Directed by
Michael A. Goorjian |
Writing Credits
Michael A. Goorjian | ||
Ron Marasco | ||
Chris Horvath | ||
Tressa DiFiglia |
Cast (in credits order)
Produced by
Judi Bell | ... | line producer |
Rick Bieber | ... | executive producer |
Jules Bruff | ... | associate producer |
James C.E. Burke | ... | executive producer / producer |
Scott Disharoon | ... | executive producer / producer |
Daniel Fried | ... | executive producer |
Chris Miller | ... | post-production producer: Visionbox Media Group |
Anahid Nazarian | ... | producer |
Kevin Weisman | ... | producer |
Music by
Chris Ferreira |
Cinematography by
Robert Humphreys |
Editing by
Laurent Wassmer |
Production Design by
Lisa Clark |
Art Direction by
Peter Mayer | ||
Joe Schlick |
Set Decoration by
Jim Edelhauser |
Costume Design by
Mellisa Glass |
Makeup Department
Francie Paull | ... | key makeup artist |
Production Management
Suzanne C. Geiger | ... | production manager (as Suzanne Geiger) |
Christopher James Hall | ... | unit production manager |
Angela Mixan | ... | production manager |
Second Unit Director or Assistant Director
Kevin A. Freeman | ... | second assistant director |
Michael Jordan | ... | first assistant director |
Dan Studney | ... | first assistant director |
Art Department
Peter Mayer | ... | property master |
Miré Molnar | ... | set dresser |
Gary-Paul Prince | ... | artist: Mortimer Malalatete's paintings |
Steven Radamaker | ... | construction coordinator |
Michael Westerman | ... | set dresser |
Sound Department
Randy Babajtis | ... | sound effects editor |
Jeremy Balko | ... | foley recordist |
Evan T. Chen | ... | dialogue editor |
Brian Copenhagen | ... | production sound mixer |
Alan Freedman | ... | adr mixer |
Jerry Gilbert | ... | re-recording mixer |
Scott Hinkley | ... | post-production sound recordist |
Akritchalerm Kalayanamitr | ... | boom operator (as Akrit Chaya-ngam) |
Mark Lanza | ... | sound editor |
Jonathan Miller | ... | supervising sound editor |
Susan Pusateri | ... | foley artist (as Sue Pusateri) |
Jonathan Wales | ... | re-recording mixer |
Visual Effects by
Shelly Dutcher | ... | visual effects |
Camera and Electrical Department
Rebecca Bauscher | ... | still photographer |
Scott Beardslee | ... | gaffer |
Joe H. Bourguignon | ... | electrician (as Joe Bourguignon) |
Ben Herlth | ... | grip |
Tim Kerns | ... | a camera/stedicam operator |
Andre Lascaris | ... | gaffer |
Art Matthews | ... | electrician |
Andrea Miraglia | ... | assistant camera |
Rob Muthamia | ... | first assistant camera |
John M. Perry | ... | best boy |
John Schweitzer | ... | chief lighting technician |
Carlo Silvio | ... | video assist operator |
Todd Stoneman | ... | key grip |
Deron Tse | ... | additional best boy electric |
Fante Zamora | ... | dolly grip / grip |
Casting Department
Shannon K. Dunn | ... | extras casting (as Shannon Dunn) |
Costume and Wardrobe Department
Kerry Moynahan | ... | wardrobe |
Mark Saladino | ... | key costumer |
Editorial Department
Chad Cole | ... | on-line editor |
Jonathan Miller | ... | post-production coordinator |
Bruno Racineux | ... | assistant editor |
Location Management
Gary DeGalla | ... | location manager (as Gary De Galla) |
Heather Kilness | ... | key locations assistant |
Steven Radamaker | ... | location manager |
Music Department
Jonathan Wales | ... | scoring mixer |
Script and Continuity Department
Ray Felipe | ... | script analyst |
Maureen Tuohy | ... | script supervisor |
Additional Crew
Dawn Angel | ... | production assistant |
Laura Evans | ... | executive: Entitled Entertainment (as Laura Citrano) |
Christian Hartsock | ... | production assistant |
Robb Hedges | ... | production coordinator |
Marlon Maloney | ... | production assistant |
Kerry Moynahan | ... | craft service |
Bill Newcomb | ... | assistant: Mr. Miller |
Eric Remedios | ... | production assistant |
Randy Weiss | ... | assistant: Mr. Manulis |
Ami Zins | ... | film commissioner |
Andrea Mia | ... | worldwide sales agent (uncredited) |
Thanks
Patty Casby | ... | special thanks |
Markus G. Kaeppeli | ... | special thanks |