American Adobo (2001) User Reviews

Do You Want an Honest Critique, or False Praise?

[johnknox · 4/10 · 19 August 2003]

... because all I offer is honesty here, folks.

I saw this with my wife and friends (and before you ask, she and they are Filipino). Afterwards, as we went home we were... laughing. Not at any of the funny parts. At the over-acting, at the storyline (the lead actress ends up with an Anglo fireman after years of self-imposed virginal solitude), at the gay subplot that could have actually made a better fim on its own. I really didn't care about the other characters at all, and oddly enough the only other white character was a Pinoy stereotype of American women (it's hard to take a film like this seriously when they can't even overcome the things they claim to find offensive in U.S. films).

Having seen my share of Regal and Viva films, I'd say that while the production values were better than usual the director can't overcome the bad acting or maybe his own style of directing.

Personally, I'd have preferred watching Ricky Davao shoot guys in the shoulder...

Somebody should remake "Kabayo Kids" or something like that, gearing it to both Anglo and Pinoy audiences if they want to break in here.

Oh, the film does have one good moment that I recall; one of the guests is admonished for speaking Tagalog in front of thier non-Pinoy guests. That hit home. I happens more often then they want to admit, and they never want to admit it's rude, especially since they know English.

I'd give it a 4 out of 10. Maybe worth a rental, if only to compare notes with future Fil-Am films.

wheres the food

[pltiwalu · 5/10 · 4 January 2007]

if this was written by Richard Curtis ( four weddings and a funeral. Notting Hill ), it might made a better film. Although most of the conversations were made round the table, they might have been eating fish and chips. If your a Filipino watching the film, you have an idea what food would be served, but what about us non Filipino?.

The film does not show the Filipino in a good light. The single man treats women like dirt ( is that why most Filipino women leave their country to become domestic helpers ) The good looking woman chooses a man, who is not in the same league as her. The married man works and his children are dreadful and his wife is a cow (reminds us that somethings don't change ). The gay and the virgin are the only normal people??? Is that representative of the Filipino abroad? Anyway the acting was good, and with a little more thought to the script, the film could have been more than average.

American Adobo was Filipino Film for an American Audience

[RSoldevillaO · 4/10 · 28 February 2006]

I apologize if this critique is quite harsh, but I think American Adobo actually set back the progress that filipino influenced films could have had in the United States. This came out in California months after another Fil-Am film, The Debut arrived in Los Angeles. If it had any semblance of success in the US, it was likely because people were still hyped by the previous film, and did not realize that American Adobo was produced by Philippine filmmakers. As a result, the film came across as "too long", "overly dramatic", "difficult to follow", and "unbelievable story lines for drama". One must first look at Philippine culture to realize that in the Archipelago, there is a tendency to believe that "more is better". THis is manifested in the length of Philippine speeches, concerts, or recognition in any form. From the gay addition involving a son flying back to the Philippines to retrieve inadvertently sent photographs, to the eternally single "old maid" who married the fireman who saved her life after she trashed her apartment, the story lines are incomplete, dragging, and with the multiple plots make for a very confusing follow.

However, there are parts that Americans will find funny simply because they are Philippine farce, and as such make absolutely no sense. For example, a female character gets so frustrated at a Mah Jong game, that she goes on a "roid rage", which in turn results in everyone leaving the house.

FIlipinos who observe gay culture in their media would be delighted to see Christopher de Leon engage in an on screen kiss with another character in the movie.

Nice Touch of Fil-Am Character Portrayals Along With Food!

[johnerickrubis · 23 June 2003]

Before I'd go on with anything I have to say, I would like to comment on the title of the movie. There could've been a better one used instead of being it called "American Adobo." That's the worst thing to have refer it as while the "American Pie" series were so immensely huge and popular during the course of the time. A catchy title (minus the "American" to start off on the title) could've been such an improvement. So when one hears of "American Adobo", he or she would say, "That's a copycat of American Pie." The title should've been called: "Life Like A Good Tasting Lumpia" or "Appetizer, Main Course,& Dessert." Regarding the storyline itself, it seems to stick itself well on the individuals living their own ways of the filipino-american life in America. There are the joys and the pains. Here's an insight to the characters and what they are facing:(1)Tere (Cherry Ann Picache)is a 40 something year old accountant yearning for love, feeling insecure at times when she is trying hard to find that. (2) Mike (Christopher DeLeon):is another 40 year old, but is a news editor who seems to have problems coping with his wife and his daughter (as his son out of the three, respects him). (3) Gerry (Ricky Davao)is a homosexual who is facing a struggle to tell his mom the truth about himself and the love of his life - a man named Chris. (4) Marissa (Dina Bonnevie)is the loquacious socialite who would talk about anyone and anything, but is very insecure when it comes to her boyfriend falling in love with other women. (5) And lastly, is Raul (Paolo Montalban) -- the total filipino-american "pimp daddy and player" who somehow finds a way to score big with beautiful, gorgeous women but has no true feelings for them. Interesting aren't they? Each one will face the sudden changes, struggles, and pains affecting their lives during the course of one year in New York. The characters are all unique and provides depth on each situation at hand. Though they face the uncertainties, there's always the joy that follows them, especially when they go eat together and reflect deeply allowing themselves to be courageous and speak out on their dilemmas. I can't speak furthermore on the movie itself so rent/purchase the video today! It's really worth it. Add the food with the movie and it's a fair blend altogether. There's so much to learn from this movie in all different perspectives and point of views. Some can call this 'O.A.' (filipinos would say 'OVER ACTING'), not real, or weak. It's just a movie, folks. If you wanna watch it, then go for it. If you hate it, then don't watch it. But it'll be one of many that will soon be as iconic (along with another fil-am movie "The Debut") in the near future for it's filipino-american themes. American Adobo provides a fair mix of comedy and drama all in itself thanks in largely to the characters and the filipino food served right in front of them. It makes you want to have dinner with them, too. I'm sure you all will agree.

