | musician: dance violin accompaniment |
Joe Thompson | ... | piano coach: Anne Hathaway |
Caitriona Walsh | ... | music booker: pre-record musicians |
Vicci Wardman | ... | musician: viola soloist |
Nick Wollage | ... | music engineer |
Warren Zielinski | ... | musician: violin |
Rachel Bolt | ... | musician: viola (uncredited) |
Terry Davies | ... | conductor (uncredited) |
Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
Emer Conroy | ... | script supervisor: second unit |
Jeanette McGrath | ... | script supervisor |
Transportation Department
Mervyn Adams | ... | driver: minibus |
Bob Beaton | ... | driver: Julie Walters (as Bob Beton) |
Reggie Blain Jr. | ... | winnebago supervisor |
Daniel Breen | ... | transportation captain |
Michael Byrne | ... | driver: props stand-by |
Mick Creagh | ... | driver: catering, Hot Buns Catering |
Tony Cullen | ... | driver: props runaround (as Tommy Cullen) |
Michael King | ... | driver: construction stand-by |
Jon McAvera | ... | driver: Julie Walters (as Joe Mcavera) |
Hugh McCartney | ... | driver: grip stand-by |
Terence Morrison | ... | driver: lighting stand-by |
Collie Murphy | ... | driver: camera stand-by |
David O'Brien | ... | driver: James McAvoy |
Peter O'Toole | ... | generator driver |
Colie Sharkey | ... | driver: Anne Hathaway |
David Sullivan | ... | driver: Maggie Smith |
Additional Crew
Chris Allies | ... | title designer and producer |
Maria Bacaouna | ... | catering team: Hot Buns Catering |
Annie Barclay | ... | production assistant |
Jonathan Blyth | ... | head of acquisitions: 2 Entertain |
Kate Bowe | ... | unit publicist |
Aine Broadberry | ... | catering team: Hot Buns Catering (as Aine Broadbury) |
Laurence Brown | ... | legal services: pre-production financing, Davenport Lyons |
Darren Byrne | ... | tutor: sign language |
Sally Caplan | ... | head of premiere fund: UK Film Council |
Martina Carey | ... | extras coordinator trainee |
Pat Cleary | ... | tax consultant: Octagon Films |
Gráinne Coleman | ... | project coordinator: Octagon Films (as Grainne Dunne) |
Cait Collins | ... | production coordinator (as Cáit Collins) |
Julie Connellan | ... | hand double: calligraphy |
Sara Curran | ... | legal services |
Megan Davis | ... | head of business and legal affairs: Scion Films |
Matt Delargy | ... | development executive |
Tony Doyle | ... | horse master |
Paul Dray | ... | client contact |
Eddie Drew | ... | animal handler |
Linda Duncan | ... | legal services: 2 Entertain |
Senan Dunne | ... | tutor: sign language |
Will Evans | ... | head of business affairs: UK Film Council |
Paul Fagan | ... | business and legal services: BBC |
Jane Gibson | ... | choreographer |
Sara Giles | ... | pre-production financing: Freewheel |
Balvinder Gill | ... | business and legal affairs: Scion Films |
Neil Gillard | ... | legal services: Richards Butler |
Ben Good | ... | provider: carriages and horses |
Richard Green | ... | chief executive: 2 Entertain |
Anna Green-Armytage | ... | assistant: Douglas Rae & Robert Bernstein |
Gerry Grennell | ... | dialect coach |
Maud Halferty | ... | unit publicist |
James Hickey | ... | legal services: Matheson Ormsby Prentice Solicitorts |
Vince Holden | ... | head of production finance: BBC |
Kate Hudson | ... | publicist: Premier Public Relations |
Daire Hughes | ... | catering team: Hot Buns Catering |
Keith Hughes | ... | bank financing: Bank of Ireland |
Myra Irvine | ... | unit nurse |
Nicola Jackson | ... | extras coordinator trainee |
Fleur Jago | ... | assistant: Anne Hathaway |
Steve Jenkins | ... | head of films: BBC |
Steve Joberns | ... | auditor: Shipleys |
Joanna Johnson | ... | business and legal affairs: Scion Films |
Medwyn Jones | ... | legal services: Harbottle & Lewis |
Ivan Kennedy | ... | assistant horse master |
Anne Kenny | ... | home economist |
Nessa King | ... | financial executive: Octagon Films |
Zeke Lawless | ... | production trainee |
Jacqui Leahy | ... | assistant: Anne Hathaway |
Rose Lloyd Owen | ... | business affairs assistant: Ecosse Films |
Seb Loden | ... | production assistant |
Cillian Lyons | ... | additional production trainee |
Richard Mansell | ... | business and legal affairs: Hanway Films |
