The 1952 animated version by Soyuzmultfilm personally is superior, but both do justice to such a great story. The special effects here are not mind-blowing, sometimes a little crude. The film is very fairy-tale-like in its detail and atmosphere, it is lovely to look at and the colours are appropriately moody with striking colour tinges. The music is both ethereal and haunting, while the writing is never too sophisticated or childish, if anything it's gentle with a good sense of mood conveyed. The story is simple and leisurely and for the better, fairy-tales are better adapted like that in my opinion, contrary to what's been said before there is a sense of mystery and magic here though more convincing in the 1952 animated version. The ending is very heartfelt. The acting is noble, generally natural and not too theatrical, while the direction is solid and doesn't allow the storytelling to get too limp. In conclusion, not quite as good as the 1952 animation but lovely still. 8/10 Bethany Cox
5 Reviews
Stylish, moody, gentle - I enjoyed it
suchenwi5 March 2010
Warning: Spoilers
This film came as extra with yesterday's SuperIllu magazine. (East German DEFA dub, "Die feuerrote Blume"). I read Hazel's not so positive comment before buying it, and wondered whether I was in for a disappointment. I wasn't.
Although rated for ages 0 and up, I'm not sure whether young children will enjoy this - it's not very action-packed, and the Beauty & the Beast story is presented at a leisurely pace, quite subtly, often lingering on details.
Not so subtle is the color editing, where about half the scenes are strongly tinted in yellow, blue, or red - sometimes to a degree that reminded me of colorized b&w films. But I wasn't let down by that - colors just added to the mood representation in my opinion, and especially the yellowish once were fascinating. This is a fantasy movie most of all.
The music added to the style, too - from Russian folk songs to cembalo pieces. An interesting mix, and often enjoyable.
Directed by a woman, the plot might be summarized most briefly as the struggle of two women (the bitter sorceress and the idealistic girl) for one man: the Beast/prince. It is a fairy tale after all. In the end, girl gets boy, and they might even live happily ever after. But at hardly any time did I find this film childish. In fact, I'd rate it quite high among the (roughly 10) Soviet "fairy tale" movies I've seen, though each has its strong points. And finally, thanks to SuperIllu for delivering one old-time socialist movie every first Thursday of the month :^)
Although rated for ages 0 and up, I'm not sure whether young children will enjoy this - it's not very action-packed, and the Beauty & the Beast story is presented at a leisurely pace, quite subtly, often lingering on details.
Not so subtle is the color editing, where about half the scenes are strongly tinted in yellow, blue, or red - sometimes to a degree that reminded me of colorized b&w films. But I wasn't let down by that - colors just added to the mood representation in my opinion, and especially the yellowish once were fascinating. This is a fantasy movie most of all.
The music added to the style, too - from Russian folk songs to cembalo pieces. An interesting mix, and often enjoyable.
Directed by a woman, the plot might be summarized most briefly as the struggle of two women (the bitter sorceress and the idealistic girl) for one man: the Beast/prince. It is a fairy tale after all. In the end, girl gets boy, and they might even live happily ever after. But at hardly any time did I find this film childish. In fact, I'd rate it quite high among the (roughly 10) Soviet "fairy tale" movies I've seen, though each has its strong points. And finally, thanks to SuperIllu for delivering one old-time socialist movie every first Thursday of the month :^)
Scarlet Diva.
morrison-dylan-fan5 February 2018
Warning: Spoilers
With my 31st birthday coming up on February 9th I started gathering up movies that I've been saving to view. Recently being in the mood to see a Fantasy film,I found fellow IMDber Red-Barracuda's review of a title from the Soviet Union to be very interesting, which led to me pulling a scarlet flower out of the ground.
View on the film:
Weaving the fairy tale in a fittingly swift 65 minutes, director Irina Povolotskaya, cinematographer Aleksandr Antipenko and special effects duo Leonid Akimov & L. Miatshin conjure up outstanding practical effects,from the glowing,red ruby hue of the scarlet flower,to the lizard-style monster having a lush green appearance, that seamlessly blends into the background like a chameleon.
Pulling the Beauty and the Beast outline into a new direction, Povolotskaya gives the rotting mansion a reflected fading silver appearance,which is neatly balanced by the warm, rustic tracking shots Povolotskaya uses to follow the merchant attempting to fulfill his daughters requests.
Adapting Sergey Aksakov's own 1858 interpretation of Beauty and the Beast,the screenplay by Natalya Ryazantseva (a woman writer working with a woman director-a real rarity in the USSR) marvelously keeps the Gothic element of Beauty via the reclusive state of the Beast,but takes the Fantasy in its own direction with a (somewhat) Soviet Union message of the Merchant being a hard-working soul,who is prepared to give up his life in order to keep his daughters happy.
