The remaining problems of AIDS and poverty in South Africa often overshadow the miracle that happened in the 1990's. This documentary shows you a different side of the story. Musicians of all kinds are shown, with interesting interviews and performances that are moving. I appreciated the way the filmmakers show a considerable amount of music but mix it in with personal narratives. It is fascinating to look at a time period that seems completely past but was so recent that all the involved parties are still alive. Even apartheid era police are interviewed. The musicians also range from charming older women speaking of decades ago to very popular musicians known worldwide. The film does seem to be a bit disorganized at times but it never loses your interest. Other movies about apartheid include Cry Freedom and Cry, the Beloved Country. For DMB fans, there is an interview of Dave Matthews on the DVD as he helped finance this movie.
10 Reviews
A Good Docy, But There Are Better
gemmarebeccafield7 April 2006
I rented this film a few days ago, its not something I was looking forward to watching, as its a documentary, a genre I don't generally enjoy watching, but after I had actually tried to make an effort to learn about my countries history, I cant say I regretted it. Amandla! takes you through the lives of several people, black and white, and their different views of Apartheid, an Afrikaaner Separatist movement which started in 1948, and only ended in 1994. this film shows us the mistake humanity has made, and what it has done to those involved. The picture is considerably less than perfect, but as it is a documentary, such a fault can easily be overlooked, and often the interviewees are hard to understand and I must admit, it is not in the same league as some other South African films like "Yesterday" and the Oscar winning "Tsotsi", but nevertheless, it is still something one should watch if you've seen the other two.The interviews, however difficult to here, make their subject's opinions very clear, some of which are actually rather alarming. Yet, I feel obligated by a patriotic spirit buried deeply in my brain, so I will give this film 6/10
How can an entire nation sing so beautifully?
bluheron116 May 2006
I know this is a minority opinion, and I think if I was South African I would have been very moved by the film. But I just did not understand the issues well enough or know the history and weight of the people interviewed, except for Miriam Mekeba and Hugh Masekela. The film would have worked better for me if it had provided more background and focus for an uninformed American. It certainly never answered the first question I had: how can an entire nation sing so beautifully in four-part harmony? It must have seemed so normal to the filmmakers that they never even noticed that question. But for me, in a world where very few non-professional people know how to sing harmony, it's a stumper.
Incredibly moving film
howard.schumann19 May 2003
For almost fifty years from 1948 to 1994, black citizens in South Africa were stripped of every basic human right while governments of the world pretended not to see. Systematically uprooted from their homes and moved into "townships", they were made to carry passbooks, arrested without provocation, tortured and randomly murdered. But while successive governments took away their freedom, they couldn't take away their songs or their desire for freedom. Today, while there are still problems, Blacks and Whites live together in a free South Africa. Amandla: A Revolution in Four-Part Harmony, an incredibly moving documentary by Lee Hirsch, pays tribute to the role played by protest songs in the non-violent revolution that brought an end to apartheid nine years ago. Amandla means power, and it's the power of the songs that helped to free the people. Hirsch, a young filmmaker from New York, spent nine years in South Africa gathering newsreel footage, video clips, old photos, and interviews with musicians and political activists to show how protest songs expressed the fight against oppression.
Winner of the Audience Award and the Freedom of Expression Award at the 2002 Sundance Film Festival, Amandla shows fifty years of South African history beginning with Prime Minister Verwoerd's announcing his racial segregation policy in 1948 describing it as "a policy of good-neighborliness." The film also shows footage of the Sharpeville massacre and the Soweto uprising, and the triumphant election of Nelson Mandela to the Presidency in 1994. Amandla begins with the exhumation from a pauper's grave of composer Vuyisile Mini whose protest anthems led to his hanging in 1964 and ends with his proper reburial fifty years later. It moves forward to depict how the songs communicated to the people in a way that political speeches could not, showing how different phases of the struggle brought forth different types of songs. For decades, songs such as Mini's "Beware Verwoerd", Vilakazi's "Meadowlands", the "Toyi-Toyi" chant and the uplifting "Mandela" by Hugh Masekela expressed the energy and purpose of the South African people and rallied followers to their cause.
In addition to the music, there are interviews with those that describe their experience of being imprisoned or were forced into exile. There are even interviews with White riot policeman and executioners, but the power of the film belongs to the music and powerful is an understatement. It is truly moving to watch 20,000 people sing in unison a song that has only one word Senzenina asking, "What have we done?" over and over, "What have we done?" It is worth the price of admission just to hear Sophie Mgcina singing Madam Please, a song written for black domestic workers that includes the lines " Madam, please, before you ask me if your children are fine/ Ask me when I lost all mine".
Amandla builds to a joyous climax with President Nelson Mandela singing Masekela's "Bring Him Back Home" before thousands of cheering admirers. It has been only nine years since freedom came to South Africa but many have only a distant memory of the years of oppression and conflict. Similar to movies about the holocaust, Amandla underscores the power of films to help us remember. Though it could be a little shorter or perhaps a little more focused, if you see one film this year, make it Amandla: A Revolution in Four Part Harmony. At the end, you may be short of Kleenex but filled with renewed hope for the human race.
