Fem benspænd, De (2003)

Director:

Jørgen Leth

Writers:

Jørgen Leth (2 segments)
Sophie Destin (poem) (segment "The Perfect Human: Brussels")

Release Date:

7 November 2003 (UK)

Genre:

Documentary

Plot:

About a filmmaker not only revisiting, but also recreating (not in a conventional sense) one of his first films, The Perfect Human / Det perfekte menneske (1967)

Plot Keywords:

Reenactment | Remake | India | Experimental Film | Third World

Awards:

1 win & 2 nominations

Cast

Claus Nissen	...	The Perfect Man - from 'Det perfekte menneske' 1967 (archive footage)
Majken Algren Nielsen	...	The Perfect Woman, from 'Det perfekte menneske' 1967) (archive footage) (as Maiken Algren)
Jørgen Leth	...	Speaker (from "Det perfekte menneske" 1967) / Himself - Director (segments "The Conversations") / Speaker (segment "Obstruction #1 - The Perfect Human: Cuba") / The Perfect Man / Speaker (segment "Obstruction #2 - The Perfect Human: Bombay") / Speaker (segment "Obstruction #4 - The Perfect Human: Cartoon") / Jørgen Leth / The Perfect Human / Speaker (segment "Obstruction #5 - The Perfect Human: Avedøre, Denmark") (also archive footage)
Lars von Trier	...	Himself - Obstructor (segments "The Conversations") / Lars von Trier (segment "Obstruction #5 - The Perfect Human: Avedøre, Denmark")
Daniel Hernandez Rodriguez	...	The Perfect Man (segment "Obstruction #1 - The Perfect Human: Cuba")
Jacqueline Arenal	...	The Perfect Woman (segment "Obstruction #1 - The Perfect Human: Cuba")
Vivian Rosa
Alexandra Vandernoot	...	The Perfect Woman (segment "Obstruction #3 - The Perfect Human: Brussels")
Patrick Bauchau	...	The Perfect Man / Speaker (segment "Obstruction #3 - The Perfect Human: Brussels") / Speaker (segment "Obstruction #4 - The Perfect Human: Cartoon")
Marie Dejaer	...	Maid (segment "Obstruction #3 - The Perfect Human: Brussels")
Pascal Perez	...	Couple (Man) (segment "Obstruction #3 - The Perfect Human: Brussels")
Meschell Perez	...	Couple (Woman) (segment "Obstruction #3 - The Perfect Human: Brussels")
Bent Christensen	...	Gangster from "Det gode og det onde" 1975 featured in segment "Obstruction #4 - The Perfect Human: Cartoon" (archive footage)
Anders Hove	...	Naked Man, from "Notater om kærligheden" 1989 featured in segment "Obstruction #4 - The Perfect Human: Cartoon" (archive footage)
Charlotte Sieling	...	Naked Woman - from "Notater om kærligheden" 1989 featured in segment "Obstruction #4 - The Perfect Human: Cartoon" (archive footage)

Also Known As:

The Five Obstructions (International: English title)

Runtime:

90 min

Country:

France | Denmark | Belgium | Switzerland

Language:

Danish | English | French | Spanish

Color:

Black and White (archive footage) | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

Hungary:14 | Switzerland:16 (canton of Zurich) | Australia:M | Norway:A | Singapore:NC-16 | Spain:13 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:15 | USA:Unrated | Argentina:13

Company:

Almaz Film Productions S.A.

Trivia:

During one of the conversation segments in the documentary Lars von Trier and Jørgen Leth agree that Leth will receive full credit for the fifth and final Obstruction entitled "The Perfect Human: Avedøre, Denmark" despite not directing it, and that Trier will receive none, although he will direct it. This, apparently, is within the rules of the game played out by the two directors during the documentary, and serves as an inside joke.

Movie Connections:

References Waking Life (2001)

Syntaxing

The film has two points of interest: the discussions between the two men as to what might constitute the limitations (the obstructions) - as good a way as any of discussing the content of the elusive original - and the behaviour of both men in the pursuit & rendition of the exercise.

As a document that presents the perversity of the 'boardroom' pragmatism of film-making and its melodramatic content this is quite hard to beat. The five versions are satisfyingly varied, although we are not shown any in full as far as I can make out. Their relative value is of little importance; von Trier's final 'twist' obstruction doesn't really come off in fact although it may be seen to be the most likely to succeed. In this way we are also shown something of the pot luck of producing a good film.

Above all though I came away trying to contain an imagination fomented on either side, both by the possibilities of the content of all six films (again, some more than others) and also by the auteur role; the possibilities and responsibilities faced when pointing a camera. And I'd always rather leave the theatre blinded with a brain bloated than a brain dead. 8/10