Facing demands from his daughter and the Beast, Lev Durov gives a terrific, worn-down performance as the humble Merchant,whose life is changed when he pulls out the scarlet flower.
View on the film:
Weaving the fairy tale in a fittingly swift 65 minutes, director Irina Povolotskaya, cinematographer Aleksandr Antipenko and special effects duo Leonid Akimov & L. Miatshin conjure up outstanding practical effects,from the glowing,red ruby hue of the scarlet flower,to the lizard-style monster having a lush green appearance, that seamlessly blends into the background like a chameleon.
Pulling the Beauty and the Beast outline into a new direction, Povolotskaya gives the rotting mansion a reflected fading silver appearance,which is neatly balanced by the warm, rustic tracking shots Povolotskaya uses to follow the merchant attempting to fulfill his daughters requests.
Adapting Sergey Aksakov's own 1858 interpretation of Beauty and the Beast,the screenplay by Natalya Ryazantseva (a woman writer working with a woman director-a real rarity in the USSR) marvelously keeps the Gothic element of Beauty via the reclusive state of the Beast,but takes the Fantasy in its own direction with a (somewhat) Soviet Union message of the Merchant being a hard-working soul,who is prepared to give up his life in order to keep his daughters happy.
Facing demands from his daughter and the Beast, Lev Durov gives a terrific, worn-down performance as the humble Merchant,whose life is changed when he pulls out the scarlet flower.
Lovely fairy tale from the USSR
Red-Barracuda9 November 2017
The Scarlet Flower is a film from the Soviet Union that was based on a Russian fairy tale which was itself reminiscent of 'Beauty and the Beast'. In it a man goes on a trip and promises to return with gifts for his three daughters, the least materialistic of which asks for a scarlet Flower she saw in a dream. Her father finds the flower but it is the property of a fearsome forest creature, who gives him it but with conditions attached.
A good number of the very best fantasy films based on fairy tales originate from Central and Eastern Europe and The Scarlet Flower is yet another example of this. It's probably because these stories so often emerged from this part of the world that these cultures often produced film equivalents which understood the source material so much better. Like other fascinating east European fantasies such as The Singing Ringing Tree (1957) from East Germany or Valerie and Her Week of Wonders (1970) from Czechoslovakia, this one is also another atmospheric and visually beautiful bit of work which combines the enchanting with the dark and macabre. The forest, the waterfall and the crumbling woodland Gothic house all make for lovely locations; with the unusual characters like the old man, the witch and the beast being interesting fairy tale characters who add a further dimension of mystery and ambiance to proceedings. The leafy exteriors and interiors possess a dream-like feel, while the colour tints used only accentuate this further. Overall, I thought this was another example that shows the instinctive feel the East Europeans have for this type of unusual fantastical material.
A good number of the very best fantasy films based on fairy tales originate from Central and Eastern Europe and The Scarlet Flower is yet another example of this. It's probably because these stories so often emerged from this part of the world that these cultures often produced film equivalents which understood the source material so much better. Like other fascinating east European fantasies such as The Singing Ringing Tree (1957) from East Germany or Valerie and Her Week of Wonders (1970) from Czechoslovakia, this one is also another atmospheric and visually beautiful bit of work which combines the enchanting with the dark and macabre. The forest, the waterfall and the crumbling woodland Gothic house all make for lovely locations; with the unusual characters like the old man, the witch and the beast being interesting fairy tale characters who add a further dimension of mystery and ambiance to proceedings. The leafy exteriors and interiors possess a dream-like feel, while the colour tints used only accentuate this further. Overall, I thought this was another example that shows the instinctive feel the East Europeans have for this type of unusual fantastical material.
A Criminally Underrated Fable
sammyeagleson-016019 January 2023
It saddens me that this movie doesn't receive as much attention as other adaptations of the beloved fairytale and certainly not as much as it deserves! Mainstream movie viewers will likely not be enticed by the subtle and tender yet still potent love story that unfolds here but the art house crowd will have a treat in store. It should be noted that the relationship between the Beauty and the Beast is the main focus of the story here unlike most adaptations that derail the story with too many subplots such as a jealous suitor of Beauty and/or what her family is up to etc. The only subplot is that of the enchantress's character but the actress gives such a magnificent performance that it is forgivable. While it is obvious that this production was made on a tight budget, this does not undercut the magnetic chemistry between the two leads or the enchanting soundtrack scored by the late, great Edison Denisov.
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