Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.
- Won 1 BAFTA Award
- 11 wins & 29 nominations total
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- Writer
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Featured reviews
The most interesting parts of Love Actually are the times when it addresses the tragic situations where love is self-sacrificing, contradictory, or fragile. One character's unrequited love is revealed as a noble sacrifice made for another's happiness (the method of finally achieving closure and moving on, however, could only work in the movies). Another character is shown to be caught between conflicting duties that will, we are led to believe, prevent her from ever being truly happy. And the strength that a third shows when love is shown to be fragile and her world collapses around her is tragically inspiring.
These noble, tragic threads are interwoven with lighthearted comedic ones to produce a fabric that holds together well. While some characters have to fight for their love, others have simple, happy, straightforward relationships, with love (or whatever) falling in their laps like a parcel from Santa Claus. And the purely comic moments, like Rowan Atkinson's appearances and Hugh Grant's Christmas-caroling bodyguard, are delightful in and of themselves.
There are of course plenty of nits to pick. Hugh Grant doesn't make a very believable Prime Minister, and even his very pointed speech to his American counterpart -- especially relevant in light of Bush's recent state visit to England -- don't redeem the odd casting. Others in this forum have commented on the number of fat jokes in the film, and while I agree, I feel I should point out that the entire point of the first such joke is that the character who has fallen for the "fat" girl clearly doesn't think of her as fat, and doesn't understand at first who the other is talking about. It's true that calling her fat is ridiculous; she's only large in comparison to Keira Knightley, who must be carrying some vital organs around in her handbag because there's certainly not enough room in her torso! But that one time would have been enough; the "fat" theme gets tiresome later on in the movie. I also agree with those who have said that much of the nudity is completely unnecessary to the plot, and that at least some of the comedic threads in the movie are formulaic and unoriginal.
In the end, I feel that Love Actually is for the most part a thoughtful and entertaining look at relationships, which does not shy away from taking the bad with the good.
I am sure the film has its critics who say it drips in buttery corn. But when you are able to retreat inward and let it take you over, it is impossible not to feel. It is a rare treat - a film that makes you feel. During the process I was sad and happy and relieved. I was turned on, turned off, dizzy and grounded.
I was in love one time and it reminded me of that. The power of cinema can be that amazing, it can be that intense. The title of the movie is, perhaps, meant to confuse. Yet I believe it is designed to ask. Love Actually is ... what?
Is it lust? Or a deep appreciation of the past? Can it be conquered by language or political barriers? Race? Infidelity? Age? Can it be all of the above plus more? Maybe a mingling of several?
It is rare for a film of great acting to be married to a terrific script. Yet it is something else for it to speak right to the audience; not talk at them, not try to sell them a film. Let them experience the film. Let it wash over them little by little until there is nothing more of them left.
**** (A)
And the introductory voice-over by Hugh Grant as we watch an airport full of people hugging made me want to commit an act of violence - either against the people who forced me to watch this film or against myself just to end the torture.
Then the most unbelievably shocking thing happened. Bill Nighy and Gregor Fischer came on screen, mocking one of the most hated love songs in Britain, "Love is all Around" and I found myself getting sucked into the film.
By the time I reached the end of the film I found myself facing the impossible, there was one romantic comedy out there that genuinely is a comedy and actually likeable. No-one was more shocked than I.
Many different kinds of love are covered (although not all kinds), there's 8 storylines and the biggest cast list I've seen in a long time. Somehow, it works. You'd think it wouldn't, I know I certainly didn't.
If you're looking for a full-length story, this is not the film for you. It snap-shots the important events leading to the resolution of the couples involved, nothing more. If you want a classic romantic film, this might not be the film for you. This is funnier than most straight comedies I've seen in recent times, however (I'm just as harsh a critic of comedy films as I am of romantic films).
It's not trying to be the meaning of life, it's not trying to look at the big picture. In fact, it's only trying to do one thing, and that's say positive feelings crop up in the most unexpected places or are more prevalent than people think. One of the storylines, one that is cited constantly in reviews as one of the failed storylines with a sad ending is actually bittersweet. It doesn't end with failure but the failure of one type of love in favour of a different kind.
This film isn't perfect, I'll never find the perfect romantic-comedy because I hate the genre so much, for example, one of the storylines did annoy me intensely and yet ironically still made me laugh in places. However, the flaws in the film are vastly outweighed by positives. It's superficially complicated but is really a very simple film. It makes a statement: "love actually is all around" then shows why it makes that statement and doesn't attempt to do or be anything else.
And like the fact it covers different kinds of love, it covers different attitudes and portrayals of it - so a couple are realistic, a couple are classic fantasy, a couple are pure comedy and a couple are pure rom-com tradition.
I have seen no reviewer give this film a middle-of-the-road review, and I've read many reviews. I think, in the end, Love Actually is up to the individual. It's like Marmite. You either love it or you hate it.
Speaking as a cynical, misanthropic, Marmite-hating, Romantic-Comedy hating member of the human race, I actually liked Love Actually.
It also has a pretty good cast. This film follows the lives of eight very different couples. With it you can believe that a miracle really happens, because someone can even fly to another country, learn another language, just to see their love, to ask to get married knowing that she can refuse.
So, It's romantic, funny and everything happens at Christmas. I highly recommend watching this movie, especially if you can watch it with your loved one. It will bring you a good Christmas mood and you will enjoy it!
Did you know
- TriviaWhen casting the part of Sarah, writer and director Richard Curtis auditioned a great many British women, but kept saying, "I want someone like Laura Linney." The casting director eventually snapped and said, "Oh, for fuck's sake, get Laura Linney then." Linney then auditioned and got the part.
- GoofsWhen Jamie revisits Aurelia, a Marseillaise cab can be seen at the airport, yet everyone in the city seems to understand Portuguese. This can be explained, however, by a large Portuguese community in Marseilles, who live in a common area and would be the ones who understood the language.
- Quotes
[first lines]
Prime Minister: Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often, it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know, none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around.
- Crazy creditsThe list of the cast in the opening credits are arranged alphabetically according to their first name.
- Alternate versionsThere are two instances of switched music between the UK and US versions of the film. In the UK version, the montage introducing the office Christmas party is set to "Too Lost in You" by Sugababes, while the US version of the film replaces it with "The Trouble With Love Is", performed by Kelly Clarkson. Then, during the second half of the end credits after the Clarkson song plays (for the second time in the US version) the UK version concludes with a cover of "Jump (For My Love)", performed by Girls Aloud. This song does not appear at all in the US version, which concludes with the Sugababes song that the UK version used at the party. The 2009 US Blu-Ray actually contains the UK cut of the film, while the original US DVD had the US cut.
- ConnectionsEdited into Dilwale (2015)
- SoundtracksChristmas Is All Around
Written by Reg Presley (as Presley)
Performed by Bill Nighy
Courtesy of Universal Pictures Music
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Realmente amor
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $60,352,285
- Opening weekend US & Canada
- $6,886,080
- Nov 9, 2003
- Gross worldwide
- $250,779,876
- Runtime2 hours 15 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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