GOD AWFUL!!!!

[joycesp · 1/10 · 28 January 2004]

Made me embarrassed to be Filipino. Oversentimental, disconnected, melodramatic drivel that plays on what some people think of as Filipino stereotypes, perpetuates them, and then attempts to put them together in one group setting. The acting is bad, the writing is bad -so do yourself a favor and save your rental fees.

VERY Bad Filipino Melodrama Movie

[b_u_t_f_l · 1/10 · 6 February 2002]

SPOILER AHEAD----------SPOILER AHEAD-------SPOILER AHEAD-

I have classified this into 3 categories: BAD, BAD, acting by the ensemble cast, flat dialogue by Vincent R. Nebrida or the godawful direction by Laurice Guillen. This movie is a very poor copycat of their Asian counterpart, Man-Woman-Eat-Drink, but this one stinks-BIG TIME!

Starts with a woman who cooks (adobo - a Filipino dish) and looks out the window, while she narrates the opening spiel of the movie -- all to the tune of some funny yet wanting to sound mystifying music that continues throughout the movie-it was irritating!

"American Adobo" is a story about five Filipino best friends as they look for love in New York City. One character is gay (Davao), another is a soon to be old-mail (Picache-the only saving grace of this movie), the third one is a good-looking but shallow womanizer (Montalban), the fourth is an overacting socialite who doesn't know what the meaning of self worth (Bonnevie-too shallow acting, more shrills, shouts, very bad acting), the 5th one is an unhappily married guy (DeLeon). To top the already boring & too much hyped characterization, however dense, don't be surprised when the gay character tearfully reveals that he's been in love with the unhappily married guy for the longest time. Near the end of the film, the cook accidentally sets her apartment on fire and then falls in love with the firemen who saves her, the gay man accidentally mixes up letters to his lover and mother, thus he has to fly back to the Philippines to retrieve the letter containing sexy pics of him and his lover and before his mother finds out - WHEW!!! That is just to name the many senseless scenes in this movie. And why was the movie named American Adobo? If it is a metaphor of sorts, then it failed miserably to put forth the message it wants to convey.

Watching this movie makes you want to drink a whole bottle of Maalox for your upset stomach after tasting that concoction named adobo.

Another feast of culture without the spice

[Polaris_DiB · 3/10 · 31 October 2008]

Here's another culture-inspired indie movie about Filipinos that, well, laugh, love, make food, talk about social issues of being Filipino-Americans, and get all heartbroken and stuff. While I don't mind any of that (and indeed was willing to watch this movie), still, I found the characters to be weak and mostly fall into type. The range includes the activist sell-out, closet gay man, womanizer, neurotic old-maid, and unhappy society woman. Of these characters, the only one even remotely interesting is the womanizer because he at least seems like he has a backbone. The rest come up with the most contrived and unproductive reasons to make themselves unhappy so that they can hide their individual nature behind discussions about Filipino culture, which if you think about it isn't a very valuable way to approach it.

I don't know how big the Filipino-American market for this movie is--considering a certain line of dialog, probably not that big and with much worse movies. I found the better parts of this movie were the parts that actually engaged with the characters' culture instead of using it as an excuse to get all sappy, and I actually rather enjoyed the way the dialog went back and forth between Filipino and English almost breathlessly. I would like to see someone take that way of delivering dialog and make a better, more fleshed out movie about it. This one suffered too much from clinging to recognizable types.

--PolarisDiB

The story is kind of predictable, but pretty tight for an ensemble.

[manilafoodcrawl · 7/10 · 20 January 2017]

American Adobo is a serviceable attempt at creating an insightful food- themed film in the tradition of Eat Drink Man Woman and other successful Asian food movies.

The movie is a comedy, but no Filipino flick is complete without anyone shedding a tear or going hysterical. So expect hefty servings of good old Pinoy-style melodrama.

Overall, American Adobo is not without its flaws. But it definitely has a lot of heart.

Read more here: https://manilafoodcrawl.com/2017/01/19/pinoy-food- movie-of-the-week-american-adobo-2001/

Wow,...for once I am the only one who LIKED a movie!!

