A globetrotting hitman and a crestfallen businessman meet in a hotel bar in Mexico City in an encounter that draws them together in a way neither expected.
Director:
Writer:
Awards:
- 1 win & 6 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Pierce Brosnan | ... |
Julian Noble
|
|
 |
Arlin Miller | ... |
Radio DJ (voice)
|
|
|
Azucena Medina | ... |
Young Denver Fling
|
| Jonah Meyerson | ... |
Ten Year Old Boy
|
|
|
|
Wiveca Bonerais | ... |
Ten Year Old Boy's Mother
|
| Greg Kinnear | ... |
Danny Wright
|
|
| Hope Davis | ... |
Carolyn 'Bean' Wright
|
|
| Adam Scott | ... |
Phil Garrison
|
|
| Portia Dawson | ... |
Genevive
|
|
| Roberto Sosa | ... |
Skinny Mexican Man
|
|
|
|
Antonio Zavala Kugler | ... |
Hotel Bartender 1
|
|
|
Ramon Alvarez | ... |
Shooting Stand Owner
|
|
|
Luz Maria Molina | ... |
School Girl
|
| Philip Baker Hall | ... |
Mr. Randy
|
|
|
|
Carolyn Horwitz | ... |
Cantina Turista #1
|
|
|
Rachel Schwartz | ... |
Cantina Turista #2
|
|
|
Jorge Robles | ... |
Hotel Bartender 2
|
|
|
Trio Los Rivera | ... |
Hotel Lobby Musicians
|
|
|
Israel Tellez | ... |
The Matador
|
|
|
Guillermo Ruiz | ... |
Fat Man
|
|
|
Hanny Sáenz | ... |
Fat Man's Girlfriend
(as Hanny Saens)
|
| Gabriela Goldsmith | ... |
Flirting Woman at Outdoor Café
|
|
| Claudia Lobo | ... |
Vienna Fling
|
|
| Maureen Muldoon | ... |
Australian Bar Waitress
|
|
|
|
Berenice Alvarado | ... |
Budapest Ballerina
|
|
|
Adriana Dávila | ... |
Budapest Ballerina
|
|
|
Silvia Ehnis | ... |
Budapest Ballerina
|
|
|
Deborah Rocha | ... |
Budapest Ballerina
|
|
|
Karla Salvador | ... |
Budapest Ballerina
|
|
|
Isabel Villa | ... |
Budapest Ballerina
|
| Dylan Baker | ... |
Lovell
|
|
|
|
Arturo Echeverria | ... |
Manila Target
(as Arturo Echeverría)
|
|
|
Ramon Valverde | ... |
Young Julian in Manila
|
|
|
William Raymond | ... |
Mr. Stick
|
|
|
Alejandro Amaya | ... |
Additional Matador
|
|
|
Jose Luis Angelino | ... |
Additional Matador
|
|
|
Guillermo Capetillo | ... |
Additional Matador
|
|
|
Humberto Flores | ... |
Additional Matador
|
|
|
Jose Mauricio Morett | ... |
Additional Matador
|
|
|
Federico Pizarro | ... |
Additional Matador
|
| Rest of cast listed alphabetically: | |||
|
|
Penelope Kaufer | ... |
Lady Flirting in a Bar (uncredited)
|
|
|
Vivianne Nacif | ... |
Voice on Answering Machine (uncredited) (voice)
|
|
|
Benjamin Ocaranza | ... |
Fisherman (uncredited)
|
|
|
César Ámigo Aguilar | ... |
Man in Bar (uncredited)
|
Directed by
| Richard Shepard | ||
Written by
| Richard Shepard | ... | (written by) |
Produced by
| Susanne Bohnet | ... | co-producer |
| Stephen Break | ... | co-producer |
| Pierce Brosnan | ... | producer |
| Ricardo Del Río | ... | co-producer |
| Bryan Furst | ... | producer |
| Sean Furst | ... | producer |
| Mark Gordon | ... | executive producer |
| Manfred D. Heid | ... | co-producer (as Manfred Heid) |
| Bradley Jenkel | ... | co-producer (as Brad Jenkel) |
| Gerd Koechlin | ... | co-producer |
| Josef Lautenschlager | ... | executive producer |
| Adam Merims | ... | executive producer |
| Chris Miller | ... | post-production producer: Visionbox Media Group |
| Andrew Reimer | ... | executive producer (as Andy Reimer) |
| Amanda Scarano | ... | associate producer (as Amanda J. Scarano) |
| Beau St. Clair | ... | producer |
| Andreas Thiesmeyer | ... | executive producer |
| Bob Yari | ... | executive producer |
Music by
| Rolfe Kent | ||
Cinematography by
| David Tattersall | ... | director of photography |
Editing by
| Carole Kravetz Aykanian | ... | (as Carole Kravetz-Aykanian) |
Editorial Department
| Tamika André | ... | post-production production assistant |
| Elizabeth Barnette-Marconi | ... | editing intern: Los Angeles (as Beth Barnette) |
| Jeff Charles | ... | digital intermediate data operations: Laser Pacific Media |
| Blake Maniquis | ... | additional editor |
| Mato | ... | color timer |