Winner of the Audience Award and the Freedom of Expression Award at the 2002 Sundance Film Festival, Amandla shows fifty years of South African history beginning with Prime Minister Verwoerd's announcing his racial segregation policy in 1948 describing it as "a policy of good-neighborliness." The film also shows footage of the Sharpeville massacre and the Soweto uprising, and the triumphant election of Nelson Mandela to the Presidency in 1994. Amandla begins with the exhumation from a pauper's grave of composer Vuyisile Mini whose protest anthems led to his hanging in 1964 and ends with his proper reburial fifty years later. It moves forward to depict how the songs communicated to the people in a way that political speeches could not, showing how different phases of the struggle brought forth different types of songs. For decades, songs such as Mini's "Beware Verwoerd", Vilakazi's "Meadowlands", the "Toyi-Toyi" chant and the uplifting "Mandela" by Hugh Masekela expressed the energy and purpose of the South African people and rallied followers to their cause.
In addition to the music, there are interviews with those that describe their experience of being imprisoned or were forced into exile. There are even interviews with White riot policeman and executioners, but the power of the film belongs to the music and powerful is an understatement. It is truly moving to watch 20,000 people sing in unison a song that has only one word Senzenina asking, "What have we done?" over and over, "What have we done?" It is worth the price of admission just to hear Sophie Mgcina singing Madam Please, a song written for black domestic workers that includes the lines " Madam, please, before you ask me if your children are fine/ Ask me when I lost all mine".
Amandla builds to a joyous climax with President Nelson Mandela singing Masekela's "Bring Him Back Home" before thousands of cheering admirers. It has been only nine years since freedom came to South Africa but many have only a distant memory of the years of oppression and conflict. Similar to movies about the holocaust, Amandla underscores the power of films to help us remember. Though it could be a little shorter or perhaps a little more focused, if you see one film this year, make it Amandla: A Revolution in Four Part Harmony. At the end, you may be short of Kleenex but filled with renewed hope for the human race.
Exceptional Use of Song and how it Reflected The Struggle in South Africa
HoustonKing1 February 2003
Amandla! is one of the first documentaries about the fight against apartheid in South Africa. More importantly, it tells the story in a way that is inspirational, funny, factual and humanizes the struggle.
The film was the most decorated film at Sundance 2002, where it won the Audience Award for Documentaries and the Freedom of Expression Award.
I have seen it many times. Each time I try to hide the tears that well up in my eyes and control the pride I feel for knowing the people of South Africa. It is difficult to capture the warmth and dignity of the African people in the face of poverty and oppression but Amandla! succeeds.
Don't let your preconceptions of Africa last a day longer - go see this film and see the world is a little larger than you thought.
The film was the most decorated film at Sundance 2002, where it won the Audience Award for Documentaries and the Freedom of Expression Award.
I have seen it many times. Each time I try to hide the tears that well up in my eyes and control the pride I feel for knowing the people of South Africa. It is difficult to capture the warmth and dignity of the African people in the face of poverty and oppression but Amandla! succeeds.
Don't let your preconceptions of Africa last a day longer - go see this film and see the world is a little larger than you thought.
The True Story of The Black South African Struggle.
colinnz22 August 2004
The definitive documentary for illustrating the struggle of the black South Africans,as told through the eyes of the White prison guards and executioners, black activists & Musicians. Some of the straight forward comments from the black activists, remain embellished in my mind.
"The train was Africa's first tragedy" (highlighting the need for the large corporates to mobilise the cheap black labour)& "We were treated like s*** and we still never smashed the place up"(showing how much they loved their country) The way in which the townships and their matchbox houses were quickly erected, and then demolished so that the black labour could be moved on to the next corporate project,effectively explains how black labour is no more than a dispensable and renewable chattel, a sort of nomadic feudalism destroying any sense of community. And finally the music which puts to shame the commercialised manufactured dross we hear on today's radio, masquerading as Jazz & Blues.
The superb piece of music towards the end in the dark dingy club,where the female black singer with the haunting pitch delivers the names of those who died in the struggle,would moisten the eyes of the most hardened cynic.
Could the world be in for an explosive treat of Black South African roots, jazz, rhythm and blues music? I hope so.
"The train was Africa's first tragedy" (highlighting the need for the large corporates to mobilise the cheap black labour)& "We were treated like s*** and we still never smashed the place up"(showing how much they loved their country) The way in which the townships and their matchbox houses were quickly erected, and then demolished so that the black labour could be moved on to the next corporate project,effectively explains how black labour is no more than a dispensable and renewable chattel, a sort of nomadic feudalism destroying any sense of community. And finally the music which puts to shame the commercialised manufactured dross we hear on today's radio, masquerading as Jazz & Blues.
The superb piece of music towards the end in the dark dingy club,where the female black singer with the haunting pitch delivers the names of those who died in the struggle,would moisten the eyes of the most hardened cynic.
