Directed by
| Brett Sullivan | ||
Writing Credits (in alphabetical order)
| Rob MacKinnon | ||
| Brett Sullivan | ... | (writer) |
Cast (in credits order)
| Matt Frewer | ... | Satan / Nathan / Lucy / Mother / Father | |
 |
Wyatt Sullivan | ... | Devil Baby |
Produced by
| Paula Devonshire | ... | producer |
Music by
| Paul Ackerley | ||
Cinematography by
| Marcus Elliott | ... | director of photography |
| John Holosko | ... | director of photography |
Editing by
| Rob MacKinnon | ||
Art Direction by
| Melanie Gordon | ||
Costume Design by
| Mary Partridge-Raynor | ... | (as Mary Partridge) |
Makeup Department
| Amber Chase | ... | assistant makeup artist |
| François Dagenais | ... | prosthetic designer (as Francois Dagenais) |
| Jenn Gould | ... | assistant hair stylist (as Jennifer Gould) |
| Jocelyn MacDonald | ... | hair designer |
| Rhonda | ... | key hair stylist |
| Deborah Williams | ... | key makeup artist (as Deborah E. Williams) |
Second Unit Director or Assistant Director
| Natalie Hoban | ... | second assistant director |
| David MacKenzie | ... | first assistant director |
Art Department
| Edgar Cabral | ... | swing |
| Paolo Concepcion | ... | props |
Sound Department
| Eric Apps | ... | re-recording mixer |
| John Elliot | ... | foley artist |
| Mark Gingras | ... | sound editor |
| Jack Heeren | ... | re-recording mixer |
| Steve Moore | ... | sound re-recording assistant |
| Bissa Scekic | ... | boom operator (as Bisa Scekic) / sound recordist (as Bisa Scekic) |
| Randy Wilson | ... | foley recordist |
Camera and Electrical Department
| Witlow Barnes | ... | still photographer |
| James Deane | ... | best boy grip |
| Marcus Elliott | ... | title photographer (as Marcus Elliot) |
| Ken Huff | ... | dolly grip (as Ken L. Huff) |
| Sean Jensen | ... | camera operator (as Sean Foss Jensen) |
| Stephen Langer | ... | gaffer |
| Manuel Neves | ... | dolly grip |
| Gottfried Pflugbeil | ... | focus puller (as Godfrey C. Pflugbeil) |
| Lisa Pilcher | ... | focus puller |
| Bernard Sigouin | ... | best boy electric |
| Nicole Wiwchar | ... | second assistant camera |
Costume and Wardrobe Department
| Constance Buck | ... | wardrobe |
| Ann Margaret Oberst | ... | wardrobe |
Editorial Department
| Colin Campbell | ... | on-line editor |
| Kent McCormick | ... | colorist |
| Michael Thibodeau | ... | colorist |
Script and Continuity Department
| Patricia Joyes | ... | script supervisor (as Pat Joyes) |
| Ashley McKay | ... | continuity trainee |
| Julia Stan | ... | script supervisor |
Transportation Department
| Max Gabriel Izod | ... | transportation chief |
Additional Crew
| Alexei Berteig | ... | body double |
| Merlin Dervisevic | ... | body double |
| Max Gabriel Izod | ... | title graphics designer |
| Sue Riedl | ... | craft service |
Thanks
| Paula Ackerley | ... | special thanks |
| Anna Beben | ... | special thanks |
| Paul Brown | ... | special thanks |
| Jim Corston | ... | special thanks (as Jim Corsten) |
| Kevin Crothers | ... | special thanks |
| Pam Delaney | ... | special thanks |
| Rick Drew | ... | special thanks |
| Matt Frewer | ... | special thanks |
| John Furniotis | ... | special thanks |
| Bill Harris | ... | special thanks |
| Steven Hoban | ... | special thanks (as Steve Hoban) |
| Max Gabriel Izod | ... | special thanks (as Max G. Izod) |
| Sean Jensen | ... | special thanks |
| Damian Kindler | ... | special thanks |
| Ralph Kircher | ... | special thanks |
| Kristine Klohk | ... | special thanks |
| Bill May | ... | special thanks |
| Steve Mayhew | ... | special thanks |
| Connie McKinnon | ... | special thanks |
| Tony Meerakker | ... | special thanks |
| Alex Pugsley | ... | special thanks |
| Lori Pumputis | ... | special thanks |
| Sue Riedl | ... | special thanks |
| David Rosen | ... | special thanks |
| Beverly Sullivan | ... | special thanks |
| Thomas Sullivan | ... | special thanks |