| Bill Newcomb | ... | post-production coordinator: Visionbox Media Group |
| Corrine Pooler | ... | digital intermediate paint supervisor: Laser Pacific Media |
| Brad Reinke | ... | digital intermediate producer: Laser Pacific Media |
| Jennifer Sapanski | ... | editing intern: New York |
| Mike Sowa | ... | digital intermediate colorist: Laser Pacific Media |
| Linda Williams | ... | digital intermediate editor: Laser Pacific Media |
| Lulu Zezza | ... | digital intermediate producer: VIsionbox Media Group |
| Michael Kingsbury | ... | negative conformist (uncredited) |
| Sean Lawrence | ... | colorist: dailies (uncredited) |
| Jonathan Miller | ... | post-production services (uncredited) |
| Steven Joseph St. John | ... | post-production assistant (uncredited) |
Casting By
| Sig De Miguel | ||
| Cathy Sandrich Gelfond | ||
| Amanda Mackey | ... | (as Amanda Mackey Johnson) |
| Wendy Weidman | ||
Production Design by
| Robert Pearson | ... | (as Rob Pearson) |
Art Direction by
| Marcelo Del Rio | ||
Set Decoration by
| Carlos Gutiérrez | ||
| Patrice Laure | ||
Costume Design by
| Catherine Marie Thomas | ... | (as Catherine Thomas) |
Makeup Department
| Lourdes Delgado | ... | hair stylist |
| Esther Lomeli | ... | hair stylist |
| Sandra Migueli | ... | makeup artist |
| Rick Provenzano | ... | key hair stylist |
| Bron Roylance | ... | key makeup artist |
| Raquel Russey | ... | makeup assistant (as Raquel Bussey) |
Production Management
| Pablo Buelna | ... | unit manager |
| Emmanuel Cabare | ... | assistant unit manager (as Emmanuel Cabaré) |
| Arturo del Río | ... | unit production manager (as Arturo Del Rio) |
| Susann Jones | ... | post-production supervisor: Visionbox Media Group |
| Robert Katz | ... | executive in charge of production |
| Adam Merims | ... | unit production manager (as Adam J. Merims) |
| John Portnoy | ... | post-production executive: Yari Film Group |
| Louise Runge | ... | post-production manager: Yari Film Group |
| Amanda Scarano | ... | production supervisor (as Amanda J. Scarano) |
Second Unit Director or Assistant Director
| Renan Bendersky | ... | key second assistant director (as Renan M. Bendersky) |
| Marco Polo Constandse | ... | second assistant director |
| Richard L. Fox | ... | first assistant director |
| Frederic Henocque | ... | first assistant director: Mexico |
| Jorge Riggen | ... | assistant director: second unit |
Art Department
| Fernando Acevedo | ... | property assistant |
| Juan Carlos Chavez | ... | art swing gang |
| José Mtz. Cruz | ... | art swing gang |
| José Luis Cuevas | ... | set dresser |
| Esteban Cárdenas | ... | art swing gang |
| Alisarine Ducolomb | ... | art department supervisor |
| Augusto Echeverría | ... | set dresser |
| Enrique Echeverría | ... | assistant art director |
| Jesús Flores | ... | painter: S.T.I.C. Union |
| Isidoro Garcia | ... | art swing gang (as Isidoro García) |
| Martha E. García | ... | art assistant |
| Felix Manuel Perez Gonzalez | ... | key carpenter: S.T.y M. Union (as Félix Pérez) |
| Otniel Gonzalez | ... | property master (as Niel Gonzalez) |
| Jonás González | ... | mural painter |
| Laura M González | ... | art department coordinator (as Laura Mónica González) |
| José A. Herrera | ... | art swing gang |
| Michael Humpfrey | ... | art swing gang |
| José Luis Jiménez | ... | property assistant |
| Víctor Hugo Jácome | ... | mural painter |
| Terry Lalos | ... | on-set dresser |
| Enrique Lechuga | ... | camera painter |
| Luis Fernándo López | ... | set dressing assistant |
| Margarito López | ... | foreman: S.T.y M. Union |
| Juan Carlos Manjarrez | ... | storyboard artist |
| Rodolfo Martínez Mijarez | ... | freelance construction foreman (as Rodolfo Mtz Mijarez) |
| Antonio Mata | ... | on-set property master |
| Alejandro Medina | ... | art assistant |
| José Moreno | ... | on-set dresser |
| Julián Navarro | ... | art swing gang |
