1 out of 1 people found the following comment useful :- Puts the "in" credible., 24 June 2007
Author:
dunmore_ego from Los Angeles, California
*** This comment may contain spoilers ***
In every review of *The Incredibles*, it has become a refrain: "This
movie could have worked as well in real life." Big Bob Parr (voice of
Craig T. Nelson) is a cone-shaped mountain of a guy, an ex-superhero
doing time as a layperson in a world gone small from his office
cubicle to his aspirations. Married to superheroine, Elastigirl (voice
of Holly Hunter), like every husband, he sneaks out at night
occasionally to hang with the boys in Bob's case, to fight crime as
Mr. Incredible with his former teammate, Frozone (Samuel L. Jackson).
Bob's two kids have inherited superpowers as well: son, Dash, super
speed and daughter, Violet, telepathy and invisibility (think Phoenix
from the X-Men). (A discussion on how the genetic combination of
super-strength and elasticity in the parents would yield super-speed
and invisibility in the offspring would get us nowhere.) This
3D-animation marvel is separated from its peers by its thematic thunder
- sure, it gives us the usual "familial values," but digs deeper by
making the characters smart enough to ponder their roles as super
beings in a mediocre world. The parents know that provincialism denotes
they must keep their powers/identities hidden and their children
sheltered, but the kids don't understand why, raising Socratic
questions about herd mentality and the conundrum of being "created
equal" yet more gifted. Mom tells Dash, "Everyone's special" (which is
its own special form of condescension) and Dash, instead of taking it
like a Disney knockout punch as most kids in these "family" movies
are inculcated to accept retorts (quite logically), "Which is another
way of saying that nobody is."
And when the action comes, it delivers in ways that even some
live-action superhero movies do not. And by this I mean, the whole
group uses their powers efficiently and intelligently, working together
to combat their threats, rather than getting taken down by some inane
plot point which they could have easily escaped simply by being
themselves.
And of course, there is the mandatory Group Hero Pose, perfected so
gaily by N'Sync during their two-month heyday. (Apologies to my more
sensitive readers for using the "N-word.") Jason Lee voices the
villain, Syndrome, whom the family team must combat to Save The Day.
Written and directed by Brad Bird (who does triple duty as Edna Mode, a
fashion designer for the hero-conscious), the humor is wit, rather than
slapstick, the heroism is moral rather than muscle-bound and the whole
outlook is adult rather than kiddie - *The Incredibles* is as real a
movie as a cartoon gets.
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1 out of 1 people found the following comment useful :-

Puts the "in" credible., 24 June 2007
Author: dunmore_ego from Los Angeles, California
*** This comment may contain spoilers ***
In every review of *The Incredibles*, it has become a refrain: "This movie could have worked as well in real life." Big Bob Parr (voice of Craig T. Nelson) is a cone-shaped mountain of a guy, an ex-superhero doing time as a layperson in a world gone small from his office cubicle to his aspirations. Married to superheroine, Elastigirl (voice of Holly Hunter), like every husband, he sneaks out at night occasionally to hang with the boys in Bob's case, to fight crime as Mr. Incredible with his former teammate, Frozone (Samuel L. Jackson).
Bob's two kids have inherited superpowers as well: son, Dash, super speed and daughter, Violet, telepathy and invisibility (think Phoenix from the X-Men). (A discussion on how the genetic combination of super-strength and elasticity in the parents would yield super-speed and invisibility in the offspring would get us nowhere.) This 3D-animation marvel is separated from its peers by its thematic thunder - sure, it gives us the usual "familial values," but digs deeper by making the characters smart enough to ponder their roles as super beings in a mediocre world. The parents know that provincialism denotes they must keep their powers/identities hidden and their children sheltered, but the kids don't understand why, raising Socratic questions about herd mentality and the conundrum of being "created equal" yet more gifted. Mom tells Dash, "Everyone's special" (which is its own special form of condescension) and Dash, instead of taking it like a Disney knockout punch as most kids in these "family" movies are inculcated to accept retorts (quite logically), "Which is another way of saying that nobody is."
And when the action comes, it delivers in ways that even some live-action superhero movies do not. And by this I mean, the whole group uses their powers efficiently and intelligently, working together to combat their threats, rather than getting taken down by some inane plot point which they could have easily escaped simply by being themselves.
And of course, there is the mandatory Group Hero Pose, perfected so gaily by N'Sync during their two-month heyday. (Apologies to my more sensitive readers for using the "N-word.") Jason Lee voices the villain, Syndrome, whom the family team must combat to Save The Day.
Written and directed by Brad Bird (who does triple duty as Edna Mode, a fashion designer for the hero-conscious), the humor is wit, rather than slapstick, the heroism is moral rather than muscle-bound and the whole outlook is adult rather than kiddie - *The Incredibles* is as real a movie as a cartoon gets.
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