Claire Matheson | ... | business and legal affairs: Scion Films |
Michael Maxtone-Smith | ... | legal advisor: Bank of Ireland, Richards Butler |
Liz McDonagh | ... | catering manager: Hot Buns Catering |
Groege McGhee | ... | controller: acquisitions, BBC |
Teresa McGrane | ... | business affairs: Bórd Scannán na hÉireann/Irish Film Board |
John McKenna | ... | armorer: John McKenna TV & Film Services |
Ruth McMahon | ... | unit nurse |
Michelle Mullen | ... | assistant production coordinator |
Eimear O'Kane | ... | second assistant accountant |
Ciara O'Sullivan | ... | project coordinator: Octagon Films |
Tara O'Sullivan | ... | catering manager: Hot Buns Catering |
Simon Perry | ... | chief executive: Bórd Scannán na hÉireann/Irish Film Board |
Richard Phillips | ... | legal services: Richards Butler |
Bev Reid | ... | production assistant: Scion Films |
David Roberts | ... | financial services: 2 Entertain |
Jo Rogers | ... | head of creative affairs: Scion Films |
Joanne Sennitt | ... | production accountant: Scion Films |
Jim Shortall | ... | production accountant |
Georgina Shortt | ... | extras coordinator |
Stuart Snaith | ... | managing director: 2 Entertain |
Elaine Snowdon | ... | extras coordinator trainee |
Jon Spence | ... | historical consultant |
Sophie Tebbitt | ... | first assistant accountant |
Ben Thomas | ... | business and legal affairs: Scion Fiulms |
Catherine Tiernan | ... | production executive: Octagon Films |
Clarke Treacy | ... | facilities manager: Movie Go |
Laura Treacy | ... | extras coordinator |
Gary Walsh | ... | chef: Hot Buns Catering |
Billi Webster | ... | additional accounts assistant (as Billie Webster) |
Emily Whelan | ... | assistant: Julian Jarrold |
Toby White | ... | production executive: 2 Entertain |
Wendy Woodbridge | ... | assistant to choreographer |
Sharyn Yau | ... | publicity and marketing |
Annie Barclay | ... | production secretary (uncredited) |
Johanna Shapiro | ... | assistant: Mr. Cromwell (uncredited) |
Emily Ann Sonnet | ... | assistant to producer (uncredited) |
Production Companies
- HanWay Films (presents)
- UK Film Council (presents)
- Bord Scannán na hÉireann / The Irish Film Board (presents)
- Ecosse Films (production)
- Blueprint Pictures (in association with)
- Scion Films (in association with)
- Octagon Films (in association with)
- 2 Entertain Films (in association with)
- BBC Film (in association with)
- Irish Film Industry (with the support of)
- National Lottery through UK Film Council (with the support of)
- Polyphony Digital (presents)
Distributors
- Miramax (2007) (United States) (theatrical)
- A-Film Distribution (2007) (Netherlands) (theatrical)
- Alliance Atlantis Motion Picture Distribution (2007) (Canada) (theatrical)
- Ascot Elite Entertainment Group (2007) (Switzerland) (theatrical)
- Bir Film (2007) (Turkey) (theatrical)
- Buena Vista International (2007) (United Kingdom) (theatrical)
- Cathay-Keris Films (2008) (Singapore) (theatrical)
- Concorde Filmverleih (2007) (Germany) (theatrical)
- Dendy Films (2007) (Australia) (theatrical)
- Eagle Pictures (2007) (Italy) (theatrical)
- FS Film (2007) (Finland) (theatrical)
- Hexagon Pictures (2009) (Japan) (theatrical)
- Svensk Filmindustri (SF) (2007) (Sweden) (theatrical)
- Tiglon (2007) (Turkey) (theatrical)
- A-Film Home Entertainment (2007) (Netherlands) (DVD)
- Alliance Home Video (2007) (Canada) (DVD)
- BBC One (2009) (United Kingdom) (tv)
- Central Partnership (2007) (Russia)
- Concorde Home Entertainment (2008) (Germany) (DVD)
- Disney Channel (2016) (Germany) (tv)
- Echo Bridge Home Entertainment (2011) (United States) (DVD)
- FS Film (2008) (Finland) (DVD)
- Focus Filmes (2008) (Brazil) (DVD)
- Front Row Filmed Entertainment (2007) (United Arab Emirates) (Middle East)
- HBO Max (2020) (United States) (video) (VOD)
- La Fabrique de Films (2007) (France)
- Ledafilms (2008) (Mexico) (tv)
- Vértice 360 (2007) (Spain)
- Yleisradio (YLE) (2010) (Finland) (tv)
Special Effects
- Millennium FX (creator: prosthetics)
- Team FX (special effects)
- Framestore CFC (visual effects)
Other Companies
- Hyperactive Broadcast (editing equipment)
- AON/Albert G. Ruben Insurance Services (insurance broker)
- Abbey Road Studios (music recorded at)
