Stranded at a desolate Nevada motel during a nasty rain storm, ten strangers become acquainted with each other when they realize that they're being killed off one by one.Stranded at a desolate Nevada motel during a nasty rain storm, ten strangers become acquainted with each other when they realize that they're being killed off one by one.Stranded at a desolate Nevada motel during a nasty rain storm, ten strangers become acquainted with each other when they realize that they're being killed off one by one.
- Awards
- 1 win & 11 nominations
Rebecca De Mornay
- Caroline Suzanne
- (as Rebecca DeMornay)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Trivia"When I was going up the stairs / I met a man who wasn't there. / He wasn't there again today / I wish, I wish he'd go away." One character claims to have written this poem. It is really a poem titled 'Antigonish' by William Hughes Mearns. This poem was also turned into a popular song, giving it widespread attention.
- GoofsThe prisoner is described as carrying an "Axis IV Dissociative Disorder." In psychiatric diagnosis, psychiatric disorders fall under Axis I, personality disorders and mental retardation fall under Axis II, medical disorders fall under Axis III, a general summary of psychosocial stressors (eg. health problems, money problems, or family problems, and rated as None, Mild, Moderate, or Severe) fall under Axis IV, and the patient's Global Assessment of Function score (GAF: 0 to 100) falls under Axis V. Dissociative Disorder is an Axis I diagnosis.
- Quotes
[first Lines]
Malcolm Rivers: As I was going up the stairs, I met a man who wasn't there. He wasn't there again today. I wish, I wish he'd go away.
- Crazy creditsThe first few opening credits leave behind a letter to the word "IDENTITY" as they fade away.
- Alternate versionsThe Extended version is about 1 minute longer than the original Theatrical cut. The altered ending in the Extended cut is also slightly more violent.
- ConnectionsFeatured in Identity of a Thriller (2003)
- SoundtracksWin Music Season 19
from "Wheel of Fortune"
Written and Performed by Steve Kaplan
Courtesy of Columbia TriStar Television, Inc.
Featured review
A+
Every so often I like to go into films knowing very little about them. It's gratifying not hearing any news stories, or Internet rumors, or early reviews before you see a film because you can genuinely feel surprised by every passing minute of it. In the case of Identity, I only saw a trailer for it once in theatres and I saw various TV spots before its release, but other than that I knew nothing about the core of the story. I went in with no preconceived notions or opinions. For a change I was being a submissive film viewer.
After the credits rolled (by the way I rarely stay until the end of the credits) I was so amazed and surprised by the film that I had just experienced. Identity is a highly original, beautifully constructed, and a mildly scary film that will (excuse my language) do a serious mind f*** on your brain.
The less you know about Identity's plot, the better. This is the kind of film you need to go into knowing very little about. There are a few twists, plenty of scares, and also a very surprising ending that will have some people disappointed, or praising its creativity. I'm definitely in the latter on this one.
Identity is also a masterpiece of atmosphere. Something that I think is the most important aspect of any movie in this genre. Whether it's Halloween, setting the scene for small town horror, or The Ring, drenching us in very dark and Gothic scenery, atmosphere is what makes or breaks a horror film. Thankfully Identity succeeds by creating an atmosphere that is truly frightening and visually impressive. The motel is a perfect setting for the proceedings that take place throughout the night.
A nice ensemble cast rounds out Identity's many incredible attributes. John Cusack gives a very good performance as Ed. Cusack has always been good at playing the 'everyday normal guy' and he uses this to great effect here. It's a layered performance that offers some surprises throughout the picture.
The other high profile performer is the always-reliable Ray Liotta as Rhodes. Liotta never seems to disappoint whenever he's performing, even in sub-par material. He's just as good as he usually is in this picture and he uses his sometimes-abrasive personality to its utmost potential.
Amanda Peet gives her best performance to date as Paris. She has some nice moments where she's allowed sprinkle some comic relief throughout an otherwise dreary picture. However, when she's required to exhibit real fear, she is more than capable. She also shares some good scenes with Cusack during a few key moments in the film.
Clea Duvall and William Lee Scott supply some youth and tenacity as Ginny and Lou. Duvall probably has the role typically called the 'scream queen role' in most horror films and she does well with what she's given. There were times that I could genuinely feel her fear. Scott is given less to do as Lou but he does have some good scenes with Duvall that requires a decent amount of emotion.
John Hawkes and John C. McGinley are also adequate in supporting roles. Hawkes is given a fair share of the comedic lines and for the most part he plays the part well. McGinley fairs better as the husband who must tend for his injured wife and social inadequate stepson. If I felt sympathy for anyone the most, it was his character.
Rebecca Demornay is given very little to do as the failed movie actress but there are some funny jokes made at her expense as one character asks her 'didn't you used to be that actress?' This is some clever commentary on Demornay's obviously fledgling career. The same can be said for Jake Busey as the convict, who is given little to do and seems out of place when paired with the more talented actors in the picture.