| Ligia Ornelas | ... | art assistant |
| Celso Peña | ... | property master |
| Gabriela Preciado | ... | art assistant / graphic designer |
| Hugo Preciado | ... | set dresser |
| Jorge Rodríguez | ... | property man (as Jorge Rodriguez) |
| Joel Romo | ... | art swing gang |
| Saúl Rosales | ... | key painter: S.T.y M. Union |
| Joseph Strachan | ... | storyboard artist |
| Elias Tagle | ... | head carpenter: S.T.I.C. Union |
| Marco A. Tello | ... | art swing gang |
| Bueno Alina Téllez | ... | draftsman (as Alina Tellez) |
| Alberto Villaseñor | ... | construction coordinator |
| Talía G. Yañez | ... | mural painter |
| Juan Manuel de la Fuente | ... | greensman (uncredited) |
Sound Department
| Jessica Bellfort | ... | assistant adr editor (as Jessica Bellfort Rankin) |
| Ellen Heuer | ... | foley artist |
| David C. Hughes | ... | sound designer |
| Richard Hymns | ... | supervising sound editor |
| Howard London | ... | adr mixer |
| Brian Magerkurth | ... | recordist (as Brian D. Magerkurth) |
| Stuart McCowan | ... | sound effects editor |
| Ernesto Muñoz | ... | boom man |
| Chris Navarro | ... | adr recordist |
| Jon Null | ... | foley editor |
| Santiago Núñez | ... | sound mixer |
| George Peterson Jr. | ... | foley recordist |
| Brandon Proctor | ... | re-recording mixer |
| Joel De La Rosa Ramírez | ... | cable man |
| Frank Rinella | ... | foley mixer |
| Gary A. Rizzo | ... | re-recording mixer |
| John Roesch | ... | foley artist |
| Ronald G. Roumas | ... | recordist |
| Ewa Sztompke | ... | dialogue editor (as Ewa Sztompke-Oatfield) |
| Addison Teague | ... | sound effects editor |
| Eric Thompson | ... | adr mixer |
| Dennie Thorpe | ... | foley artist |
| Jana Vance | ... | foley artist |
| Gwendolyn Yates Whittle | ... | adr supervisor |
| Sean England | ... | digital archivist (uncredited) |
| Gwendolyn Yates Whittle | ... | dialog supervisor (uncredited) |
Special Effects by
| Jorge Farfan | ... | special effects coordinator (as Jorge Farfán) |
| Russell Hajek | ... | snow effects assistant |
| William Pape | ... | coordinator: snow effects |
| Ricardo Romero | ... | snow effects assistant |
| Sergio Jara Jr. | ... | special effects assistant (uncredited) |
Visual Effects by
| Greg Astles | ... | digital fusion artist: Intelligent Creatures |
| Pauline Burns | ... | visual effects project manager: Intelligent Creatures |
| Mike Castillo | ... | digital intermediate compositor: Laser Pacific Media |
| Patrick Coffey | ... | digital fusion artist: Intelligent Creatures |
| Peter Dydo | ... | 3d artist: Intelligent Creatures |
| Mohammad Ghorbankarimi | ... | digital fusion artist: Intelligent Creatures |
| Raymond Gieringer | ... | visual effects creative advisor: Intelligent Creatures Inc. |
| Jamie Hallett | ... | digital fusion artist: Intelligent Creatures |
| Louis Kim | ... | digital fusion artist: Intelligent Creatures |
| Lev Kolobov | ... | digital fusion artist: Intelligent Creatures |
| Jason Kolodziejczak | ... | digital fusion artist: Intelligent Creatures |
| Wendy Lanning | ... | visual effects producer: Intelligent Creatures Inc. |
| Ethan Lee | ... | 3d technical lead: Intelligent Creatures |
| Sam Lee | ... | digital fusion artist: Intelligent Creatures |
| Margarida Leong | ... | 3d artist: Intelligent Creatures |
| Kenneth Littleton | ... | digital intermediate compositor: Laser Pacific Media (as Ken Littleton) |
| Laurence Lok | ... | digital fusion artist: Intelligent Creatures |
| Jason Maher | ... | 3d artist: Intelligent Creatures |
| Jim Maxwell | ... | digital matte artist: Intelligent Creatures |
| Lon Molnar | ... | visual effects supervisor: Intelligent Creatures |
| Brian Shows | ... | digital intermediate supervisor |
| Wayne Traudt | ... | 3d artist: Intelligent Creatures |
| Steve Wright | ... | digital intermediate compositor: Laser Pacific Media |
| Lulu Zezza | ... | visual effects producer: Visionbox Media Group |
