| Photos (see all 3 | slideshow) |
| Ian McKellen | ... | Emile | |
| Deborah Kara Unger | ... | Nadia | |
| Tygh Runyan | ... | Freddy | |
| rest of cast listed alphabetically: | |||
| Frank Borg | ... | Taxi Driver | |
| Theo Crane | ... | Maria / Nadia (age 10) | |
| Chris William Martin | ... | Carl | |
| Nancy Sivak | ... | Superintendent | |
| Ian Tracey | ... | Tom | |
| Janet Wright | ... | Alice | |
Directed by | |||
| Carl Bessai | |||
Writing credits(in alphabetical order) | ||
| Carl Bessai | written by | |
Produced by | |||
| Carl Bessai | .... | executive producer | |
| Carl Bessai | .... | producer | |
| Jonathan English | .... | executive producer | |
| Jacquelyn Renner | .... | producer | |
| Bjorg Veland | .... | executive producer (as Bjørg Veland) | |
Original Music by | |||
| Vincent Mai | (as Vince Mai) | ||
Cinematography by | |||
| Carl Bessai | (director of photography) | ||
Film Editing by | |||
| Julian Clarke | |||
Casting by | |||
| David Hall | |||
Production Design by | |||
| Dina Holmes | (as Dina Zecchel) | ||
Set Decoration by | |||
| Nancy Mossop | |||
Costume Design by | |||
| Lara Lupish | |||
Makeup Department | |||
| Sarah Gurney | .... | assistant hair stylist | |
| Sarah Gurney | .... | assistant makeup artist | |
| Debi Lelievre | .... | hair stylist (as Debbie Lelievre) | |
| Debi Lelievre | .... | makeup designer (as Debbie Lelievre) | |
| Noella Mingo | .... | makeup artist: London | |
Production Management | |||
| Kimberly Barnes | .... | production manager: London | |
| Natasha Nystrom | .... | post-production supervisor | |
| Michael Williams | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Allie Amy Goodfellow | .... | second assistant director (as Allie Goodfellow) | |
| Nancy Sorge | .... | first assistant director | |
Art Department | |||
| Ken Baker | .... | construction coordinator | |
| Trevor Belcourt | .... | assistant set decorator | |
| Pat Hills | .... | painter | |
| Cody Larson | .... | set dresser | |
| Josh Plaw | .... | on-set props | |
| Kirsten Sands | .... | property master | |
Sound Department | |||
| Jeff Carter | .... | sound mixer | |
| Andrew Ellis | .... | adr recordist | |
| Darren Gilmore | .... | sound engineer (as Darren 'Dutchie' Gilmore) | |
| Patrick Haskill | .... | sound effects editor | |
| Bryan Heidinger | .... | assistant sound editor | |
| Brad Hillman | .... | sound editor | |
| Brad Hillman | .... | sound re-recording mixer | |
| Eric Holmgren | .... | third sound assistant | |
| Philip Hunter | .... | dialogue editor | |
| Matt Kunau | .... | stereo sound consultant: Dolby | |
| Roderick Matte | .... | boom operator | |
| Jonathan McCleery | .... | sound technician (as Jon McCleery) | |
| Gina Mueller | .... | adr editor | |
| Miguel Nunes | .... | sound designer | |
| Miguel Nunes | .... | sound re-recording mixer | |
| Eric Paul | .... | assistant sound editor | |
| Brody Ratsoy | .... | adr recordist | |
| Brody Ratsoy | .... | foley editor | |
| Brody Ratsoy | .... | foley recordist | |
| Nicole Thompson | .... | sound supervisor | |
| Cam Wagner | .... | foley artist | |
Visual Effects by | |||
| Christopher Elke | .... | visual effects coordinator | |
| John Fukushima | .... | digital artist | |
| Erik Nordby | .... | digital compositor: Toybox | |
| Lorraine Rozon | .... | visual effects producer | |
| Joel Tong | .... | digital compositor: Toybox | |
| Brian Wawzonek | .... | digital artist | |
Camera and Electrical Department | |||
| Blaine Ackerly | .... | electrician | |
| Rick Ackerly | .... | grip | |
| Damian Daniel | .... | assistant camera: London | |
| Geoffrey James Dixon | .... | best boy electric | |
| Ryan Gillard | .... | first assistant camera | |
| Colin House | .... | best boy grip | |
| Steve Latta | .... | camera trainee | |
| Rob Lee | .... | generator operator | |
| Stephen J. McKnight | .... | second assistant camera | |
| C. Kim Miles | .... | camera operator: "b" camera | |
| C. Kim Miles | .... | gaffer | |
| Sarah Murray | .... | still photographer | |
| Will Parrott | .... | key grip | |
| Rob Sperling | .... | grip | |
| Pieter Stathis | .... | camera operator | |
| Pieter Stathis | .... | steadicam operator | |
| Jesse Turner | .... | electrician | |
| Dan Zaviceanu | .... | additional assistant camera | |
Casting Department | |||
| Susan Taylor Brouse | .... | casting director: Canada | |
