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The Fog of War: Eleven Lessons from the Life of Robert S. McNamara
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The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003)

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User Rating: 8.3/10 (7,825 votes)
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Overview

Director:
Errol Morris
Release Date:
February 2004 (USA) more view trailer
Genre:
Documentary more
Plot:
A film about the former US Secretary of Defense and the various difficult lessons he learned about the nature and conduct of modern war. full summary | add synopsis
Plot Keywords:
War | Lesson | Retrospective | 1960s | Advice more
Awards:
Won Oscar. Another 5 wins & 6 nominations more
User Comments:
The parallel to the war in Iraq is painful. more

Cast

  (in credits order)
Robert McNamara ... Himself
rest of cast listed alphabetically:
Fidel Castro ... Himself (archive footage) (uncredited)
Barry Goldwater ... Himself (archive footage) (uncredited)
Lyndon Johnson ... Himself (archive footage) (uncredited)

John F. Kennedy ... Himself (archive footage) (uncredited)
Nikita Khrushchev ... Himself (archive footage) (uncredited)
Curtis LeMay ... Himself (archive footage) (uncredited)
Errol Morris ... Interviewer (voice) (uncredited)
Richard Nixon ... Himself (archive footage) (uncredited)
Harry Reasoner ... Himself - TV interviewer (archive footage) (uncredited)
Franklin Delano Roosevelt ... Himself (voice) (archive footage) (uncredited)
Woodrow Wilson ... Himself (archive footage) (uncredited)
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Directed by
Errol Morris 
 
Produced by
Julie Ahlberg .... producer
Robert Fernandez .... co-producer
Jon Kamen .... executive producer
Adam Kosberg .... associate producer
Jack Lechner .... executive producer
Robert May .... executive producer
Errol Morris .... producer
Ann Petrone .... associate producer
Frank Scherma .... executive producer
John Sloss .... executive producer
Michael Williams .... producer
 
Original Music by
Philip Glass 
 
Cinematography by
Robert Chappell (director of photography) (interviews)
Peter Donahue (director of photography)
 
Film Editing by
Doug Abel 
Chyld King 
Karen Schmeer 
 
Production Design by
Ted Bafaloukos 
Steve Hardie 
 
Set Decoration by
Liz Chiz 
 
Makeup Department
Donyale McRae .... makeup artist
Maria Scali .... makeup artist: interviews
 
Production Management
Tonya Bertram .... production supervisor
Brad Fuller .... post-production supervisor
Sarah Gold .... production supervisor: China
Dia Sokol .... production supervisor
Ben Schneider .... production supervisor: Berlin shoot (uncredited)
Ronald Vietz .... production manager: Germany (uncredited)
 
Second Unit Director or Assistant Director
Lennie Appelquist .... first assistant director (uncredited)
 
Art Department
Jennifer Ho .... art department coordinator
Steve McNulty .... art director: interviews
Gary Shartsis .... property master
Daniel Turk .... construction coordinator (as Dan Turk)
Jim Utter .... leadman
 
Sound Department
Coll Anderson .... supervising sound editor
Dan Bora .... additional sound engineer
Stephen Bores .... production sound mixer: interviews (as Steve Bores)
Brian Bowles .... dialogue editor
Hector Castillo .... recording engineer
Lee Dichter .... sound re-recording mixer
Sean Garnhart .... sound effects editor
Harry Higgins .... sound recordist
Terrance Laudermilch .... sound recordist (as Terry Laudermilch)
Ichiho Nishiki .... technical assistant
Tom Paul .... sound designer
Christian Rutledge .... production assistant: sound department
Marilyn Teorey .... assistant sound editor
Sean Garnhart .... sound re-recording mixer (uncredited)
Daniel Perlin .... sound effects editor (uncredited)
 
Visual Effects by
Robin Hobart .... visual effects supervisor
Zachary Morong .... 3D animator
Evan Olson .... animator
Evan Olson .... visual effects
 