[planktonrules · 7/10 · 18 May 2008]

This movie centers on a group of Philippine-Americans who meet for dinner (adobo-style cooking). Each in the group is having relationship problems and the film follows them as they each come to a turning point in their love lives.

I have reviewed something like a bazillion movies on IMDb and I noticed a long time ago that I tend to rate films a little harsher than average. Because of this, I tend to get much more than my fair share of "not helpful" votes. Despite this, I continue being a somewhat harsh critic since I don't review films to make friends. However, this film is a rare case where all the reviews are far harsher and the overall rating far lower than I'd give the film. It makes me start to wonder if I was wrong in liking this film....well, no it doesn't.

Now I could understand someone not liking this movie for a few reasons. First, this movie starts off very slowly and it's hard to like it during the first half hour or so. Heck, I considered turning it off--mostly because so many of the characters are unlikable and this is a SERIOUS problem for this style of film. Second, there is an awful lot of nudity, very strong language and adult content--again, some of this (particularly the language) seemed inappropriate for this type of movie.

When I say "this type of movie", I mean an ethnic slice of life film--much like EAT, DRINK, MAN, WOMAN or DOUBLE HAPPINESS or BOLLYWOOD/Hollywood. The sort of movies that may make excellent date films or family films. However, I really couldn't see showing this to my kids even though they are teens--it's just got too many boobs and the dreaded F-word by the scores.

Now if you can look past the harshness of the film, it does get a lot better and fortunately some of the less likable characters do improve as the film continues. However, I do agree with one of the reviews that felt a couple of the better subplots alone might have made a better film. The story of the spinster and the gay man were very compelling and touching. The rest, unfortunately, are harder to enjoy since the characters are pretty selfish.

However, I am a sucker for films like this because they emphasize story and people. Now I can't accurately know what the Filipino experience is like--so how close they actually got to realistic characters is a bit of a mystery to me. But I liked the writing and story and for the life of me I cannot understand why it's rated THAT low. Oh well, to each his or her own.

it's good but overcooked

[lord_of_the_movies · 28 January 2002]

I have heard so many good reviews about this film, for me basically the movie is about, how do Filipinos adapt to a very different place. The film entails a lot of challenges in life one has to face especially if not in his homeland. The story is light, sad moments were not so sad, and funny moments were not so funny.

One thing though, the film tends to over explain things, this would have done better. It is one of those movies that equates food into the story, this time i have hardly seen the connection, it did not show up to the mainstream of the movie.

The characters did perform well, though some parts wherein they were acting unnaturally. The script is very light.

Ricky Davao,I should say did very well in the movie, he deserves to be in the list of best actors in the Philippines.

American Adobo tastes good,but it's overcooked. 5/10

Subtext? Where was it?

[SlantedElbow · 19 March 2002]

As a Filipino American filmmaker, I was excited to sit and watch a film about Filipinos. What I got was. a film about Filipinos from filmmakers who seem to think that 'we' are not intelligent human beings.

Who was this film made for? Americans? Filipinos? Everyone? I'm not saying the characters were non-intelligent, but the way the story was told seemed like it was told to those who wouldn't get it.

Subtext? Where was it?

If this was a film made for American's then I'm embarrassed at the representation. Not the representation as far as character and story, but the representation as far as Filipino filmmakers and their work.

If this was a film made for Filipinos, then I'd have to ask. are we this dumb that you have to over explain things?

As user, `mhark villaruz' states, `the film tends to over explain things'. That was a huge complaint of mine which I posed to another Filipino director. He argued that maybe that is how Filipinos really are. They wear their emotion on their sleeve and nothing is left to subtext.

Okay, I can buy that, but that is not what filmmaking and solid story telling is all about. Is it? My argument was that the non-subtextual style of characters was an insult to us as intellectual viewers. Again, why over explain things?

The performers could only do so much based on a script and a director directing them. So here are a few things that stand out.

-Was it kinda `stagey'? Cheating to the camera is one thing, but playing to the camera as Marissa (Bonnevie) did in the break up scene was just so. well, `stagey'! (that was just one of many)

-Who knew Gerry (Davao) was gonna kiss Mike (De Leon)? Was that just so fricken' obvious? That didn't come out of nowhere but it could have. And if it did, it would have been a very dramatic moment. And what does it say about Davao's character, who we rooted for, when he was so in love with a man dying of AIDS? He just cheated on his life long partner at the END of the movie!!!

If the film was structurally sound, the archs would have been more convincing.

The 'kiss' and Tere's (Picache) breakdown, for example, could have all been structured as a midpoint sequence. It would have been interesting to watch their lives play out for the whole second act after that. Then we could see rewards for what they went through at the VERY end: Gerry possibly coming to terms with his mother and Mike, or Tere finding the love of her dreams, etc. etc. etc.

Overall, the film was able to portray life here (America) as Filipino Americans and some of the cultures: The party where people were dancing in the b.g. (where was the pig on the table?), the American/Filipino language, the rich bitch, the political angst, the hardships, and the results of labor.

But it lacked in direction, story and style.

What got it made? Here's your answer: PASSION.

PASSION - the number one lesson from this film for future or current filmmakers!