Love Actually (2003)

Director:

Richard Curtis

Writer:

Richard Curtis (written by)

Release Date:

14 November 2003 (USA)

Genre:

Comedy | Drama | Romance

Tagline:

Love actually is all around.

Plot:

Follows the lives of eight very different couples in dealing with their love lives in various loosely and interrelated tales all set during a frantic month before Christmas in London, England.

Plot Keywords:

Sentimental | General Mitchell International Airport | Secret Admirer | Film Set | Marriage Problems

Awards:

Nominated for 2 Golden Globes. Another 10 wins & 18 nominations

US TV Schedule:

Tue. Aug. 12

1:00 PM

USA

Cast

Bill Nighy	...	Billy Mack
Gregor Fisher	...	Joe
Rory MacGregor	...	Engineer
Colin Firth	...	Jamie Bennett
Sienna Guillory	...	Jamie's Girlfriend
Liam Neeson	...	Daniel
Emma Thompson	...	Karen
Lulu Popplewell	...	Daisy, her daughter
Kris Marshall	...	Colin Frissell
Heike Makatsch	...	Mia
Martin Freeman	...	John
Joanna Page	...	Just Judy
Chiwetel Ejiofor	...	Peter
Andrew Lincoln	...	Mark
Keira Knightley	...	Juliet

Also Known As:

Love Actually Is All Around (UK) (working title) (USA) (working title)
Untitled Richard Curtis Project (UK) (working title)

MPAA:

Rated R for sexuality, nudity and language.

Runtime:

135 min | Canada:129 min (Toronto International Film Festival) | South Korea:129 min (Asian Edition)

Country:

UK | USA

Language:

English | Portuguese | French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Malaysia:18SX | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | France:U | Iceland:L | Canada:14 (Nova Scotia) | Ireland:15 | South Korea:15 (Asian edition) (DVD rating) | Argentina:13 | Australia:M | Brazil:14 | Finland:K-11 | Germany:6 (bw) | Hong Kong:IIA (original rating) | Hong Kong:III (DVD rating) | Japan:PG-12 | Netherlands:AL | New Zealand:M | Norway:11 | Peru:14 | Philippines:R-18 | Portugal:M/12 | Singapore:M18 (DVD rating) | Singapore:PG (Asian edition) | Singapore:R(A) | Spain:T | Sweden:7 | UK:15 | USA:R (certificate #40173)

Filming Locations:

Bouches-du-Rhône, France

Company:

Universal Pictures

Trivia:

Kris Marshall returned his pay check for the scene where the three American girls undress him. He said he had such a great time having three girls undress him for 21 takes, that he was willing to do it for free, and thus returned his check for that day.

Goofs:

Continuity: When Sarah and Karl are in Sarah's room, Sarah's alarm clock over her bedside table says that it is five to twelve. A bit later we can see the same alarm clock and it is ten to twelve. (Karl's watch has another time altogether, but this is not necessarily a goof.)

Quotes:

[At the altar, just before Peter is married]
Peter: No surprises?
Mark: No surprises.
Peter: Not like the stag night?
Mark: Unlike the stag night.
Peter: Do you admit the Brazilian prostitutes were a mistake?
Mark: I do.
Peter: And it would have been much better if they'd not turned out to be men?
Mark: That is true.

Movie Connections:

Featured in The 61st Annual Golden Globe Awards (2004) (TV)

Soundtrack:

Christmas Is All Around

A deeply loving film rich in character

It has been a long time since I have seen a movie so rich in character that I did not want it to end. Love Actually is not a love story, it is a story about love. Love that reinvents itself, multiplies itself, opens itself up, and even devastates.

I am sure the film has its critics who say it drips in buttery corn. But when you are able to retreat inward and let it take you over, it is impossible not to feel. It is a rare treat - a film that makes you feel. During the process I was sad and happy and relieved. I was turned on, turned off, dizzy and grounded.

I was in love one time and it reminded me of that. The power of cinema can be that amazing, it can be that intense. The title of the movie is, perhaps, meant to confuse. Yet I believe it is designed to ask. Love Actually is ... what?

Is it lust? Or a deep appreciation of the past? Can it be conquered by language or political barriers? Race? Infidelity? Age? Can it be all of the above plus more? Maybe a mingling of several?

It is rare for a film of great acting to be married to a terrific script. Yet it is something else for it to speak right to the audience; not talk at them, not try to sell them a film. Let them experience the film. Let it wash over them little by little until there is nothing more of them left.

**** (A)