| Louise Green | .... | casting assistant: Canada | |
| Lesleyanne Hilts | .... | extras casting | |
Costume and Wardrobe Department | |||
| Andrea Desroches | .... | assistant costume designer | |
| Noella Mingo | .... | wardrobe: London | |
| Barb Trippell | .... | seamstress | |
| Corrie Trippell | .... | set costumer | |
Editorial Department | |||
| Jill Allanson | .... | telecine assistant | |
| David Armstrong | .... | film timer (as Dave Armstrong) | |
| Gary Shaw | .... | video colorist | |
| Tony Dean Smith | .... | assistant editor | |
| Bruce Whidden | .... | dailies colorist | |
Transportation Department | |||
| Randy Caine | .... | transportation captain | |
| Rob Schuster | .... | transportation co-captain | |
| Stephen Siegel | .... | transportation coordinator | |
Other crew | |||
| Emily Alden | .... | assistant to producer | |
| Suzanne Bean | .... | stand-in | |
| April Burch | .... | craft service | |
| Dave Burch | .... | craft service | |
| Denis Cornell | .... | location production assistant | |
| Roy Cumming | .... | security officer | |
| Jane Davidson | .... | key production accountant | |
| Jennifer Donoghue | .... | script supervisor | |
| Christer Fasmer | .... | epk: Norway | |
| Kathleen Gilbert | .... | location manager | |
| David Hadley | .... | production coordinator | |
| Sarah Hughes | .... | assistant location manager | |
| Garfield Lindsay Miller | .... | office production assistant (as Garfield Miller) | |
| Patrick Mokrane | .... | production accountant: Vancouver | |
| Anna Myking | .... | epk: Norway | |
| Stuart Nemtin | .... | stand-in | |
| Andrea Oberdieck | .... | assistant to producer | |
| James Pass | .... | unit production coordinator: UK | |
| Adrian Salpeter | .... | unit publicist | |
| Christy Sandback | .... | stand-in | |
| Rob Schuster | .... | security coordinator | |
| Esta Spalding | .... | script editor | |
| Astrid Stark | .... | location production assistant | |
| David Winsby | .... | assistant: Sir Ian McKellen | |
Thanks | |||
| Michael Bendner | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Fate of Emile's two brothers? | janeofthewakinguniverse |
| DVD | Amygoodger |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
I liked the movie a lot more than I expected. Not that I thought it was going to be a bad movie, but I had no real concept of what I'd think of it so really enjoying it was a nice surprise. We had heard it was slow, but I actually found it to be quite gripping and as such it didn't appear slow at all. At first it was a little distracting watching the movie with Ian McKellen two rows behind us and a couple of seats along, but my focus settled down as we got further in. Not particularly helped by the antarctic blasts of cold coming from the air conditioning right in front of me. I'm lucky I didn't die of hypothermia before the end of the evening. The movie was much more easily identified with than you might expect, being a movie about a 65 year old man and me being anything but. The theme was something I think can get to anyone and what really got me was the story of Emile leaving his two brothers behind and what happened to them subsequently. I think anyone who moves away from their family can understand the need to separate and how easy it can be to let that separation become too vast. As someone who has never lost a close member of my family, and lives in vague terror of the day it finally happens (as it must do unless I'm hit by a bus in the near future), I found the movie very touching and even teared up a couple of times. On a less precise scale, Emile's flaw was that he ran away from responsibility and difficulty and as a result never really lived his life, as far as we can tell. It's always easy to tell ourselves that what we're doing is for the best, but often that can be an excuse for not doing something that seems too hard.
The only flaw I would pick with the movie is that occasionally the music was a little too much. Aside from that the acting was excellent, the script was excellent and the shooting was beautifully done. I think a lot more people will find something to associate with in this movie than might think they would. Have you ever moved away from home? Have you ever not kept in touch when you knew you should? Have you ever been hurt by or betrayed a family member?