| Ian Britton | ... | digital compositor: in association with ICVFX (uncredited) |
| Keith Cooper | ... | visual effects (uncredited) |
| Michael Hatton | ... | visual effects technical advisor: Intelligent Creatures (uncredited) |
| Valerie McMahon | ... | digital artist (uncredited) |
| Andrew Nguyen | ... | digital compositor (uncredited) |
| Monty Phillips | ... | digital artist (uncredited) |
| Darcy Reno | ... | systems administrator: Intelligent Creatures (uncredited) |
| Diane Wright | ... | digital asset manager: Cinesite/Laser Pacific (uncredited) |
Stunts
| Julian Bucio | ... | stunt coordinator |
| Juan Carlos Olalde | ... | utility stunts |
Camera and Electrical Department
| Ramón Acosta | ... | lighting technician |
| Pascual Alvarado | ... | grip |
| Edgar Ambriz | ... | lighting technician |
| Alejandro Arrioja | ... | additional steadicam operator |
| Alejandro Casas | ... | genny operator |
| Gustavo Castillón | ... | second assistant camera: "a" camera |
| Alan Kelvin Contreras | ... | second assistant camera: "b" camera (as Alan K. Contreras) |
| Raúl Cortés Martinez | ... | rigger grip |
| Ricardo Covarrubias | ... | rigger grip |
| Daniel Daza | ... | stills photographer |
| Fernando Díaz Torres | ... | second assistant camera: second unit (as Fernando Díaz) |
| Bryan Furst | ... | additional photography supervisor |
| Juan Guzmán | ... | grip |
| Wilma Gómez Luengo | ... | first assistant camera: "a" camera (as Wilma Gomez) |
| Colin Hudson | ... | steadicam operator |
| Constantino Jiménez | ... | first assistant camera: second unit |
| Gerardo Manjarrez | ... | camera operator: "c" camera / steadicam operator |
| Armando Medina | ... | video assist assistant |
| Ignacio Sanchez Mejia | ... | lighting technician (as Ignacio Sánchez) |
| Carlos Mendoza | ... | rigger grip |
| Felipe Morales | ... | best boy grip |
| Fernando Moreno | ... | gaffer |
| Santiago Navarrete | ... | camera operator: "c" camera |
| Eliseo Orozco | ... | camera loader |
| Raúl Palacios | ... | best boy electric |
| Jesús Rodríguez Barajas | ... | key grip (as Jesus Rodriguez Barajas) |
| Manuel Rodríguez | ... | grip (as Manuel Rodriguez) |
| Jesús Romero | ... | dolly grip (as Jesus 'Kimba' Romero) |
| Guillermo Rosas | ... | camera operator: second unit / director of photography: second unit |
| Jose Luis Sanchez | ... | rigging electric (as José Luis Sánchez) |
| Antonio Sánchez Romero | ... | best boy electric (as Antonio Sánchez) |
| Carlos Sánchez | ... | lighting technician (as Carlos Sanchez) |
| Miguel Ángel Sánchez | ... | grip (as Miguel Angel Sánchez) |
| Raymundo Verde | ... | assistant camera: "b" camera |
| Miguel Angel Argumedo | ... | remote head tech: Crane operator (uncredited) |
| Eduardo Flores García | ... | camera trainee (uncredited) |
| Carlos Silva | ... | video assist operator (uncredited) |
Animation Department
| Lori C. Miller | ... | animator (uncredited) |
| Mary C. Snyder | ... | animator (uncredited) |
Casting Department
| Edna Arriola | ... | extras casting |
| Jorge Guerrero | ... | extras casting |
| Barbara Harris | ... | voice casting |
| Carla Hool | ... | casting: Mexico |
| Samantha Finkler Brainerd | ... | casting associate (uncredited) |
| Francisco Veyro | ... | key extras casting assistant (uncredited) |
Costume and Wardrobe Department
| Mara Castañon | ... | assistant to costume designer (as Mara Imelda Castañon) |
| María del Carmen Delfin | ... | seamstress (as Ma. Del Carmen Delfín) |
| Fernando Hernández | ... | wardrobe assistant |
| Katherine Huang | ... | costume consultant |
| María Elena López | ... | key costumer (as Ma. Elena López) |
| Edgar Neri | ... | wardrobe assistant |
| Jaime Ortiz | ... | wardrobe supervisor |
| Ambar Palacios | ... | wardrobe assistant |
Location Management
| Omar Arias González | ... | location manager (as Omar Arias) |
