| Photos (see all 3 | slideshow) | Videos |
| Jean Reno | ... | Hubert Fiorentini | |
| Ryoko Hirosue | ... | Yumi Yoshimido | |
| Michel Muller | ... | Maurice 'Momo' | |
| Carole Bouquet | ... | Sofia | |
| Yoshi Oida | ... | Takanawa | |
| Christian Sinniger | ... | Le Squale | |
| Alexandre Brik | ... | Irène | |
| Jean-Marc Montalto | ... | Olivier (as Jean Marc Montalto) | |
| Véronique Balme | ... | Betty | |
| Fabio Zenoni | ... | Josy | |
| Haruhiko Hirata | ... | Ishibashi | |
| Michel Scourneau | ... | Van Eyck (as Mikhel Scourneau) | |
| Jacques Bondoux | ... | Del Rio | |
| Osamu Tsuruya | ... | Douanier 1 | |
| Akihiko Nishida | ... | Douanier 2 | |
| Anthony Decadi | ... | Fils de Préfet | |
| Yan Epstein | ... | Jean Baptiste 2 (as Yann Epstein) | |
| Ludovic Berthillot | ... | Jean Baptiste 1 | |
| Elodie Frenck | ... | Secretaire Banque de la Trinité (as Élodie Frenck) | |
| Dorothée Brière | ... | Hôtesse de l'air | |
| Stefan Nelet | ... | Jeune banquier (as Stefan Sao Nelet) | |
| Karine Stoffer | ... | Danseuse | |
| Yuki Sakai | ... | Miko Kobayashi | |
| Massaro Nagahishi | ... | Commissaire Avion | |
| Makiko Kishi | ... | Secrétaire Ishibashi | |
| Kinshiro Oyama | ... | Commissaire Japonais | |
| Kiyohiko Shibukawa | (as Kee) | ||
| Hiroko Maki | |||
| Tomo Fukui | ... | Receptionisste | |
| Kazumasa Seki | ... | Garde Katama 1 | |
| Seiji Mori | ... | Garde Katama 2 | |
| Syuntarou Date | |||
| Furuo Geiri | |||
| Tenmei Basara | |||
| Kei Kagaya | |||
| Toshihiro Ogura | |||
| Koukhi Itagaki | |||
| Kyoshi Iwata | |||
| Koushirou Honda | |||
| Ukon Urota | |||
| Touru Edomatsu | |||
| Hiroshi Urushiyama | |||
| Kazuoki Takahashi | |||
| Hiroyuki Ootsuki | |||
| Kouji Toyota |
Directed by | |||
| Gérard Krawczyk | |||
Writing credits(in alphabetical order) | ||
| Luc Besson | writer | |
Produced by | |||
| Luc Besson | .... | producer | |
| Didier Hoarau | .... | line producer | |
| Shohei Kotaki | .... | executive producer | |
| Kanjiro Sakura | .... | executive producer | |
| Mehdi Sayah | .... | assistant producer | |
Original Music by | |||
| Julien Schultheis | |||
| Eric Serra | |||
Cinematography by | |||
| Gérard Sterin | |||
Film Editing by | |||
| Yann Hervé | |||
Casting by | |||
| Swan Pham | |||
Production Design by | |||
| Jacques Bufnoir | |||
| Jean-Jacques Gernolle | |||
Costume Design by | |||
| Agnès Falque | |||
Makeup Department | |||
| Karina Gruais | .... | key makeup artist | |
| Patrice Iva | .... | key hair stylist | |
Production Management | |||
| Thierry Guilmard | .... | production manager | |
| Motoki Ishida | .... | production manager | |
| Franck Lebreton | .... | unit manager | |
Art Department | |||
| Thomas Astruc | .... | storyboard artist | |
| Lionel Callari | .... | property master | |
Sound Department | |||
| Anne Delacour | .... | dialogue editor | |
| Jean-Baptiste Faure | .... | boom operator | |
| Alexandre Hernandez | .... | assistant sound editor | |
| François-Joseph Hors | .... | sound mixer | |
| Dominique Lacour | .... | daily sound mixer | |
| Maud Lombart | .... | assistant sound editor | |
| Didier Lozahic | .... | sound mixer | |
| Didier Lozahic | .... | sound re-recording mixer | |
| Fred Mays | .... | post-synchronization | |
| Ken Yasumoto | .... | sound editor | |
| Ken Yasumoto | .... | sound | |
Special Effects by | |||
| Philippe Hubin | .... | special effects supervisor | |
| Jean-Christophe Magnaud | .... | special effects technician | |
Visual Effects by | |||
| Nicolas Aithadi | .... | digital artist: Duboi | |
| Serge Anthony | .... | color grader | |
| Lucie Bories | .... | digital compositor | |
| Andre Brizard | .... | digital compositor | |
| Alain Carsoux | .... | visual effects supervisor | |
| Séverine De Wever | .... | production coordinator | |
| François Dupuy | .... | I/O supervisor | |
| Olivier Gadal | .... | visual effects | |
| Abdel Ali Kassou | .... | scanning and printing | |
| Aurelie Lajoux | .... | digital compositor | |
| Bruno Le Provost | .... | 3D supervisor | |
| Malik Nahassia | .... | digital effects artist | |
| Jean-Paul Rovela | .... | digital artist | |
