The Forgotten (2004)

Director:

Joseph Ruben

Writer (WGA):

Gerald Di Pego (written by)

Release Date:

24 September 2004 (USA)

Genre:

Horror | Mystery | Sci-Fi | Thriller

Tagline:

You'll Never Forget The Ones You Love

Plot:

Told that their children never existed, a man and woman soon discover that there's a much bigger enemy at work.

Plot Keywords:

Parent Searches Child | Alien | River Rapids | Mother Searches Missing Daughter | Falsely Accused

Awards:

6 nominations

Cast

Julianne Moore	...	Telly Paretta
Christopher Kovaleski	...	Sam
Matthew Pleszewicz	...	Sam at 5
Anthony Edwards	...	Jim Paretta
Jessica Hecht	...	Eliot
Linus Roache	...	A Friendly Man
Gary Sinise	...	Dr. Jack Munce
Dominic West	...	Ash Correll
Katie Cooper	...	Library Clerk
Scott Nicholson	...	Cop
P.J. Morrison	...	Cop
Robert Wisdom	...	Carl Dayton
Tim Kang	...	Agent Alec Wong
Kathryn Faughnan	...	Lauren Correll
Alfre Woodard	...	Det. Anne Pope

Also Known As:

Stranger (Philippines: English title) (review title)

MPAA:

Rated PG-13 for intense thematic material, some violence and brief language.

Runtime:

91 min | USA:94 min (extended version)

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Canada:PG (Ontario) | USA:PG-13 (certificate #38908) | Iceland:12 | Malaysia:U | Germany:12 | South Korea:15 | Argentina:13 | Australia:M | Brazil:12 | Chile:TE | Czech Republic:12 | Finland:K-15 | Ireland:12 | Netherlands:16 | Norway:15 | Peru:PT | Philippines:PG-13 | Portugal:M/12 | Singapore:PG | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Switzerland:16 (canton of Zurich) | UK:12A

Filming Locations:

Brooklyn Heights, Brooklyn, New York City, New York, USA

Company:

Revolution Studios

Trivia:

After Julianne Moore runs through a grocery store and an alley, she stops in front of white graffiti on a wall. It's the logo of Revolution Studios, which produced the movie.

Goofs:

When Ash smashes a large window to exit from the house on Long Island, after the glass has shattered and fallen, there is still glass along the top of the frame as Ash and Telly start to walk through the frame. However, when the shot cuts to outside, we see them stepping through the frame and there is no more glass along the top of the frame.

Quotes:

[first lines]
Dr. Jack Munce: How much time did you spend at the dresser compared to last week?
Telly Paretta: Less.
Dr. Jack Munce: How much less?
Telly Paretta: I don't know exactly.
Dr. Jack Munce: You wanna make a guess, roughly, for the week?
Telly Paretta: Oh, not even an hour a day.

Movie Connections:

Featured in Remembering 'The Forgotten' (2005) (V)

The very definition of "Hollywood ending"

My comment to my wife after watching the film was "if aliens came to earth and wanted to know what was meant by the term 'Hollywood Ending'", then they would just have to watch this film to find out.

As previously mentioned, the first half of the movie is interesting. The often used premise of "what is reality" and the thought that that which you hold as real runs counter to what everything and everyone else around you feels. In many ways it's much like "Jacobs Ladder" in that respect.

The second half really however degrades into what feels like a made for TV SciFi channel one hour series. The ending is truly awful and makes absolutely no sense. I think my wife summed it up best when she said "the ending didn't fit the movie whatsoever, but I liked it anyway because it made me feel good". Yup, I likened the ending to something you'd see in a Star Trek episode, going along interestingly enough, and then the perfect pat ending sprouts up in the last 5 minutes and makes everyone feel good to be human. I didn't mind the "open endedness" of the ending so much as the total sense of non congruency once the pieces are laid out in front of you. It's like getting to the end of the puzzle, and instead of having missing pieces (which you can at least fill in in your head), you have pieces left over from two other seemingly related but different puzzles.

The acting was serviceable, with Julianne Moore turning in a "Riplyesque" performance (whether this is good or bad depends on your perspective) but Gary Sinise basically walks through the movie (while bearing an eerie resemblance to Steve Jobs in the beginning). The other actors move the plot along, but nothing worth saying anything more about.

Oh, this movie has one of the best "jump in your seat" auto scenes ever!