| Alejandra Cárdenas | ... | location supervisor (as Alexandra Cárdenas) |
| Horacio Sandoval | ... | assistant location manager (uncredited) |
Music Department
| Scott Cochran | ... | score mixer |
| Stephen Coleman | ... | synthestration |
| Trevor Gilchrist | ... | music programmer / score mixer |
| Richard Glasser | ... | executive in charge of music: Yari Film Group |
| Frankie Pine | ... | music supervisor |
| Nick South | ... | music editor |
| Alice Wood | ... | assistant music editor |
| Tony Blondal | ... | orchestrator (uncredited) |
| Shiro Gutzie | ... | soundtrack producer (uncredited) |
Script and Continuity Department
| Maury Carvajal | ... | script supervisor |
| Ray Felipe | ... | script researcher (uncredited) |
Transportation Department
| Ricardo Díaz Avilés | ... | transportation coordinator (as Ricardo Díaz) |
| Enrique Díaz | ... | transportation captain |
| Rodolfo Díaz | ... | driver |
| Angel Escobedo | ... | driver |
| Mario Olivares | ... | security driver |
| Charly Romero | ... | picture car coordinator |
| Alfonso Paredes | ... | driver (uncredited) |
| Ignacio Revelo | ... | production driver (uncredited) |
Additional Crew
| Ma. Dolores Acosta | ... | assistant accountant |
| Luis Alfonso Aldrete | ... | warehouse keeper |
| Andrea Araiz | ... | office receptionist |
| Gerardo Arellano | ... | first assistant accountant |
| Laura Atkins | ... | post-production accountant |
| Roberto Ayala | ... | catering: Cletus Catering |
| Cassandra Barbour | ... | rights and clearances: Entertainment Clearances |
| Pedro Barroeta | ... | helicopter services: Scala |
| Mindy Beck | ... | post-production accountant |
| Susan Bradley | ... | title designer |
| Erik Bright | ... | production publicist |
| Balo Bucio | ... | safety coordinator (as Wilebardo Bucio) |
| Carlos Canales | ... | set production assistant |
| Catherine Cappa | ... | assistant: Daniel Stutz & Meredith Gringlinger |
| Larry Casanova | ... | animal handler |
| Abel Casillas | ... | delegate: ANDA |
| Roberto Castañeda | ... | press liaison: Mexico |
| Cesar E. Cerón | ... | security |
| Chris Charalambous | ... | coordinator: Irish Dreamtime |
| Nicola Conlon | ... | assistant: Pierce Brosnan |
| Conor Copeland | ... | assistant: Mark Gordon, Yari Film Group |
| Karissa Corday | ... | loop group |
| María Raquel Dioni | ... | set production assistant (as María Dioni) |
| Judi M. Durand | ... | loop group (as Judith Durand) |
| Erin Eggers | ... | production executive: Yari Film Group |
| Hugo Esparza | ... | security |
| Jenny Fitzgibbons | ... | head accountant |
| Angélica Galicia | ... | assistant accountant |
| Ernesto Garabito | ... | assistant production office coordinator |
| Cesar Garcia | ... | security |
| Irma Garcia-Sinclair | ... | loop group |
| Enrique García | ... | expendables |
| Andrea Gaspar | ... | loop group |
| Enriqueta Gijón | ... | immigration lawyer |
| Kelli Gillam | ... | post-production accountant |
| Rick Gold | ... | assistant: Neil Sacker, Yari Film Group |
| Pete Gonzalez | ... | security |
| Meredith Grindlinger | ... | business & legal affairs executive: Yari Film Group |
| Juan Carlos Gruber | ... | stand-in: Pierce Brosnan |
| Andrea Hanson | ... | assistant: Bob Yari, Yari Film Group |
| Bruno Hernandez | ... | bodyguards coordinator (as Bruno Hernández) |
| Danny Hernández | ... | security |
| Patrick Heyerdahl | ... | key set production assistant |
| Angelique Higgins | ... | production executive: Irish Dreamtime |
| Endre Hules | ... | loop group |
| Robert Jesuele | ... | legal advisor: Equity Pictures, Coudert Brothers (as Robert R. Jesuele) |
| Daamen J. Krall | ... | loop group |
| Lindsey Liberatore | ... | assistant: Mark Gordon, Yari Film Group |
| Michael J. Linowes | ... | legal counsel: Linowes & Burkin (as Michael J. Linowes Esq.) |
| Armando López | ... | set security coordinator |
| Federico G. Madrazo | ... | translator |