What's important is the work these actors do when they're all together. This is very much an ensemble and they play off each other's fear. Their reactions to these situations make the picture all the more frightening.
On the other end of the story, Alfred Molina brings a bit of substance to his role, despite have limited screen time as the psychiatrist and Pruitt Taylor Vance will shock, amaze, and terrify you as the murderer waiting for his execution. Vance's portrayal is very frightening, and an ultimately brilliant performance. Given the limited screen time he does a lot with the role.
Identity is filled with secrets, surprises, and scares that will have moviegoers talking for quite some time. Much like The Ring it has the potential to have some word of mouth appeal. However, don't listen too much to what people have to say about it because it's best to experience this modern masterpiece of fear, knowing very little about it. I guarantee you will be surprised.
Every so often I like to go into films knowing very little about them. It's gratifying not hearing any news stories, or Internet rumors, or early reviews before you see a film because you can genuinely feel surprised by every passing minute of it. In the case of Identity, I only saw a trailer for it once in theatres and I saw various TV spots before its release, but other than that I knew nothing about the core of the story. I went in with no preconceived notions or opinions. For a change I was being a submissive film viewer.
After the credits rolled (by the way I rarely stay until the end of the credits) I was so amazed and surprised by the film that I had just experienced. Identity is a highly original, beautifully constructed, and a mildly scary film that will (excuse my language) do a serious mind f*** on your brain.
The less you know about Identity's plot, the better. This is the kind of film you need to go into knowing very little about. There are a few twists, plenty of scares, and also a very surprising ending that will have some people disappointed, or praising its creativity. I'm definitely in the latter on this one.
Identity is also a masterpiece of atmosphere. Something that I think is the most important aspect of any movie in this genre. Whether it's Halloween, setting the scene for small town horror, or The Ring, drenching us in very dark and Gothic scenery, atmosphere is what makes or breaks a horror film. Thankfully Identity succeeds by creating an atmosphere that is truly frightening and visually impressive. The motel is a perfect setting for the proceedings that take place throughout the night.
A nice ensemble cast rounds out Identity's many incredible attributes. John Cusack gives a very good performance as Ed. Cusack has always been good at playing the 'everyday normal guy' and he uses this to great effect here. It's a layered performance that offers some surprises throughout the picture.
The other high profile performer is the always-reliable Ray Liotta as Rhodes. Liotta never seems to disappoint whenever he's performing, even in sub-par material. He's just as good as he usually is in this picture and he uses his sometimes-abrasive personality to its utmost potential.
Amanda Peet gives her best performance to date as Paris. She has some nice moments where she's allowed sprinkle some comic relief throughout an otherwise dreary picture. However, when she's required to exhibit real fear, she is more than capable. She also shares some good scenes with Cusack during a few key moments in the film.
Clea Duvall and William Lee Scott supply some youth and tenacity as Ginny and Lou. Duvall probably has the role typically called the 'scream queen role' in most horror films and she does well with what she's given. There were times that I could genuinely feel her fear. Scott is given less to do as Lou but he does have some good scenes with Duvall that requires a decent amount of emotion.
John Hawkes and John C. McGinley are also adequate in supporting roles. Hawkes is given a fair share of the comedic lines and for the most part he plays the part well. McGinley fairs better as the husband who must tend for his injured wife and social inadequate stepson. If I felt sympathy for anyone the most, it was his character.
Rebecca Demornay is given very little to do as the failed movie actress but there are some funny jokes made at her expense as one character asks her 'didn't you used to be that actress?' This is some clever commentary on Demornay's obviously fledgling career. The same can be said for Jake Busey as the convict, who is given little to do and seems out of place when paired with the more talented actors in the picture.
What's important is the work these actors do when they're all together. This is very much an ensemble and they play off each other's fear. Their reactions to these situations make the picture all the more frightening.
On the other end of the story, Alfred Molina brings a bit of substance to his role, despite have limited screen time as the psychiatrist and Pruitt Taylor Vance will shock, amaze, and terrify you as the murderer waiting for his execution. Vance's portrayal is very frightening, and an ultimately brilliant performance. Given the limited screen time he does a lot with the role.
Identity is filled with secrets, surprises, and scares that will have moviegoers talking for quite some time. Much like The Ring it has the potential to have some word of mouth appeal. However, don't listen too much to what people have to say about it because it's best to experience this modern masterpiece of fear, knowing very little about it. I guarantee you will be surprised.
- MissCzarChasm
- Jun 7, 2003
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Identidad
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $52,159,536
- Opening weekend US & Canada
- $16,225,263
- Apr 27, 2003
- Gross worldwide
- $90,259,536
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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