Smash-Up in China (1919) Poster

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6/10
Broke in China as Good As Any Place
boblipton4 November 2016
Happy Hooligan tells a whopper to the young Hooligans about the time he was the ambassador to China in this Gregory LeCava cartoon.

Happy Hooligan was a cartoon strip tramp, created by Frederick Burr Opper in 1900. He appeared in a few live action shorts from Vitagraph as soon as he arrived; this series of cartoons flourished for a couple of years; Opper closed the strip down in 1932. Hooligan, well-remembered by fans of comic strips, was last seen as a semi-regular in SAM'S STRIP in the early 1960s.

Although this may seem a simple and even primitive cartoon, it was very advanced for the era. LeCava and his animators, Bill Nolan and Frank Moser, were inventing "rubber tube" animation for their cartoons, in which a rounder style of drawing would facilitate the appearance of motion. Earlier cartoons, like DINKY DOODLE and COLONEL HEEZA LIAR, look stroboscopic by comparison.

In any case, the gags, if racist by modern standards, are funny, the story makes sense and fans of Happy Hooligan -- and LeCava, who would become a major live-action director, best remembered for MY MAN GODFREY -- will be pleased to look at this.
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6/10
Pretty good for 1919....
planktonrules10 January 2017
"Smash-Up in China" is a very early animated film. While it seems very crude in quality compared to most cartoons of the 1920s, it is quite advanced for its time and is among the better animated films of the era I have seen. That being said, when you see this one today it does seem very crudely made. And, when you compare the simple Happy Hooligan character in this one to the finely drawn comic strip character, there's a HUGE difference.

The story consists of the Hooligan telling the little hooligans about his supposed adventures in China. He saves the life of the Prime Minister, meets the Emperor and nearly gets himself blown up! Like other toons of the 1910s, the artwork is very simple and backgrounds very minimalistic. Overall, it offers a few minor laughs but nothing that will make this a must-see for anyone other than film historians and nuts like me!
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