| Photos (see all 34 | slideshow) | Videos (see all 2) |
| Julianne Moore | ... | Telly Paretta | |
| Christopher Kovaleski | ... | Sam | |
| Matthew Pleszewicz | ... | Sam at 5 | |
| Anthony Edwards | ... | Jim Paretta | |
| Jessica Hecht | ... | Eliot | |
| Linus Roache | ... | A Friendly Man | |
| Gary Sinise | ... | Dr. Jack Munce | |
| Dominic West | ... | Ash Correll | |
| Katie Cooper | ... | Library Clerk | |
| Scott Nicholson | ... | Cop | |
| P.J. Morrison | ... | Cop | |
| Robert Wisdom | ... | Carl Dayton | |
| Tim Kang | ... | Agent Alec Wong | |
| Kathryn Faughnan | ... | Lauren Correll | |
| Alfre Woodard | ... | Det. Anne Pope | |
| Felix Solis | ... | Brasher | |
| Susan Misner | ... | Agent Lisa Franks | |
| Lee Tergesen | ... | Al Petalis | |
| Ken Abraham | ... | Gas Station Attendant | |
| J. Tucker Smith | ... | Sheriff Howell | |
| Ann Dowd | ... | Eileen the Accountant | |
| rest of cast listed alphabetically: | |||
| Zoë Raye | ... | Additional Voices (voice) (unconfirmed) | |
| Brielle Barbusca | ... | Child Walking with Mother (uncredited) | |
| Frank Stellato | ... | NSA Agent (uncredited) | |
Directed by | |||
| Joseph Ruben | |||
Writing credits(WGA) | ||
| Gerald Di Pego | (written by) | |
Produced by | |||
| Bruce Cohen | .... | producer | |
| Todd Garner | .... | executive producer | |
| Dan Jinks | .... | producer | |
| Steve Nicolaides | .... | executive producer | |
| Joe Roth | .... | producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Anastas N. Michos | |||
Film Editing by | |||
| Richard Francis-Bruce | |||
Casting by | |||
| Margery Simkin | |||
Production Design by | |||
| Bill Groom | |||
Art Direction by | |||
| Paul D. Kelly | |||
Set Decoration by | |||
| Susan Bode | (as Susan Tyson) | ||
Costume Design by | |||
| Cindy Evans | |||
Makeup Department | |||
| Carrie Angland | .... | makeup artist: Ms. Woodard | |
| Margot Boccia | .... | key makeup artist | |
| Nathan J. Busch II | .... | assistant hair stylist (as Nathan Busch) | |
| Joseph A. Campayno | .... | assistant makeup artist | |
| Alan D'Angerio | .... | hair stylist: Ms. Moore | |
| Elaine L. Offers | .... | makeup artist: Ms. Moore (as Elaine Offers) | |
| Jerry Popolis | .... | assistant hair stylist | |
| Lyndell Quiyou | .... | key hair stylist | |
| Benjamin Robin | .... | makeup artist: Mr. Sinise | |
Production Management | |||
| Joseph E. Iberti | .... | unit production manager | |
| Carey Len Smith | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Karen Kane | .... | second second assistant director (as Karen M. Kane) | |
| Takahide Kawakami | .... | second assistant director | |
| Terry Leonard | .... | second unit director (as Terry J. Leonard) | |
| Steve Nicolaides | .... | first assistant director: second unit | |
| Michael E. Steele | .... | first assistant director (as Michael Steele) | |
| Eric Yellin | .... | second assistant director: second unit | |
| Eric Yellin | .... | second unit director | |
Art Department | |||
| Pamela Bertini | .... | art department assistant | |
| Steve Brennan | .... | props | |
| Lauren Buckley | .... | art department coordinator | |
| Richard Bryan Douglas | .... | shop foreman | |
| Gerard J. Furey | .... | set construction foreman | |
| Emily Gaunt | .... | camera scenic artist | |
| Brent Godek | .... | props | |
| David Gulick | .... | property master | |
| Leo Holder | .... | lead graphic artist | |
| Patrick Johnson | .... | construction grip | |
| Heather Danielle Kane | .... | assistant property master | |
| Derrick Kardos | .... | graphic designer: props | |
| Miguel López-Castillo | .... | set designer | |
| Paul Mica | .... | texture painter | |
| Amy Safhay | .... | key greensperson | |
| Raymond M. Samitz | .... | construction coordinator | |
| Karl Shefelman | .... | storyboard artist | |
| Dick Tice | .... | lead man | |
| Fante Zamora | .... | set dresser: additional photography Los Angeles | |
| Sarah Dennis | .... | assistant set decorator (uncredited) | |
| Daniel Geary | .... | carpenter (uncredited) | |
| Eugene Paul Lynch | .... | shop electric (uncredited) | |
| Rosalie Russino | .... | scenic artist (uncredited) | |
