My Summer of Love (2004)
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- R
- 1h 26min
- Drama, Romance
- 01 Jul 2005 (USA)
- Movie
- 9 wins & 20 nominations.
- See more »
Photos and Videos
Cast verified as complete
Natalie Press | ... |
Mona
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Emily Blunt | ... |
Tamsin
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Paddy Considine | ... |
Phil
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Dean Andrews | ... |
Ricky
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Michelle Byrne | ... |
Ricky's Wife
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Paul Antony-Barber | ... |
Tamsin's Father
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Lynette Edwards | ... |
Tamsin's Mother
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Kathryn Sumner | ... |
Sadie
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Directed by
Pawel Pawlikowski |
Written by
Helen Cross | ... | (novel) |
Pawel Pawlikowski | ... | (written by) & |
Michael Wynne | ... | (collaborating writer) |
Produced by
Chris Auty | ... | executive producer |
Chris Collins | ... | producer (as Christopher Collins) |
Keith Evans | ... | executive producer |
Emma Hayter | ... | executive producer |
Joshua Neale | ... | assistant producer |
Tanya Seghatchian | ... | producer |
David M. Thompson | ... | executive producer |
Music by
Alison Goldfrapp | ||
Will Gregory |
Cinematography by
Ryszard Lenczewski | ... | director of photography |
Editing by
David Charap |
Editorial Department
Simon Brook | ... | on-line editor |
Trevor Brown | ... | colorist |
Graeme Holmes | ... | assistant editor |
Dan Preston | ... | assistant on-line editor |
Casting By
Buffy Hall |
Production Design by
John Stevenson |
Art Direction by
Netty Chapman |
Costume Design by
Julian Day |
Makeup Department
Tara McDonald | ... | hair & make-up designer / hair stylist / makeup artist |
Production Management
Charlotte Ashby | ... | production manager |
Emma Fowler | ... | production manager |
Second Unit Director or Assistant Director
Vicki Allen | ... | third assistant director (as Vicky Allen) |
Chris Armstrong | ... | third assistant director |
Michael Elliott | ... | first assistant director (as Mike Elliot) |
Melanie Heseltine | ... | assistant director |
Steve Newton | ... | first assistant director |
Olivia Peniston-Bird | ... | second assistant director |
Chris Stoaling | ... | second assistant director |
Paula Turnbull | ... | second assistant director |
Art Department
Peter Cooper | ... | property master |
Katie Driscoll | ... | stand-by art director (as Katie Buckley) |
Arwel Evans | ... | set dresser |
Katrina Mackay | ... | art department assistant (as Katrina Dunn) |
Adrian Platt | ... | prop hand |
Hannah Spice | ... | stand-by art director |
Chris Tipper | ... | set dresser |
Duncan Wheeler | ... | production buyer |
Sound Department
Stuart Bagshaw | ... | foley assistant |
Gianluca Buttari | ... | foley editor |
Dan Dewsnap | ... | boom operator |
Simon Gershon | ... | supervising sound editor |
Mike Grimes | ... | sound effects editor |
Stewart Henderson | ... | dialogue editor |
Dan Johnson | ... | foley dubbing mixer |
Melissa Lake | ... | foley artist |
Ben Meechan | ... | sound effects editor |
Patrick Oldacre | ... | sound maintenance |
Marcus Oliver | ... | assistant dubbing mixer |
John Pearson | ... | sound recordist |
Matthew Skelding | ... | adr recordist |
Barnaby Smyth | ... | foley recordist |
Andrew Stirk | ... | dubbing mixer |
Jason Swanscott | ... | foley artist |
David Turner | ... | sound technical coordinator |
Richard Welsh | ... | dolby sound consultant |
Michele Woods | ... | adr recordist |
Special Effects by
Ian Rowley | ... | special effects |
Stunts
Ruth Jenkins | ... | stunt performer |
Andy Smart | ... | stunt coordinator |
Rod Woodruff | ... | stunt coordinator |
Camera and Electrical Department
Susie Allnutt | ... | still photographer (as Susan Allnut) |
Richard Bevan | ... | focus puller |
Lawrence Carter | ... | rigger |
Sara Deane | ... | clapper loader |
Glyn Fielding | ... | grip |
Tim Fleming | ... | focus puller |
Mike Gibson | ... | electrician |
Ben Horsefield | ... | electrician |
Sam Horsefield | ... | electrician (as Sam Horsfield) / electrician |
Carl Hudson | ... | focus puller |
Wayne Mansell | ... | electrician |
Jake Marcuson | ... | focus puller |
Simon Marsh | ... | electrician |
Joe McLean | ... | electrician |
Dave Moss | ... | grip |
David Scott | ... | additional photographer |
John Welsh | ... | electrician |
Jon White | ... | gaffer |
Casting Department
Vanessa Baker | ... | adr voice casting |
Brendan Donnison | ... | adr voice casting |
Nadira Seecoomar | ... | additional casting |
Costume and Wardrobe Department
Shahida Day | ... | wardrobe supervisor (as Shaida Day) |
Laura Johnson | ... | wardrobe supervisor |
Location Management
Gary Barnes | ... | location manager |
Jonathan Davies | ... | assistant location manager |
Music Department
Christian Siddell | ... | music consultant: Boosey & Hawkes (uncredited) |