Camera and Electrical Department
Sumaya Agha .... still photographer: interviews
Martin Albert .... gaffer: interviews
Dave Cambria .... gaffer: interviews
Steve Cardellini .... key grip
John Cardoni .... gaffer
Tim Carr .... key grip
Joe Christofori .... first assistant camera: interviews
Gregory Daniels Jr. .... first assistant camera (as Greg Daniels)
Elsa Dorfman .... portrait photographer: interviews
Claire Folger .... still photographer: interviews
Aaron Kaikko .... video assistant
Roger Marbury .... key grip: interviews
Robert Ragozzine .... first assistant camera (as Bob Ragozzine)
John Rugalis .... gaffer (as John Ragaulis)
Daisy Smith .... second assistant camera
Timothy M. Sweeney .... second assistant camera: interviews (as Tim Sweeney)
Peter Thomas .... gaffer
Brett Van Ort .... second assistant camera
Frans Wetterings III .... best boy: interviews (as Frans Weterrings)
Billy Witherington .... best boy grip (as Bill Witherington)
Eric S. Zimmerman .... first assistant camera (as Eric Zimmerman)
Glenn Corbett .... best boy (uncredited)
Charlie Newberry .... camera loader: Washington D.C. (uncredited)
Mark Walpole .... second assistant camera: Washington D.C. (uncredited)
 
Animation Department
Tom Karras .... coloring assistant
 
Costume and Wardrobe Department
Eddie Marquez .... wardrobe
Critter Pierce .... wardrobe assistant
Julie Vogel .... wardrobe
 
Editorial Department
Eric Alvarado .... digital intermediate colorist
Steven Hathaway .... associate editor
Peter Heady .... on-line editor: HDTV
Fred Heid .... color timer
Danny Hogan .... assistant to editor: HDTV (as Dan Hogan)
Dan Mooney .... associate editor (as Daniel Mooney)
Benjamin Murray .... digital intermediate titling
Charles Silver .... editorial consultant
Tricia Wilk .... post-production assistant
 
Music Department
Cat Celebrezze .... associate music producer
Don Christiansen .... producer: CD soundtrack
Jim Keller .... executive music producer
John Kusiak .... composer: additional music
Kurt Munkacsi .... music producer
Ichiho Nishiki .... music assistant
Michael Riesman .... musical director
 
Other crew
Christian Akers .... production assistant
Jamie Anschultz .... production assistant
Heidi August .... production accountant
Sarah Belanger .... intern
Kara Bilof .... studio manager
James Blight .... special advisor
Paul Brennan .... production counsel: Sloss Law Office
John Cefalu .... location manager
Karen Corsica .... production coordinator: interviews
Jeff Crocker .... research assistant
Matthew Davey .... laser film recording: Arri
Christopher Fadale .... technical supervisor: interviews (as Chris Fadale)
Joe Harley .... intern
Kevin Hayes .... production coordinator
Peter Heady .... io data editorial
Paul Hu .... photo: McNamara and Nguyen Co Thach
Jeff Huston .... laser film recording: Arri
Claire Jones .... research assistant
Chris Kasick .... assistant to director (as Chris 'Ox' Kasick)
Dan Kemp .... location manager
Katherine Kim .... intern
Jason Kohn .... research assistant
Alexandra Kreuter .... graphics supervisor (as Alex Kreuter)
Jeff Krulik .... research assistant
Janet Lang .... special advisor
John Latenser V .... location manager
Paul Loram .... research assistant
Justin Milner .... intern
Nico Muhly .... assistant: Philip Glass & Michael Riesman
Ann Petrone .... archival research supervisor
Dina Marie Piscatelli .... production coordinator
Luke Poling .... production assistant
Andy Rice .... research assistant
Justin Rice .... assistant to director
Ben Schneider .... assistant to production
Julia Sheehan .... special advisor
John Sloss .... production counsel: Sloss Law Office
Tim Spitzer .... executive producer: HD & data services
Shawn Tabor .... military consultant
Shawn Tabor .... research assistant
Joe Violante .... coordinator: Technicolor
Jared Washburn .... office production assistant
 
Thanks
James Blight .... acknowledgment: archival footage and photographs provided by
Tim Bono .... special thanks
John Canaday .... special thanks
Jonny Cranson .... special thanks
Frances Fitzgerald .... special thanks
Ellen Fitzpatrick .... special thanks
Chris Florio .... special thanks
Deborah Fortson .... special thanks
Jim Gardner .... special thanks
Jane Gillooly .... special thanks
Harvey Goldberg .... in memory of: University of Wisconsin history professor
Alfred Guzzetti .... special thanks
Peter Hall .... special thanks
Alison Harris .... special thanks
Steven Harris .... special thanks
Paul Jankowski .... special thanks
Caroline Kaplan .... very special thanks
Alice Kelikian .... special thanks
Craig McNamara .... acknowledgment: archival footage and photographs provided by
Craig McNamara .... special thanks
George L. Mosse .... in memory of: University of Wisconsin history professor
Jamie Mylar .... special thanks
Tom O'Malley .... special thanks
Kenn Rabin .... special thanks
Deborah Ricketts .... special thanks
Ron Rosenbaum .... special thanks
Jay Rubin .... special thanks
Elizabeth Sadoff .... special thanks
Jonathan Sehring .... very special thanks
Gary Stern .... special thanks
Rosemary Taylor .... special thanks
Kathryn Tucker .... special thanks
Patricia Vanderbeek .... special thanks
Lawrence Waschler .... special thanks
Lewis D. Wheeler .... special thanks (as Lewis Wheeler)
Bonnie Willette .... special thanks
Kyla Wilson .... special thanks
Dino Zervos .... special thanks
 
