Directed by
| Simon Curtis | ||
Writing Credits (in alphabetical order)
| Kevin Hood | ... | (adaptation) |
| Tony Parsons | ... | (novel) |
Cast (in credits order)
Produced by
| Katrine Dudley | ... | associate producer |
| Kate Harwood | ... | producer |
| Laura Mackie | ... | executive producer |
Music by
| Rob Lane | ||
Cinematography by
| Tim Palmer | ||
Editing by
| Philip Kloss | ||
Casting By
| Janey Fothergill | ||
Production Design by
| Donal Woods | ||
Art Direction by
| Charmian Adams | ||
Costume Design by
| Fotini Dimou | ||
Makeup Department
| Caroline Noble | ... | hair designer / makeup designer |
| Lisa Pickering | ... | hair stylist / makeup artist |
Production Management
| Ted Ladlow | ... | unit manager |
| Maria Walker | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Sasha Mann | ... | second assistant director |
| Becky Symons | ... | third assistant director (as Rebecca Symons) |
| Andrew Woodhead | ... | first assistant director |
Art Department
| Graham Bishop | ... | production buyer |
| Christine Buttner | ... | graphic designer (as Christine Büttner) |
| Frank Carr | ... | stand-by stagehand |
| Rachel Cocks | ... | stand-by art director |
| Charlie Macher | ... | stand-by rigger |
| Bob Power | ... | dressing props (as Matthew Power) |
| Mike Power | ... | property master |
| Charlie Redman | ... | stand-by props |
| Brian Rowlands | ... | dressing props |
| Chris Sibley-Hale | ... | stand-by carpenter / stand-by painter |
| Roger Wilkins | ... | construction manager |
Sound Department
| Paul Cridlin | ... | boom operator |
| Peter Gleaves | ... | adr mixer |
| Pip Norton | ... | dubbing mixer |
| Chris Nuttall | ... | sound effects editor |
| John Taylor | ... | sound recordist |
Special Effects by
| Michael Corden | ... | special effects editor |
| Graham Longhurst | ... | special effects supervisor |
| Shane Warden | ... | digital special effects editor |
Stunts
| Stephanie Carey | ... | stunt double |
| Clive Curtis | ... | stunt coordinator |
Camera and Electrical Department
| Jeremy Brookner | ... | assistant camera |
| Sean Connor | ... | focus puller |
| Martin Cox | ... | electrician |
| Matthew Crowder | ... | electrician (as Matt Crowder) |
| Daniel Edwards | ... | camera trainee |
| Toby Flesher | ... | best boy |
| Tony Goulding | ... | electrician |
| Andy Hopkins | ... | key grip |
| Martin Hume | ... | camera operator |
| Peter O'Connor | ... | clapper loader |
| Tony Wilcock | ... | gaffer |
Casting Department
| Shaheen Baig | ... | casting: children |
Costume and Wardrobe Department
| Lee Croucher | ... | costume assistant / wardrobe assistant |
| Elisa Jimenez | ... | wardrobe assistant |
| Ann Taylor | ... | assistant costume designer (as Ann Taylor-Cowan) |
Editorial Department
| Nina Bradley | ... | assistant editor |
| Vincent Narduzzo | ... | telecine colorist (as Vince Narduzzo) |
Location Management
| Adam Browne | ... | location manager |
| Crispin Hardy | ... | location assistant |
Music Department
| Steve Parr | ... | music mixer / music recordist / score recordist |
Script and Continuity Department
| Ruth Christie | ... | script supervisor |
| Kate Lewis | ... | script editor |
Additional Crew
| Clare Aldington | ... | production secretary |
| Christine Healy | ... | production coordinator |
| Howard Kingston | ... | production executive |
| Karen Kirk | ... | assistant to producer |
| Jamie Mayers | ... | assistant production accountant |
| Ivan Millar | ... | production runner |
| Steve Morphew | ... | stand-in: Ioan Gruffudd |
| Billy Pegg | ... | production runner |
| Vicky Robinson | ... | production secretary |
| Dean Sipling | ... | production accountant |
