Australia’s screen professionals must be free to practice their skills anywhere in the world, but how do we stop this healthy career development from becoming a dangerous brain drain? Miguel Gonzalez reports.
If we were to make a list of all the Australian screen practitioners who have made it overseas, it would be a very long list indeed. It would probably start with the A-list creatives everybody knows, followed by the more anonymous and numerous executives, directors, producers, editors, cinematographers, VFX artists and technicians working all over the world.
While it is to be expected that many – if not all – industry practitioners would seek to expand their horizons and work internationally at some point in their careers to reach other markets, work in other systems and cultures and develop new skills, leaving Australia should not be an act of professional desperation.
The historical fluctuation in the volume of international...
If we were to make a list of all the Australian screen practitioners who have made it overseas, it would be a very long list indeed. It would probably start with the A-list creatives everybody knows, followed by the more anonymous and numerous executives, directors, producers, editors, cinematographers, VFX artists and technicians working all over the world.
While it is to be expected that many – if not all – industry practitioners would seek to expand their horizons and work internationally at some point in their careers to reach other markets, work in other systems and cultures and develop new skills, leaving Australia should not be an act of professional desperation.
The historical fluctuation in the volume of international...
- 5/24/2011
- by Miguel Gonzalez
- Encore Magazine
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