| Juan Salvador Melgoza | ... | assistant accountant (as Salvador Melgoza) |
| Tonyo Meléndez | ... | loop group (as Tonyo Melendez) |
| Clemente Mesinas | ... | catering: Cletus Catering |
| Arlin Miller | ... | loop group |
| Bernardo Mora | ... | assistant: Richard Shepard and Adam Merims |
| Daniel Mora | ... | loop group |
| Carlos D. Morales | ... | security |
| María Concepción Morales | ... | physician: S.T.I.C. Union (as Ma. Concepción Morales) |
| Carlos Moreno Jr. | ... | loop group |
| Gustavo Morillas | ... | customs broker: Mexico |
| Colombia Moya | ... | choreographer |
| David Myers | ... | aircraft technician (as David Meyers) |
| Vivianne Nacif | ... | loop group |
| Erick Nava | ... | security |
| Norberto Nava | ... | set security supervisor: Safe Filming |
| Buckley Norris | ... | insurance broker: US, AOL/Albert G. Rubin |
| Levi Nunez | ... | loop group |
| Fernando Ocampo | ... | set medic |
| Rocío Ortega | ... | horse wrangler: Rancho Los Pirules |
| J. Ignacio Perez | ... | dialogue coach: Spanish |
| Shauna Phelan | ... | production associate: Furst Films |
| Dadis Quintos Dimítrova | ... | set production assistant |
| Anna Quirino-Miranda | ... | loop group |
| Cristian Quiroz Bobadilla | ... | catering: Cletus Catering (as Cristian Quiroz) |
| Raul Reformina | ... | voice-over artist |
| Roberto Reyna | ... | physician: S.T.y M. Union (as Roberto J. Reyna) |
| Arturo Romero | ... | production accountant: Mexico |
| Claudia Rosete | ... | office production assistant |
| Arturo Saldivar | ... | key office production assistant (as Arturo Saldívar) |
| Edgar Sandoval | ... | insurance broker |
| Laura Sevier | ... | rights & clearances: Entertainment Clearances |
| Julie Shapiro | ... | travel services: Travelcorps |
| Rolando Solis | ... | cast security: Vance International |
| Víctor Solorio | ... | unit chief (as Victor Solorio) |
| Paula Sosa | ... | assistant: Ricardo & Arturo Del Rio |
| Victor M. Soto | ... | security |
| Shelly Strong | ... | production executive: Yari Film Group |
| Dan Stutz | ... | business & legal affairs executive: Yari Film Group (as Daniel Stutz) |
| Zsu Szkurka | ... | stand-in: Hope Davis |
| Nicoletta Tartarotti | ... | legal advisor: Equity Pictures |
| Michael Taylor | ... | security |
| Claudia Valdez | ... | travel coordinator |
| Tanya Vidal | ... | loop group |
| Sue-Allen Villalva | ... | production coordinator |
| Florence Vitse | ... | stand-in: Greg Kinnear |
| Ian Watermeier | ... | staff coordinator: Yari Film Group |
| Deborah Wettstein | ... | finance executive: Yari Film Group |
| J.R. Yenque | ... | loop group (as Jose Yenque) |
| Catherine Zappa | ... | assistant: Daniel Stutz and Meredith Grindlinger, Yari Film Group |
| Antonio Zavala Kugler | ... | electronic press kit: Mexico / making-of: Mexico |
| Patricia Zavala Kugler | ... | public relations: Mexico (as Patricia Zavala) |
| Víctor Zavala Kugler | ... | electronic press kit: Mexico (as Victor Zavala) |
| Karl Braun | ... | scout (uncredited) |
| Dennis Davidson | ... | international publicity (uncredited) |
| Suraj Gohill | ... | production lender (uncredited) |
| Manuel Ladron de Guevara | ... | crane assist (uncredited) |
| Jeanmarie Murphy-Burke | ... | publicity notes (uncredited) |
| Emily Sopp | ... | production assistant (uncredited) |
Thanks
| Perry Armor | ... | acknowledgement: shark footage © 2004 with oceanfootage.com courtesy of |
| Stuart Baird | ... | the producers would like to thank |
| John Bowe | ... | the producers would like to acknowledge contributions by |
| Juan Castañeda | ... | the producers would like to acknowledge contributions by: Monumental Plaza de Turos (as Mr. Juan Castañeda) |
| Adolfo Cedeño | ... | the producers would like to acknowledge contributions by: Hotel Camino Real |
| Portia Dawson | ... | the producers would like to acknowledge contributions by (as Portia Furst) |