- Air Lyndhurst Studios (music mixed at)
- Ardmore Sound (sound re-recording)
- Ardmore Studios (facilities)
- Backstage Casting (extras casting)
- Bank of Ireland (bank financing)
- Ben Good (carriages and horses)
- Bridge Interpreting (signing interpretation: Mr. Culhane)
- Cine Electric Ltd. (lighting equipment)
- Cutting Edge (negative cutting)
- DHB Scaffolding (rigging equipment)
- Davenport Lyons (legal services: pre-production financing)
- Film Finances (completion guarantor)
- Fintage CAM (collection account management)
- Footsteps Post-Production Sound (foley recorded at)
- Framestore CFC (digital intermediate)
- Freewheel (pre-production financing)
- Funn (hosiery supplier)
- Gearbox Sound and Vision (additional ProTools systems supplied by)
- Goldcrest Post Production London (adr recording studio)
- Goldcrest Post Production London (sound post-production)
- Grip Equipment Hire (grip equipment)
- Harbottle & Lewis (legal services)
- Height for Hire (cherrypickers)
- Hot Buns (catering)
- John McKenna (armor)
- Marshall/Plumb Research Associates (negative checks)
- Matheson Ormsby Prentice (legal services)
- Mayflower Studios (adr recording studio)
- Movie Go (facilities)
- Paul Equines (horses and riders)
- Polyphony Digital (thanks)
- Premier Public Relations (publicity)
- Production Depot (camera equipment provided by)
- Revolution Post (edit suites)
- Richards Butler International Law Firms (legal advisor: Bank of Ireland)
- Richards Butler International Law Firms (legal services)
- Sands Films (costumier)
- Sapex Scripts (post-production script)
- Sapex Scripts (post-production services)
- Sargent-Disc (computer services)
- Sargent-Disc (payroll: UK)
- Shipleys (auditor)
- Sony Classical (soundtrack)
- Soundtrack New York (ADR Facility)
- Special Treats Production Company (electronic press kit)
- Technicolor (release printing)
- Westland Studios Dublin (pre-recorded music recorded at)
- Windmill Lane Pictures (edit suites)
- Windmill Lane Pictures (rushes telecine and transfers)
Storyline
Plot Summary |
The year is 1795 and young Jane Austen (Anne Hathaway) is a feisty twenty-year-old and emerging writer who already sees a world beyond class and commerce, beyond pride and prejudice, and dreams of doing what was then nearly unthinkable, marrying for love. Naturally, her parents are searching for a wealthy, well-appointed husband to assure their daughter's future social standing. They are eyeing Mr. Wisley (Laurence Fox), nephew to the very formidable, not to mention very rich, local aristocrat Lady Gresham (Dame Maggie Smith), as a prospective match. But when Jane meets the roguish and decidedly non-aristocratic Tom Lefroy (James McAvoy), sparks soon fly along with the sharp repartee. His intellect and arrogance raise her ire, then knock her head over heels. Now, the couple, whose flirtation flies in the face of the sense and sensibility of the age, is faced with a terrible dilemma. If they attempt to marry, they will risk everything that matters - family, friends, and fortune. Written by Orange |
Plot Keywords | |
Taglines | Becoming a woman. Becoming a legend. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
|
Additional Details
Also Known As |
|
Runtime |
|
Official Sites | |
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Box Office
Budget | $16,500,000 (estimated) |
Opening Weekend United Kingdom | GBP649,323, 11 Mar 2007 |
Cumulative Worldwide Gross | $37,311,672 |
Did You Know?
Trivia | Dame Maggie Smith is a patron of the Jane Austen Society. See more » |
Goofs | Throughout the film, Jane wears costumes almost 20 years ahead of the other characters. At the ball scene, she is the only one in short sleeves and an empire waist- all the others are dressed as fits the period, which is 1795. Presumably, this was to make Jane more recognizable to popular audiences more familiar with the empire style dresses her later characters wore. See more » |
Movie Connections | Featured in Rush Hour 3/Daddy Day Camp/Becoming Jane/Stardust/Rocket Science/2 Days in Paris (2007). See more » |
Soundtracks | Hole in the Wall See more » |
Quotes |
Tom Lefroy:
What value will there ever be in life, if we are not together? See more » |