Directed by
Martin J. Dignard | ||
William Reeve |
Writing Credits (in alphabetical order)
Georges-Hébert Germain | ||
David Homel |
Cast
Adamie Quasiak Inukpuk | ... | Self | |
Shelagh Rogers | ... | Narrator (voice) |
Produced by
Martin J. Dignard | ... | producer |
Desiree Edmar | ... | executive producer |
James Lahti | ... | associate producer |
Steven Morris | ... | co-executive producer |
André Picard | ... | executive producer |
Music by
Violaine Corradi |
Cinematography by
David De Volpi | ... | director of photography |
Dominique Gentil | ... | director of photography |
William Reeve | ... | director of photography |
Editing by
James Lahti |
Production Management
Brian Black | ... | unit manager |
Pierre Thériault | ... | post-production supervisor |
Sound Department
Michel B. Bordeleau | ... | supervising sound editor |
Louis Collin | ... | sound effects editor |
Ed Douglas | ... | sound effects editor |
Gavin Fernandes | ... | re-recording mixer |
Marc Gagnon | ... | sound effects editor |
Leon Johnson | ... | production sound mixer |
Yannick Lemieux | ... | sound assistant |
Andy Malcolm | ... | foley artist |
Christopher Miller | ... | assistant sound editor |
Mireille Morin | ... | sound effects editor |
Peter Thillaye | ... | supervising sound editor |
Visual Effects by
Mathieu Boucher | ... | digital artist |
Pierre Couture | ... | visual effects producer |
Alain Lachance | ... | digital compositor |
Danny Levesque | ... | digital artist |
Jami Levesque | ... | systems (uncredited) |
Camera and Electrical Department
Claude Fortin | ... | key grip |
Dylan Reade | ... | assistant camera |
Daniel Schwartzberg | ... | best boy lighting |
Christopher Tate | ... | IMAX camera tech |
Additional Crew
Paulina Abarca-Cantin | ... | production secretary (as Paulina B. Abarca) |
Christine B. Picard | ... | production coordinator |