| Craig Furst | ... | the producers would like to acknowledge contributions by |
| Howard Furst | ... | the producers would like to acknowledge contributions by |
| Lisa Furst | ... | the producers would like to acknowledge contributions by |
| Suzanne Furst | ... | the producers would like to acknowledge contributions by |
| Jose Gomez Gonzalez | ... | the producers would like to acknowledge contributions by |
| Rosalinda Gonzalez | ... | the producers would like to acknowledge contributions by: Hotel Camino Real |
| Billy Gottlieb | ... | the producers would like to acknowledge contributions by |
| Rafael Herrerias | ... | the producers would like to acknowledge contributions by: Monumental Plaza de Turos (as Mr. Rafael Herrerias) |
| Carolyn Horwitz | ... | the producers would like to acknowledge contributions by |
| Thomas Lind | ... | the producers would like to acknowledge contributions by |
| Allen Lulu | ... | the producers would like to acknowledge contributions by |
| Miguel A. Mancera | ... | the producers would like to acknowledge contributions by (as Dr. Miguel A. Mancera) |
| Sally Menke | ... | the producers would like to thank |
| Billy Morrissette | ... | the producers would like to acknowledge contributions by |
| Lynn Osborne | ... | the producers would like to acknowledge contributions by |
| Lloyd Phillips | ... | the producers would like to acknowledge contributions by |
| Veronica Quiroz | ... | the producers would like to acknowledge contributions by: Hotel Camino Real |
| Elana Rosenblatt | ... | the producers would like to acknowledge contributions by |
| Elliot Lewis Rosenblatt | ... | the producers would like to acknowledge contributions by (as Elliot Rosenblatt) |
| Anna Roth | ... | the producers would like to thank |
| Neil Sacker | ... | the producers would like to acknowledge contributions by |
| Pietro Scalia | ... | the producers would like to thank |
| Russell Soloway | ... | the producers would like to acknowledge contributions by |
| Jonathan Stern | ... | the producers would like to acknowledge contributions by |
| Maura Tierney | ... | the producers would like to thank |
Production Companies
- Stratus Film Co. (presents)
- DEJ Productions (presents)
- Equity Pictures Medienfonds GmbH & Co. KG II (in association with)
- Furst Films
- Irish DreamTime
- Yari Film Group (YFG)
- The Syndicate (II)
Distributors
- Buena Vista International (2005) (United Kingdom) (theatrical)
- The Weinstein Company (2005) (United States) (theatrical)
- Scanbox Entertainment (2006) (Norway) (theatrical)
- Eagle Films (2005) (Non-US) (Middle East)
- SND Films (2005) (France)
- Buena Vista International (2006) (Ireland) (theatrical)
- Buena Vista International (2006) (Germany) (theatrical)
- CDI Films (2006) (Argentina) (theatrical)
- Central Partnership (2006) (Russia) (theatrical)
- Scanbox Entertainment (2006) (Sweden) (theatrical)
- Scanbox Entertainment (2006) (Finland) (theatrical)
- Alliance Atlantis Home Video (2006) (Canada) (DVD)
- Buena Vista International (2006) (Germany) (DVD)
- Paradiso Home Entertainment (2006) (Netherlands) (DVD)
- The Weinstein Company (2006) (United States) (DVD)
- Transeuropa Video Entertainment (TVE) (2006) (Argentina) (DVD)
- Transeuropa Video Entertainment (TVE) (2006) (Argentina) (VHS)
- Vértice 360 (2006) (Spain)
- Genius Entertainment (2007) (United States) (DVD)
- The Weinstein Company (2007) (United States) (DVD) (HD DVD)
- British Broadcasting Corporation (BBC) (2008) (United Kingdom) (tv) (BBC1)
- Veronica (2008) (Netherlands) (tv)
- Eén (2010) (Belgium) (tv)
- IPA Asia Pacific (2010) (Taiwan)
- Albatros Film (2011) (Japan) (DVD)
- Premiere Entertainment Group (2014) (World-wide) (sales)
- Tubi TV (2017) (United States) (video) (VOD)
Special Effects
- Intelligent Creatures (visual effects)
- Ice FX (snow effects)
Other Companies
- AON/Albert G. Ruben Insurance Services (insurance brokers: U.S.)