| Ginny Walsh | .... | greens foreman (uncredited) | |
Sound Department | |||
| Nancy Barker | .... | first assistant sound editor | |
| Michael Barosky | .... | sound mixer | |
| Eddie Bydalek | .... | sound recordist | |
| Vincent Cirilli | .... | ProTools engineer | |
| Valerie Davidson | .... | supervising foley editor | |
| Dane A. Davis | .... | sound designer | |
| Dane A. Davis | .... | supervising sound editor | |
| William R. Dean | .... | assistant sound designer (as Bill R. Dean) | |
| Julia Evershade | .... | supervising sound editor | |
| Arnold Finkelstein | .... | sound effects recordist | |
| Stephanie Flack | .... | supervising dialogue editor | |
| Eric Lindemann | .... | sound effects editor (as Eric Warren Lindemann) | |
| Craig Mann | .... | sound recordist | |
| Matthew McKenzie | .... | adr recordist | |
| Michael Minkler | .... | sound re-recording mixer | |
| Alyson Dee Moore | .... | foley artist | |
| Linda Murphy | .... | boom operator | |
| Myron Nettinga | .... | sound re-recording mixer | |
| John Roesch | .... | foley artist | |
| Nathan Whitehead | .... | assistant sound editor | |
| Gina Nuccio | .... | adr editor (uncredited) | |
Special Effects by | |||
| Kevin Gillen | .... | special effects | |
| Steven Kirshoff | .... | special effects coordinator (as Steve Kirshoff) | |
| Fred Kraemer | .... | special effects coordinator | |
| John Stifanich | .... | special effects coordinator (as John R. Stifanich) | |
Visual Effects by | |||
| Darryl Anka | .... | miniatures maker | |
| Chris Antonini | .... | visual effects production assistant | |
| Evan Appleby | .... | software engineer | |
| Scott Beverly | .... | mechanical effects supervisor: New Deal Studios | |
| Rob Blue | .... | digital artist: SPI | |
| Christian Boudman | .... | digital compositor | |
| Catherine Burns | .... | painter | |
| John Butiu | .... | senior modeler: SPI | |
| Danielle Conroy | .... | production infrastructure | |
| Spencer Cook | .... | previsualization artist | |
| Lisa Deaner | .... | digital effects artist | |
| Tony Diep | .... | digital artist | |
| David S. Dranitzke | .... | visual effects producer | |
| Kevin Field | .... | visual effects production coordinator | |
| Layne Friedman | .... | computer graphics supervisor: SPI | |
| Shannon Blake Gans | .... | visual effects executive producer: New Deal Studios Inc. | |
| Sergio Garcia Abad | .... | senior modeler: SPI | |
| Matthew Gratzner | .... | visual effects supervisor: New Deal Studios, Inc. | |
| David 'Rudy' Grossman | .... | creature supervisor: The Orphanage | |
| Steven Hansen | .... | matchmove artist: SPI | |
| Max Harris | .... | digital compositor: SPI | |
| Matthew Hendershot | .... | CG supervisor: The Orphanage (as Matt Hendershot) | |
| Leigh-Alexandra Jacob | .... | lead painter: New Deal Studios | |
| Yun Geuk Kang | .... | senior modeler | |
| Taryn P. Kelly | .... | model/minature production coordinator: New Deal Studios | |
| Yoon Bae Kim | .... | model maker | |
| Paul McGhee | .... | digital color timer | |
| Jessica Noll | .... | senior production services technician | |
| Robert Davis Oh | .... | film recording technician | |
| Ken Ralston | .... | visual effects consultant | |
| Jonathan Rothbart | .... | visual effects supervisor: The Orphanage | |
| Marc Sadeghi | .... | executive visual effects producer: The Orphanage | |
| David Sanger | .... | producer: New Deal Studios | |
| Scott Schneider | .... | model designer | |
| Kevin Andrew Smith | .... | senior technical director | |
| Jordan Soles | .... | senior production services technician | |
| Robert Stromberg | .... | matte artist | |
| David Taritero | .... | visual effects producer | |
| Alex Tysowsky | .... | animator | |
| Dana Vanhove | .... | digital production management | |
| Carey Villegas | .... | visual effects supervisor | |
| Barry Weiss | .... | senior staff: SPI | |
| Guy Wiedmann | .... | visual effects editor | |
| Lauralee Wiseman | .... | lead production services technician: SPI | |
| Kathleen Woolery | .... | digital color timing coordinator | |
| Mary Beth Worzella | .... | visual effects producer | |
| Mitch Zeitlin | .... | video editorial coordinator: SPI | |