Crew believed to be complete



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Additional Details

Also Known As:
The Fog of War (USA) (short title)
The McNamara Project (USA) (working title)
more
MPAA:
Rated PG-13 for images and thematic issues of war and destruction.
Runtime:
95 min | USA:107 min (theatrical version)
Country:
USA
Language:
English
Color:
Color
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby Digital
Filming Locations:
Berlin, Germany more
MOVIEmeter: ?
V 6% since last week why?

Fun Stuff

Trivia:
McNamara originally agreed to an hour-long interview for the Errol Morris PBS series, "First Person" (2000). The interview lasted eight hours and McNamara stayed for a second day of interviewing. He also returned months later, for two more days of interviews. Morris found himself with more than enough material for a feature-length documentary. more
Quotes:
Robert McNamara: What makes us omniscient? Have we a record of omniscience? We are the strongest nation in the world today. I do not believe we should ever apply that economic, political, or military power unilaterally. If we had followed that rule in Vietnam, we wouldn't have been there! None of our allies supported us; not Japan, not Germany, not Britain or France. If we can't persuade nations with comparable values of the merit of our cause, we'd better reexamine our reasoning. more
Movie Connections:
Featured in "Zomergasten: (#20.5)" (2007) more
Soundtrack:
Success more

FAQ

This FAQ is empty. Add the first question.
17 out of 22 people found the following comment useful:-
The parallel to the war in Iraq is painful., 3 March 2004
Author: John DeSando (jdesando@columbus.rr.com) from Columbus, Ohio

Errol Morris's `Fog of War' may be the best documentary that fuses a controversial historical figure (in this case, Robert McNamara) with his grandest moment (The Vietnam War). `Grand' is ironic because 58,000 dead soldiers cannot be `grand,' the US exit was hardly so, and McNamara's ambivalence about the event and his responsibility give the film an authenticity and humanity that last year was shared only with `Capturing the Friedmans.'

Morris, letting McNamara narrate almost the entire film, cuts between the fit 85 year old Aspen skier recollecting the ‘60's and 70's and footage from that time when he served as secretary of defense under Kennedy and Johnson. That he is a Harvard--educated, clean-cut, brainy bureaucrat easily changing from leading Ford Motor Company to the Pentagon is obvious. That he allowed the US to go deeper into the war than he personally believed it should is a possible inference from his carefully-crafted dialogue about `responsibility.'

He has no problem admitting his major role in firebombing Tokyo in WWII, killing 100,000 Japanese in one night; his boss, General Curtis LeMay, would have had it no other way. But when he almost wistfully speculates that President Kennedy would not have let the war escalate, it is clear what McNamara also wished. But why he didn't criticize the war after he left the Johnson administration he let's us speculate, hinting only that he had information we don't.

Throughout the interview (Morris now and then is heard asking questions, especially about McNamara's responsibility), Morris keeps him in the right side of the frame, off center as a metaphor for the confusing war and this secretary's ambivalent role. Like any top-rate documentary, applications to human nature and current events abound. The cool necessary to operate under murderous circumstances is reflected in this wonk's slick hair, rimless glasses, and self-serving dialogue. He is animated when he most seems to have missed the point and embraces the romance of evil, which one of his `lessons' says may be necessary to have in order to do good. The parallel to the war in Iraq is painful. He warns in his first `lesson' we must learn from our mistakes. The inference for us could be, if Vietnam was a great mistake, why are we forgetting it again.

For the former secretary, Ernie Pyle's words could hold special meaning: `War makes strange giant creatures out of us little routine men who inhabit the earth.'

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Message Boards

Discuss this title with other users on IMDb message board for The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003)
Recent Posts (updated daily)User
Cut-and-paste CaeserOct0
Not McNamara's lessons? x0xfatefellshort
Rule 2. - G W BUSH jnr am96
My professor mentioned it... moviemagic
Philip Glass Soundtrack--reactio ns. acumensch
Extremely thought-provoking. Would be good 2 hear recommentations... mike_binn
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