Directed by
| Ted Emery | ||
Writing Credits (in alphabetical order)
| Andrew Jones | ... | (written by) |
| Rick Kalowski | ... | (written by) |
Cast (in credits order)
Produced by
| Barbara Gibbs | ... | line producer |
| Rick Kalowski | ... | associate producer |
| Emile Sherman | ... | producer |
| Jonathan Shteinman | ... | producer |
Music by
| Paul Robert Burton | ||
| Jim Conway | ||
| Arne Hanna | ||
Cinematography by
| David Foreman | ||
Editing by
| Stephen Evans | ||
Casting By
| Gregory Apps | ||
Production Design by
| Rita Zanchetta | ||
Art Direction by
| Penny Southgate | ||
| Sarah Stollman | ||
Set Decoration by
| Toni McCutcheon | ... | (as Toni Forsyth) |
Costume Design by
| Anita Seiler | ||
Makeup Department
| Penny Armstrong | ... | assistant hair makeup |
| Tracy Phillpot | ... | hair stylist / makeup artist |
Production Management
| Harry Avramidis | ... | post-production supervisor |
| Barbara Gibbs | ... | production manager |
| Michael Gill | ... | unit manager |
| Claire Walsh | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Rick Kalowski | ... | second unit director: Canberra |
| Rebecca Summerton | ... | third assistant director |
| Pauline Walker | ... | first assistant director |
| Shane Warren | ... | second assistant director |
Art Department
| Karen Hannaford | ... | set dec assistant |
| Kylie Lawson | ... | scenic painter |
| Yuri Poetzl | ... | stand-by props |
Sound Department
| Michael Carden | ... | sound effects editor |
| Robert 'Gotch' Cutcher | ... | boom operator |
| Bruce Emery | ... | dolby consultant |
| Toivo Lember | ... | sound recordist |
| Frank Lipson | ... | sound designer |
| Adrian Medhurst | ... | foley artist |
| John Simpson | ... | foley artist |
| Pete Smith | ... | re-recording mixer (as Peter D. Smith) |
Visual Effects by
| Rebecca Dunn | ... | digital compositor |
| Sandeep Vengsarkar | ... | digital compositor |
Stunts
| Jennifer Bichard | ... | safety supervisor |
Camera and Electrical Department
| Rodney Bolton | ... | camera operator / director of photography: second unit |
| Amy Gebhardt | ... | focus puller |
| Peter Giuliani | ... | lighting technician |
| Peter Itsines | ... | tracking vehicle grip |
| Brendan Madden | ... | best boy |
| Robin Morgan | ... | grip (as Robbie Morgan) / key grip |
| Matt Nettheim | ... | still photographer (as Matthew Nettheim) |
| Richard Rees-Jones | ... | gaffer |
| Dan Sandford | ... | grip |
| Michael Steel | ... | clapper loader |
Casting Department
| Julie Lewington | ... | casting |
Costume and Wardrobe Department
| Heather Wallace | ... | stand-by wardrobe |
Location Management
| Sarah Abbey | ... | location manager |
| Mark Evans | ... | location manager |
Music Department
| Christo Curtis | ... | music mix engineer |
| Michaela Kalowski | ... | music clearance supervisor |
| Andrew Kotatko | ... | music consultant (uncredited) |
Script and Continuity Department
| John Alsop | ... | script editor |
| Ted Emery | ... | script editor |
| Trudi Gardner | ... | script supervisor (as Trudi McNeil Gardner) |
| Mark Lazarus | ... | script editor |
Additional Crew
| Sally Clarke | ... | production coordinator |
| Michaela Kalowski | ... | business affairs: Ocean Pictures |
| Mark Kraus | ... | production accountant |
| Steve Marcus | ... | caterer |
| Anna Vincent | ... | electronic press kit |
| Deborah Wilde | ... | production accountant |
Thanks
| Steve Blackburn | ... | thanks |
| Stephen Luby | ... | thanks |
| Mark Ruse | ... | thanks |