- Act One Script Clearance (script research)
- Art In Motion (production services: Mexico)
- Bazooka Films (casting services: Mexico)
- Bonafont (sponsor: Mexican)
- Centro Banamex (the producers would like to acknowledge contributions by)
- Cletus Catering (catering)
- Consejo Nacional para la Cultura y las Artes (CONACULTA) (the producers would like to acknowledge contributions by)
- Coudert Brothers (legal advisors: Equity Pictures)
- Custom Film Effects (titles produced at)
- DDA Public Relations (international publicity)
- Entertainment Clearances (rights and clearances)
- Film Finances (completion guarantor)
- Fintage CAM (collection account management)
- Ford Motor Company (sponsor: Mexican)
- Grupo Modelo (sponsor: Mexican)
- Hewlett Packard (sponsor: Mexican)
- Hipódromo de las Américas (the producers would like to acknowledge contributions by)
- Hotel Camino Real Ciudad de Mexico (the producers would like to acknowledge contributions by)
- Hotel Camino Real, Mexico (sponsor: Mexican)
- Insignia Public Relations (production publicity)
- Instituto Nacional de Bellas Artes (INBA) (the producers would like to acknowledge contributions by)
- JR Media Services (negative cutter)
- Jade Films (making of/electronic press kit)
- Jade Films (video unit production)
- Jets and Props (aircraft mock-up)
- Kodak (motion picture film)
- L. Carrillo y Asociados (insurance services: Mexico)
- LG Electronics (sponsor: Mexican)
- Larry Dorn Associates / World Backgrounds (footage: Budapest courtesy of)
- LaserPacific (digital intermediate)
- Linowes & Burkin (production counsel)
- Major League Baseball (the producers would like to acknowledge contributions by)
- Monumental Plaza de Toros Mexico (the producers would like to acknowledge contributions by)
- Museo Nacional del Arte (the producers would like to acknowledge contributions by)
- Ocean Footage (courtesy of: shark footage)
- Packair Airfreight (customs broker: U.S.)
- Panavision (cameras and lenses)
- Patronato del Museo Nacional del Arte (the producers would like to acknowledge contributions by)
- Pivotal Post (avid editing equipment)
- Post Factory NY (post-production facilities)
- Revolution 435 D&C (electrical and grip equipment: Mexico)
- Safe Filming & Centurion Security Services Group (set security)
- Scala Servicios Aereos (helicopter services)
- Scarlet Letters (end titles)
- Secretaria de Seguridad Publica del Distrito Federal (the producers would like to acknowledge contributions by)
- Shobiz (customs broker: Mexico)
- Skywalker Sound (POST PRODUCTION SOUND SERVICES BY)
- Superb Records (soundtrack released by)
- Susan Bradley Film Design (title design by)
- Tequila Herradura (sponsor: Mexican)
- The Denver Post (the producers would like to acknowledge contributions by)
- Tratafilms (cameras: Panavision, Mexico)
- Travelcorps International (travel services provided by)
- Turner Entertainment (footage: Holiday in Mexico" licensed by)
- Vance International (cast security)
- Visionbox Media Group (post-production services provided by)
- Visionbox Media Group (post-production supervision)
- Visual Data Media Services (quality assurance and world-wide servicing)
- William Henry Knives (the producers would like to acknowledge contributions by)
Storyline
| Plot Summary |
A chance encounter between a travelling salesman and a lonely hitman triggers a strangely profound relationship which provokes each to act in ways neither would have imagined possible. Fate steps in to form a friendship between two men from irreconcilable worlds that will alter the lives of both forever. Written by Arclight Films |
| Plot Keywords | |
| Taglines | A hitman and a salesman walk into a bar... See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
Additional Details
| Also Known As |
|
| Runtime |
|
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Box Office
| Budget | $10,000,000 (estimated) |
| Opening Weekend United States | $92,312, 01 Jan 2006 |
| Cumulative Worldwide Gross | $4,702,546, 06 Oct 2006 |
Did You Know?
| Trivia | The movie's screenplay almost never made it to Pierce Brosnan. Richard Shepard said: "I wrote it to make it on digital video for two hundred fifty grand. I wrote the most outrageous character I could (in Julian Noble), because I figured it would never get made in Hollywood." See more » |
| Goofs | When Julian is telling the story about his first mistake in Manila, the camera can be seen, hidden behind palm leaves and bamboo, when two guys holding a mirror are walking through the frame. See more » |
| Movie Connections | Featured in Last Holiday/The Matador/The Libertine (2006). See more » |
| Soundtracks | A Town Called Malice See more » |
| Crazy Credits | "The filmmakers do not condone bullfighting, but respect its long tradition in the Mexican culture. It was extremely important to the producers that no bulls were harmed because of the production of 'The Matador'. In no way did the producers of this film create, arrange or organize any of the bullfights seen within this movie. Sequences staged by the producers employed fake and computer-generated bulls exclusively. Absolutely no animals were harmed by the production of this movie." See more » |
| Quotes |
Julian Noble:
Sorry about the cock thing, it's kind of a conversation stopper. See more » |