Additional Crew
Imogen Bell | ... | production coordinator |
Sue Clark | ... | animal handler |
Julie Clyne | ... | paramedic |
Lee Clyne | ... | paramedic |
David Colenutt | ... | rushes runner |
Rachel Devenport | ... | on-line publicist: UK |
Sarah Jane Facer | ... | legal services: Lee and Thompson |
Jeremy Gawade | ... | legal services: Lee and Thompson |
Matthew Grey | ... | production runner / set runner |
Melanie Heseltine | ... | production runner |
Ella Lister | ... | production assistant |
Patrick Malone | ... | project coordinator |
Sharon Menzies | ... | business affairs executive: Baker Street Media Finance |
Joe Oppenheimer | ... | development executive: BBC Films |
Andy Ordonez | ... | business affairs executive: The Film Consortium |
Nicki Parfitt | ... | legal services |
Chris Payne | ... | epk director |
Neil Peplow | ... | head of production: The Film Consortium |
Steve Perrin | ... | unit security: All Safe Securities |
Matthew Sanders | ... | unit publicist |
Livy Sandler | ... | business affairs executive: BBC Films |
Tracey Scoffield | ... | head of development: BBC Films |
Justin Anderson Smith | ... | production executive: The Film Consortium (as Justin Smith) |
Rachel Quigley Smith | ... | production accountant |
Michael Wood | ... | production executive: BBC Films |
Thanks
Alfonso Cuarón | ... | special thanks |
David Heyman | ... | special thanks |
Catherine Linstrum | ... | thanks |
Production Companies
- Apocalypso Pictures
- The Film Consortium
- BBC Film
- Baker Street
- Take Partnership
- UK Film Council (support)
- The Works
Distributors
- A-Film Distribution (2005) (Netherlands) (theatrical)
- Alfa Films (2006) (Argentina) (theatrical)
- Bazuca Films (2007) (Chile) (theatrical)
- Fandango (2005) (Italy) (theatrical)
- Festive Films (2006) (Singapore) (theatrical)
- Filmtrade (2005) (Greece) (theatrical)
- Focus Features (2005) (United States) (theatrical)
- Frenetic Films (2005) (Switzerland) (theatrical)
- Intersonic (2005) (Czechia) (theatrical)
- TFM Distribution (2005) (France) (theatrical)
- Capelight Pictures (2023) (Germany) (Blu-ray)
- Capelight Pictures (2023) (Germany) (DVD)
- Capella International (2023) (Non-US)
- EuroVideo (2006) (Germany) (DVD)
- FS Film (2007) (Finland) (DVD)
- Imprint Films (2023) (Australia) (Blu-ray)
- Transeuropa Video Entertainment (TVE) (2006) (Argentina) (DVD)
- Transeuropa Video Entertainment (TVE) (2006) (Argentina) (VHS)
Special Effects
Other Companies
- AON/Albert G. Ruben Insurance Services (insurance)
- Aimimage / Ice Film (cameras supplied by)
- All Safe Securities (unit security)
- Apoex Car Hire (production vehicles)
- Audiolink Radio Communications (walkie talkies)
- CC Lab (title design)
- Carter Rigging (rigging equipment)
- Film & TV Services (unit vehicles)
- Film Finances (completion guarantor)
- Ice Films (camera equipment)
- Kodak (filmed on)
- Lee & Thompson (legal services)
- McDonald and Rutter (publicity)
- Sapex Scripts (post-production script services)
- St. Anne's Post (color grading)
- Swiss Effects (negative transfer)
- Technicolor (processing and prints)
- Unit Base Facilities (unit catering)
- V.F.G. (lighting equipment)
- Videosonics Cinema Sound (sound post-production)
- Videosonics Cinema Sound (sound re-recording)
Storyline
Plot Summary |
A tale of obsession and deception, and the struggle for love and faith in a world where both seem impossible. The film charts the emotional and physical hothouse effects that bloom one summer for two young women: Mona, behind a spiky exterior, hides an untapped intelligence and a yearning for something beyond the emptiness of her daily life; Tamsin is well-educated, spoiled and cynical. Complete opposites, each is wary of the other's differences when they first meet, but this coolness soon melts into mutual fascination, amusement and attraction. Adding volatility is Mona's older brother Phil, who has renounced his criminal past for religious fervor - which he tries to impose upon his sister. Mona, however, is experiencing her own rapture. "We must never be parted," Tamsin intones to Mona but can Mona completely trust her? Written by Focus Features |
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Taglines | The most dangerous thing to want is more. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Box Office
Budget | GBP1,700,000 (estimated) |
Did You Know?
Trivia | A lot of scenes and dialogue were improvised whilst shooting, with a lot of participation from the actors. The scene in which Mona draws a portrait of Tamsin on the wall of her room was entirely improvised - during Pawlikowski's traveling together with Press, he discovered that she used to do a lot of drawing while she was thinking, so he decided to integrate it into the movie and made a scene out of it. See more » |
Movie Connections | Featured in 2006 Glitter Awards (2006). See more » |
Soundtracks | Lovely Head See more » |
Quotes |
Tamsin:
If you leave me, I'll kill you. Mona: If you leave me, I'll kill you... and then I'll kill myself. See more » |