IMDb RATING
5.6/10
6.2K
YOUR RATING
A drug kingpin's return home touches off a turf war.A drug kingpin's return home touches off a turf war.A drug kingpin's return home touches off a turf war.
- Awards
- 1 nomination
Tom Lister Jr.
- Rockie
- (as Tommy 'Tiny' Lister)
Peak Winbush
- Airport Security
- (as L.K. 'Peak' Winbush)
Jalil Jay Lynch
- Earl
- (as Jay Lynch)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn this film, DMX plays Michael Ealy's father. In real life, DMX is only 3 years older than Ealy.
- ConnectionsReferences Scarface (1983)
- SoundtracksGo for Dat
Written by DMX (as Earl Simmons) and Lil Jon (as Jonathan H. Smith)
Performed by DMX featuring Lil Scrappy
Produced by Lil Jon
DMX appears courtesy of Ruff Ryders/Def Jam Records
Courtesy of Warner Bros. Records
Featured review
Interesting attempt to adapt a Donald Goines novel for the big screen, Never Die Alone is reminiscent of early blaxploitation classics like BLACK CAESAR, with both the pluses and minuses that entails.
DMX stars as drug dealer King David. "Exiled" in LA for the last ten years, he comes back home to NYC to repay his debts. The movie wanders around between the present day and flashbacks in LA, where we learn more of his past.
Essentially this is three movies lumped together. The first movie, which lasts for the first half-hour or so, is an excellent, gritty crime drama, as good as anything I've seen recently on the big screen. The second movie, mainly the flashbacks, is true to the Goines source material, portraying the horrors of drug addiction and Goines's peculiar, glum view of the world as a violent, basically loveless place. The third one deals with David Arquette, an aspiring writer who fetishizes the gangster lifestyle exemplified by King.
These three movies sit awkwardly together. Arquette's character is potentially very interesting, but never developed as much as it should have been. The flashbacks and the main storyline are both well done, but bump up against each other awkwardly. DMX's motivations are more stated that portrayed, so that the primary character arc doesn't really feel very believable.
DMX is fine -- if you're familiar with Goines you'll see how well he exemplifies a typical Goines character, the "noble gangster who's morally compromised by a depraved past". Dickerson's direction is excellent, although the final metaphorical shot is a little heavy and obvious, I thought.
I would like to see more cracks at the Goines novels -- they are promising source material.
DMX stars as drug dealer King David. "Exiled" in LA for the last ten years, he comes back home to NYC to repay his debts. The movie wanders around between the present day and flashbacks in LA, where we learn more of his past.
Essentially this is three movies lumped together. The first movie, which lasts for the first half-hour or so, is an excellent, gritty crime drama, as good as anything I've seen recently on the big screen. The second movie, mainly the flashbacks, is true to the Goines source material, portraying the horrors of drug addiction and Goines's peculiar, glum view of the world as a violent, basically loveless place. The third one deals with David Arquette, an aspiring writer who fetishizes the gangster lifestyle exemplified by King.
These three movies sit awkwardly together. Arquette's character is potentially very interesting, but never developed as much as it should have been. The flashbacks and the main storyline are both well done, but bump up against each other awkwardly. DMX's motivations are more stated that portrayed, so that the primary character arc doesn't really feel very believable.
DMX is fine -- if you're familiar with Goines you'll see how well he exemplifies a typical Goines character, the "noble gangster who's morally compromised by a depraved past". Dickerson's direction is excellent, although the final metaphorical shot is a little heavy and obvious, I thought.
I would like to see more cracks at the Goines novels -- they are promising source material.
- dj_bassett
- Mar 27, 2004
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Details
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $5,645,298
- Opening weekend US & Canada
- $3,089,993
- Mar 28, 2004
- Gross worldwide
- $5,923,000
- Runtime1 hour 28 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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