Due to digital image manipulation that pushes the picture to the boundary between narrative and avant-garde filmmaking, slightly overlong effort is full of striking, fresh visual interludes showing cars, speed and the sensations surrounding the scene.
50
L.A. Weekly
L.A. Weekly
First-time director Joey Curtis shows inklings of a future as an accomplished cinematographer, his digital videography lending some scenes a mesmerizingly pixellated quality and others the hectic blur of a surveillance video.
50
The Hollywood Reporter
The Hollywood Reporter
Despite its contemporary sheen, it's very old-fashioned in its storytelling and structure. Unfortunately, it's more muscle than high-formula, and it clanks, sputters and spins out in its pedal-to-the-story medal style.