Dark Water (2005)

Director:

Walter Salles

Writers (WGA):

Kôji Suzuki (novel)
Hideo Nakata (film Honogurai mizu no soko kara) ...

Release Date:

8 July 2005 (USA)

Genre:

Drama | Horror | Thriller

Tagline:

This Season, The Mystery Of The Darkness Will Consume Your Life

Plot:

A mother and daughter, still wounded from a bitter custody dispute, hole up in a run-down apartment building. Adding further drama to their plight, they are targeted by the ghost of former resident.

Plot Keywords:

Evil Child | Divorced Mother | Monster As Victim | Ceiling | Water Leak

Awards:

1 nomination

Cast

Jennifer Connelly	...	Dahlia Williams
John C. Reilly	...	Mr. Murray
Tim Roth	...	Jeff Platzer
Dougray Scott	...	Kyle Williams
Pete Postlethwaite	...	Veeck
Camryn Manheim	...	Teacher
Ariel Gade	...	Cecilia 'Ceci' Williams
Perla Haney-Jardine	...	Natasha Rimsky / Young Dahlia
Debra Monk	...	Young Dahlia's Teacher
Linda Emond	...	Mediator
Bill Buell	...	Mediator
J.R. Horne	...	Man in Train
Elina Löwensohn	...	Dahlia's Mother
Warren Belle	...	UPS Man
Alison Sealy-Smith	...	Supervisor

MPAA:

Rated PG-13 for mature thematic material, frightening sequences, disturbing images and brief language.

Runtime:

105 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Canada:PG (Ontario) | USA:Unrated (unrated DVD version) | Iceland:16 (video rating) | Netherlands:16 | Iceland:12 (theatrical rating) | Malaysia:U | South Korea:12 | Germany:16 | Philippines:PG-13 | Sweden:15 | New Zealand:M | Canada:14A (Ontario) | France:-12 | Hong Kong:IIA | Canada:14A (Alberta/British Columbia) | UK:15 | USA:PG-13 | Australia:M | Ireland:15A | Finland:K-15 | Singapore:PG | Argentina:13 | Norway:15 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Brazil:12

Filming Locations:

Chandler Valley Center Studios - 13927 Saticoy Street, Van Nuys, Los Angeles, California, USA

Company:

Touchstone Pictures

Trivia:

The heartbeat heard during Dahlia's migraines are from an ultrasound scan of Daniel Rezende's wife who got pregnant at the beginning of the shooting.

Goofs:

Continuity: When Ceci runs into the lobby after being dropped off by her father, there is a Barbie doll in her right hand which is stretched out towards her mother. In the next shot, the Barbie doll has switched to her left hand.

Quotes:

Dahlia: [Referring to Natasha] I can't be her mother...I don't know how to be myself!

Movie Connections:

References The Shining (1980)

Soundtrack:

I Got Soul

Teenagers!

Don't know about you all, but I've sort of had it up to here with teenagers. Walter Salles' *Dark Water* flopped because of teenagers. The geniuses up the highway from me at the Walt Disney Company tried to market this psychological drama -- in SUMMER! -- to teenagers as a slasher film . . . OOPS. When the teenagers discovered that the film's primary concern was with a troubled single mother, fresh from a nasty divorce and currently embroiled in a custody fight, they lost patience with it (the screen offering no steaming entrails oozing from savagely slashed pregnant abdomens and such) and commenced downloading ring-tones from Katazo on their cellphones in the darkened theaters. The epilogue to the sorry saga of this film's release? The teenagers infest this website with their 1-star reviews and poor grammar and ALL CAPS SENTENCES. Look, I've got an idea: I think it's high time that the folks at IMDb create an entirely separate website -- let's call it "IMDbTeen" -- in which the children can vent their spleen and leave THIS site for the rest of us to discuss movies. And no, banishing the youngsters to the discussion boards won't cut the mustard -- the Ritalin-addicted kids, thumbs sore from their PSPs, have obviously found their way to the review pages. Or perhaps IMDb, which is owned by Amazon, can follow their corporate parent's lead and force teenagers to identify themselves as such -- the rest of us can then ignore their comments.

Pardon the W.C. Fields rant, but *Dark Water* is too good a film to be hijacked by walking pimple sacks, sorry. Here is a great work of art that has been virtually disowned by its director because of the poor box office returns. Hey, Salles, if you're reading this, there's no reason for you to hang your head in shame over this picture. I, for one, appreciated your baroque homage to Polanski's *Repulsion*, and can even state that the performance you get out of Jennifer Connelly actually surpasses Deneuve's work in that earlier film. Connelly thoroughly inhabits the role -- an unglamorous one that asks this beautiful actress to dress in ratty clothes while suffering from constant migraines. She convinces us as a desperate case, both financially and emotionally, and also convinces us that Dahlia is an honest-to-goodness mom (Connelly has a couple of kids in real life, which not only helps, but is a necessity on an actress' resume if she presumes to play this part). And it's not just Connelly who scores in the acting department: John C. Reilly as the superintendent delivers an immortal monologue (mostly improvised, according to the DVD extras) as he offers Dahlia and her daughter a grand tour of the hideous housing project on Roosevelt Island that is the setting of the movie. "Where's the living room?" asks Dahlia. "This is it," effuses Reilly, "It's both bedroom AND living room! It's what they call a DUAL-USE room. Look at it -- it's huge!" Anyone who has ever dealt with a real estate agent will recognize Reilly's canny mix of friendliness and utter untrustworthiness. A-class talent such as Pete Postlethwaite and Tim Roth also make significant contributions as the building's janitor and Dahlia's lawyer, respectively.

But the prime virtue of the film is in the photography and set design. *Dark Water* is that rarest of horror films: it's set in the city. Roosevelt Island, to be precise, that run-down spit of land across the river from Manhattan, encrusted with Soviet-bloc inspired tenement housing. ("The Brutalist style," as Reilly would have it.) Salles' DP has a field day in this environment, getting some nice aerial shots of the brick and cement rat maze, as well as some low shots pointing up toward the tenement towers' imposing height. The weather is usually rainy (the incessant leitmotiv of the film is water, obviously), the sky is gun-gray, smokestacks dominate the horizon, the overall color palette consists of institutional gray, poverty-row brown, icky black, depression blue. The interiors, specifically of Dahlia and Ceci's apartment -- along with the mysterious 10-F directly upstairs -- is a fond homage to Catherine Deneuve's greasy, miserable apartment in Polanski's *Repulsion*, with some nods thrown towards the Coens' *Barton Fink* along the way (especially in regards to the peeling plaster and moist dry-wall and overall dilapidation).

But is *Dark Water* really scary? Presumably, this would be the point. It's probably not scary enough to scare the pimple sacks, but it's scary enough for those who've had to deal with life's most fundamental problems, such as raising a child alone, or finding oneself crippled by either physical or mental handicaps, aggravated by an unhappy past, WHILE raising a child alone. In other words, it's scary enough for grown-ups, who can find terror in watching their children cross a busy intersection. And in any case, Salles delivers a few choice jolts along the way, which I won't spoil. But the genius of the film is in its atmosphere: an unrelenting brooding menace that feeds off of urban misery. *Dark Water* is depressing and scary.

And splendid. 9 ardent stars out of 10.