Irréversible (2002)

Director:

Gaspar Noé

Writer:

Gaspar Noé (writer)

Release Date:

22 May 2002 (France)

Genre:

Crime | Drama | Mystery | Thriller

Tagline:

Le temps détruit tout - Time destroys everything

Plot:

Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the...

Plot Keywords:

Menace | Rape | Female Nudity | Photograph | Hardcore Techno

Awards:

2 wins & 5 nominations

Cast

Monica Bellucci	...	Alex
Vincent Cassel	...	Marcus
Albert Dupontel	...	Pierre
Jo Prestia	...	Le Tenia
Philippe Nahon	...	Philippe
Stéphane Drouot	...	Stéphane
Jean-Louis Costes	...	Fistman
Michel Gondoin	...	Mick
Mourad Khima	...	Mourad
Hellal	...	Layde
Nato	...	Commissaire
Fesche	...	Chauffeur Taxi
Jara-Millo	...	Concha
Le Quellec	...	Inspecteur
Giami	...	Isabelle

Runtime:

97 min | Canada:99 min (Toronto International Film Festival)

Country:

France

Language:

French | Spanish | Italian | English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Canada:R (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Portugal:M/18 | Iceland:16 | Canada:18+ (Québec) | Argentina:18 | Brazil:18 | Peru:18 | Australia:R | Austria:18 | Denmark:15 | Finland:K-18 | France:-16 | Germany:18 | Hong Kong:III (cut) | Ireland:18 | Italy:VM18 | Japan:R-18 | Netherlands:16 | New Zealand:(Banned) (video rating) | New Zealand:R18 (film festival rating) | Norway:18 | Singapore:R(A) (original rating) | Singapore:R21 (re-rating) | South Korea:18 (cut) | Spain:18 | UK:18

Filming Locations:

Buttes Chaumont, Paris 19, Paris, France

Company:

120 Films

Trivia:

The entire story is told backwards which means that each sequence starts at that moment where the next sequence in the film ends.

Goofs:

When Alex rolls over onto her back while lying in bed with Marcus, a pillow beside her head is pulled out of the lower left frame, clearly by some crew member, so as not to obscure her face.

Quotes:

[On getting revenge for Alex]
Mourad: This is a man's business. No pussies allowed.

Movie Connections:

References Possession (1981)

Soundtrack:

Symphony No 7 in A Major op. 92

Hits you in the face like a ten ton hammer!

Holy Macaroni! Believe the hype, folks...this really IS one of the most shocking, confronting and raw movies ever made! It actually is one of those rare purchases that makes you wonder what the role of cinema is in modern society. Irréversible certainly can't be classified as 'entertainment', that's for sure. It merely looks like a brutal eye-opener, highly unpleasant to watch at times and it sometimes makes you even feel ashamed to be human! Some of the stuff here goes beyond your most feared nightmares and could easily provoke depression, anti-social behavior and anxiety among influential viewers. It's real-life drama and that makes it so powerful and shocking. Irréversible is told backwards, 'Memento'-style if you wish...only it's a lot more effective here as it was in Memento, which actually was a pretty boring and extremely overrated movie. This very simple backwards-structure aspect gives Irréversible the opportunity to implement a couple of unique and rarely seen style elements. The first half hour (which actually is the end of the story) smacks you in the face right away sets the tone for a non-stop, raw experience. Also, you don't really get to know the characters until the last chapter (which is actually the beginning of the film) The characters are a riddle to you constantly and you can't symphatise with any of them, since you just know too little. Through wild camera movements and simplistic techno-music, a claustrophobic and horrifying atmosphere gets created and the violence is really hard to digest. The infamous scene in which Monica Belluci brutally gets raped is one of the most perverted things I've ever seen. It seems to go on forever and you can really visiualise the painful hell the poor girl is going through. I'd call Irréversible a successful combination of ancient, rough exploitation and modern art-house film-making. The brutality portrayed here is typical for the euro-shock cinema but the stylish shooting lifts it up to Cannes Festival material. Cult as pure as it comes!