Could the world be in for an explosive treat of Black South African roots, jazz, rhythm and blues music? I hope so.
everyone should see this
lee_eisenberg17 July 2005
Sometimes, we seem to forget that apartheid was only eliminated in 1994. "Amandla! A Revolution In Four Part Harmony" tells of how the black South Africans used music to help them overcome the Draconian oppression installed by the white population. Naturally, we get to hear from Nelson Mandela, Winnie Mandela, and Miriam Makeba, but also from ordinary people, and how they individually used music. One of the most chilling scenes was the footage of Hendrik Verwoerd, who was prime minister of South Africa from 1958 until his assassination in 1966. He said in the interview something to the effect of: "People have misunderstood apartheid. It's really a policy of good-neighborliness." As you might imagine, the black population had plenty to say (and sing) about him.
I actually used this documentary as one of the sources in a paper that I wrote for an assignment in German class in Lewis & Clark College in spring, 2004. I had watched the documentary in a class called Introduction to World Music. In the German class, we were talking about various aspects of the Third Reich. I explained in the paper that apartheid's policies were basically the same as the Third Reich. I made double sure to cite the interview with Hendrik Verwoerd to show just how vile these people were.
I actually used this documentary as one of the sources in a paper that I wrote for an assignment in German class in Lewis & Clark College in spring, 2004. I had watched the documentary in a class called Introduction to World Music. In the German class, we were talking about various aspects of the Third Reich. I explained in the paper that apartheid's policies were basically the same as the Third Reich. I made double sure to cite the interview with Hendrik Verwoerd to show just how vile these people were.
An inspiring look at music as a catalyst for change
Swangirl28 April 2003
"Amandla! A Revolution in Four-Part Harmony" is a documentary that is riveting and educational, uplifting and heartbreaking. The contrasts are all laid bare in this project, making it a worthwhile film to watch.
The focal point of the documentary is the role music played in the lives of South Africans as they endured and overcame the Apartheid movement. Director Leon Hirsch interviews a number of singers, composers, DJs and freedom fighters, young and old. He follows the history of Apartheid by tracing the music that came out of the struggle and what happened to those who created it.
I think what grabbed me was how much of a role music plays in great periods of change. It was also a driving force of African-Americans in the U.S. who were fighting segregation during the 60s. The spirituals that buoyed them share a similar history to those songs sung in South Africa.
The music chosen was a wonderful collection I want to hear again. I also enjoyed seeing the laughter of many of the singers as they looked at old photographs, remembering younger days.
I also liked that Hirsch interviewed a white freedom fighter who was sent to Pretoria prison for several years. His interviews with the white Afrikkaners who formerly worked as riot police and jailers are chilling but necessary.
My hope is that more Americans will see this film so they fully realize the scope of Apartheid in South Africa and what a triumph it was to see it overturned. Was it really 1994 when black South Africans were finally allowed to vote? It breaks my heart.
As a teenager in the 80s, I knew hardly anything about Apartheid. This film did a good job in changing that.
The focal point of the documentary is the role music played in the lives of South Africans as they endured and overcame the Apartheid movement. Director Leon Hirsch interviews a number of singers, composers, DJs and freedom fighters, young and old. He follows the history of Apartheid by tracing the music that came out of the struggle and what happened to those who created it.
I think what grabbed me was how much of a role music plays in great periods of change. It was also a driving force of African-Americans in the U.S. who were fighting segregation during the 60s. The spirituals that buoyed them share a similar history to those songs sung in South Africa.
The music chosen was a wonderful collection I want to hear again. I also enjoyed seeing the laughter of many of the singers as they looked at old photographs, remembering younger days.
I also liked that Hirsch interviewed a white freedom fighter who was sent to Pretoria prison for several years. His interviews with the white Afrikkaners who formerly worked as riot police and jailers are chilling but necessary.
My hope is that more Americans will see this film so they fully realize the scope of Apartheid in South Africa and what a triumph it was to see it overturned. Was it really 1994 when black South Africans were finally allowed to vote? It breaks my heart.
As a teenager in the 80s, I knew hardly anything about Apartheid. This film did a good job in changing that.
AMANDLA! is a must see piece of film making.
juan_dollapotz6 August 2003
An excellent blend of archival footage/music and interviews to impart a powerful message and involving film. Lee Hirsch and his team have done an amazing job in cataloging the music and passion of the freedom movement in South Africa during apartheid. Whether one is a fan of music, a documentary enthusiast, has an interest in the anti-apartheid movement or in post colonial Africa, AMANDLA! is a must see piece of film making.
The music... is as powerful a force...
dlfarthing21 April 2003
The music of "Amandla! A Revolution in Four-Part Harmony" is as powerful a force for the South African revolution, as Lucas would have us believe it is for the Jedi.
For our time, it also provides a near view of slavery. Thus, this motion picture is a must see not only for people of color, it is such for all the people to see. DLF
For our time, it also provides a near view of slavery. Thus, this motion picture is a must see not only for people of color, it is such for all the people to see. DLF
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