| Enrico Altmann | .... | model maker (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Luke O'Byrne | .... | visual effects executive producer: The Orphanage (uncredited) | |
| Donny Rausch | .... | digital compositor: SPI (uncredited) | |
| Rick Shick | .... | digital artist (uncredited) | |
Stunts | |||
| Danny Aiello III | .... | stunts | |
| Bill Anagnos | .... | stunts | |
| Paul Bucossi | .... | stunts | |
| Chris Cenatiempo | .... | stunts | |
| John Cenatiempo | .... | stunts | |
| Al Cerullo | .... | stunts | |
| Victor Chan | .... | stunts | |
| John Copeman | .... | stunts | |
| Andrew Dupin | .... | stunts | |
| Peter Epstein | .... | stunts | |
| Frank Ferrara | .... | stunts | |
| Frank Ferrara Jr. | .... | stunts | |
| Ralph Ferrara | .... | stunts | |
| Andy Gill | .... | stunts | |
| Tony Guida | .... | stunts | |
| Cinda-Lin James | .... | stunts (as Cinda James) | |
| Terry Leonard | .... | stunt coordinator (as Terry J. Leonard) | |
| Gino Lucci | .... | stunts | |
| Tina Mckissick | .... | stunts | |
| Angela Meryl | .... | stunts | |
| Janet Paparazzo | .... | stunts | |
| Jodi Michelle Pynn | .... | stunts | |
| Pat Romano | .... | stunts | |
| David Shumbris | .... | stunts | |
| Doug Snively | .... | stunts (as Douglas Snively) | |
| Aaron Walters | .... | stunts | |
| Kym Washington | .... | stunt double | |
| Kym Washington | .... | stunts | |
| Chuck Zito | .... | stunts | |
| Blaise Corrigan | .... | stunts (uncredited) | |
| Jeffrey Lee Gibson | .... | stunts (uncredited) | |
Casting Department | |||
| Susan Paley Abramson | .... | casting assistant | |
| Karen E. Etcoff | .... | extras casting | |
Costume and Wardrobe Department | |||
| Natalie Arango | .... | wardrobe assistant | |
| Susan Bakula | .... | costume shop supervisor | |
| Joanna Brett | .... | assistant costume designer | |
| Leah Deveau | .... | costume production assistant | |
| Marta Font | .... | set costumer | |
| Barbara Hause | .... | wardrobe supervisor | |
| John Kouromihelakis | .... | wardrobe assistant | |
| Debbie Lucas | .... | seamstress | |
| Sukari McGill | .... | set costumer | |
| Susan J. Wright | .... | costumer: Julianne Moore | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Steve Calalang | .... | dailies colorist | |
| James Cohen | .... | assistant film editor | |
| Michael Eaves | .... | digital color timer | |
| David L. Feinberg | .... | editorial assistant | |
| Nathan R. Fitzgerald | .... | digital intermediate editor | |
| Toby Francis-Bruce | .... | assistant editor | |
| Jennifer Mangan | .... | first assistant editor (as Jennifer Spenelli) | |
| Chris Regan | .... | color timer | |
Music Department | |||
| Ramiro Belgardt | .... | music editor | |
| Jim Henrikson | .... | supervising music editor | |
| James Horner | .... | orchestrator | |
| Randy Kerber | .... | orchestrator | |
| Joe E. Rand | .... | music editor | |
| Justin Reeve | .... | music coordinator | |
| Simon Rhodes | .... | music scoring mixer | |
| Lee Scott | .... | music editor: temp | |
| Sylvia Wells | .... | music scoring supervisor | |
| John Finklea | .... | music editor: temp music (uncredited) | |
Transportation Department | |||
| Bobby Marsh | .... | driver | |
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Telly Paretta is seeing a shrink as therapy for losing her son in a plane crash, only she never had a son but is convinced she had. All the people in her life don't remember Sam including her husband. When she confronts the alcoholic fathers of another child from the flight they set out to discover the truth and the truth is "out there".
Part X-Files and part Lifetime movie of the week, "The Forgotten" seems to really channel Chris Carter's hit TV show, look it even has a redhead. The story is interesting and Julianne Moore's performance is sincere but you can't help but think that something is missing. The clever twist is good but they could have easily expanded the storyline and made it more "something".
Good but not great, "The Forgotten" seems to lack its own identity due to the derivative nature of the storyline which needed a bit of assistance from Fox Mulder.