| Antoine Simkine | .... | visual effects executive producer: Duboi | |
| Georges Tornero | .... | digital compositor | |
| Daniel Trujillo | .... | digital artist | |
Stunts | |||
| Arno Balenci | .... | stunt performer | |
| Philippe Guégan | .... | stunt coordinator | |
| Gregory Loffredo | .... | stunts | |
| Cyril Raffaelli | .... | fight choregrapher (uncredited) | |
Editorial Department | |||
| Hervé Gouband | .... | color timer | |
| Christine Lucas Navarro | .... | assistant to editor | |
| Charlotte Rembauville | .... | assistant editor | |
| Frédéric Thoraval | .... | additional editor | |
| Nicolas Trembasiewicz | .... | editorial collaborator | |
Music Department | |||
| Martha Argerich | .... | musician: piano "Träumerei" | |
| Karl Böhm | .... | conductor: "Mozart's Clarinet Concerto, second Movement 'Adagio'" | |
| Nadia Farès | .... | composer: end title "Follow Me" | |
| Jérôme Lateur | .... | music supervisor | |
| Didier Lozahic | .... | score mixer | |
| Tamio Okuda | .... | composer: song "Kore ga watashi no ikiru michi" | |
| Chihiro Onitsuka | .... | composer: song "Rasen (as C. Onitsuka) | |
Other crew | |||
| Nathalie Alquier | .... | script supervisor | |
| Frédéric Cauvy | .... | weapons advisor | |
| Romuald Drault | .... | administrator | |
| Mia Frye | .... | choreographer (as Mia Frye Ressiga) | |
| Vincent Giry | .... | coordinator | |
| Colette Martin | .... | administrator | |
| David Meanti | .... | making-of | |
| David Meanti | .... | production assistant | |
| Vincent Stevenel | .... | administrator | |
| Cyril Raffaelli | .... | fight trainer (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| How hot is wasabi? | redeyedragon19 |
| Another Song Question (Again) | helgenx |
| Is it real wasabi? | sk_lim86 |
| funniest scene | sugarbear-1 |
| Sequel Anyone? | heatsekr22 |
| French? | hamtaro_fan2000 |
![]() |
![]() |
![]() |
![]() |
![]() |
| Heaven | Betty Fisher et autres histoires | The Incredibles | Ruang rak noi nid mahasan | Silent Hill |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb France section | Add this title to MyMovies |
As others have commented, this is certainly light entertainment, not heavy on elaborate plot lines. I actually saw this movie today on a flight from Japan, and found it delightful. It certainly is a film that was pitched to a French Audience, tossing in simplified bits of Japanese pop culture (Witness: I have never encountered so many Japanese that could speak French, as in this movie). Nevertheless this is what I liked about the movie:
1. The interplay between Fiorentino (Jean Reno) and his sidekick Momo (Michel Muller) was consistently humorous throughout, with Muller delivering the punchline, and nearly upstaging Reno throughout. My favorite scene is when Fiorentino is eating generous gobs of Wasabi (hence the name of the film), and Momo, not wanting to be outdone by his mentor, nearly gags to death on the stuff. I was laughing out loud -- maybe because it reminds me too vividly of the first time I ever ate sushi, and nearly died doing the same thing as Momo!!
2. Ryoko Hirosue, who plays Yumi, the previously unknown daughter to Fiorentini, is one of the current hot young faces in Japan, and has appeared in many TV dramas and movies. She certainly provides all the eye candy I could ever wish for in this film. But I must admit a certain new found-respect for her acting abilities, as she pulled off her lines in French flawlessly, while maintaining her trademark cuteness and capturing the carefree attitude of today's Japanese youth. She provided a foil of a different sort for Reno, her bright colors (pink hair, pink everything) offering a striking contrast to Reno's darker, demure look.
The Yakuza were portrayed as mindless goons in this film, and there are certainly better films out there if you want to know more about Yakuza, but it appeared that they played their role, which was to showcase Reno's machismo, in a humorous way, something along the lines of Jackie Chan films -- they are more like props in the film than anything else.
All in all, I was entertained by this film, which is all I was looking for during my 11 hours crossing the Pacific.