Bungee Jumping of Their Own (2001) User Reviews

Love. I agree, is a many-spendoured thing

[raymond-15 · 8/10 · 9 August 2004]

Being a hopeless romantic, how can I not like this film? Many a young lady has shared my umbrella in a sudden downpour. But that's where the analogy ends. Bungee jumping is not for me.

A Korean student offers the shelter of his umbrella to a young Korean girl and yes! it's love at first sight. Urged on by his school mates he takes the matter further and books into a hotel room. It's hilarious to watch but a calamity for the couple when he gets a bout of nervous hiccoughs!

They promise to love each other forever. Even in death, he says he will find her again. He casts a spell on her. Whenever she thinks of him, her "little pinky" (little finger) will rise.

The rest of the film takes a strange and original twist. What happens next many will not believe possible. I suppose we believe what we want to believe.

Time passes and the student becomes a school teacher, a charming fellow but hiding his sorrow at the loss of his loved one. Never forgetting his promise of eternal love, he begins to imagine her spirit has entered the body of one of his students. He watches him incessantly, lovingly and one day he sees a definite clue. His "little pinky" stands up.

The homosexual element of this film is delicately handled as the handsome teacher and student become lovers.

The ending is beautiful as the lovers hand-in-hand fulfil the wishes of the young Korean girl whose goal in life was to go to New Zealand for a very special purpose.

Yes, this is a film for romantic lovers. I am very sure of that.

This may seem like another romantic love story, Korean at best - but it's 'one true love' defined, with no boundaries

[ruby_fff · 8/10 · 28 March 2005]

Director Kim Dae-seung's debut feature, "Bungee Jumping of Their Own" (2001), screenplay by Ko Eun-nim, is not just another teen romance story - it's THE love story defined. If you think "Romeo and Juliet" is the all-time greatest of love stories, wait till you finished watching this film. True love knows no bounds, irrespective of what others may perceive or say.

For viewing appreciation, it's best not to read/know much about the film and simply let the story develop and unfold before your eyes. Have patience with the pair of young love getting upset and making up, apart and together. Those rainy scenes of walking, drenching, standing, with or without umbrella, are heartbreaking, cold and warm all at once. In-woo (the young man who became the teacher years later - central role) and Tae-hee (the young lady he helplessly loves) are clearly inseparable lovebirds. Director Kim presented the situations in the most natural way. Little details are revealed as the story progresses, and as we see In-woo teaching a class of high school boys, cut to at home he's talking to a little girl - so he's married with a daughter. Is it Tae-hee? Gradually, more periodic flashes of memory occur, and little observations like student Hyun-bin's drinking with little finger up, or asking a familiar question déjà vu.

The imaginative, thinking out of a box, approach in presenting the crux of the story is a bold directorial decision. Reincarnation has been done before, but this is "Heaven Can Wait" from a different perspective, and why not. You might say it's 'heaven can't wait'. A latter flashback key point reminds me of Spanish writer-director Julio Medem's (1998) "The Lovers of the Arctic Circle" - a film which is also about two inseparable lovers. The 'love only one person' theme (and a teacher role with wife and children) was tackled in the Hong Kong director Ann Hui's (2002) "July Rhapsody" (aka: Laam yan sei sap). I can't help but also think of Argentinean writer-director Eliseo Subiela's (1995) "Don't Die Without Telling Me Where You're Going," which has Subiela's trademark philosophical tones and exchanges besides fascinating storytelling.

The acting is sensitive and convincing; the cinematography is skillful and impressive (the beginning aerial sequence gives one a breezy feel); and the music has a calmness to it; also editing and sound (like the brief playing of "When I fall in love" just loud enough crooning in the background) - all fittingly complemented the script. It is refreshing to believe what happened or could happen to the central characters (three, essentially two) in "Bungee Jumping of Their Own." Is it possible? Seems logical. Why ever not?

I saw this film on a Region 3 DVD in Korean with English and Chinese subtitles options. (An All Region DVD player is a worthy 'investment' for 'serious' DVD film viewing.)

Magical melodrama with unique twist

[Libretio · 7/10 · 24 March 2005]

BUNGEE JUMPING OF THEIR OWN (Beonjijompeureul Hada)

Aspect ratio: 1.85:1

Sound format: Dolby Digital

A high school teacher (Lee Byung-hun) suspects that a teenage boy (Yeo Hyun-soo) is the reincarnation of a girl he loved and lost 17 years earlier - and begins to fall in love with him...

The Korean movie renaissance continues apace with this extraordinary film from debut director Kim Dae-seung, working from Ko Eun-nim's equally extraordinary script, which tackles the universality of love in all its myriad forms. Hoping to spring a surprise on the film's notoriously conservative domestic audience, the distributors omitted virtually all references to the 'gay twist' from advance publicity materials, promoting the movie as a story of enduring love (the opening section is no different from dozens of other romantic dramas produced in SE Asia every year), headlined by some of the country's most popular actors.

Korean superstar Lee Byung-hun (JOINT SECURITY AREA) is utterly charming as the beleaguered protagonist who stands to lose his friends, family and livelihood because of a sudden, inexplicable identity crisis (he isn't 'gay' in the true sense of the word, he's simply found his soulmate in an unexpected place), and he makes a startling transition from gauche youth to confident adult, touched by eternity; his emotions are palpable, and deeply affecting. Lee Eun-ju is strong in a largely thankless role as the woman who captures Lee B-H's heart (sadly, the actress took her own life in February 2005), while rising star Yeo (BIRTH OF A MAN) holds his own as the young man caught up in circumstances beyond his control.

A romantic melodrama in the true sense, Kim's remarkable film balances magic and realism with exquisite grace (look out for the 'waltz at sunset' sequence, guaranteed to warm anyone's cockles), though the climactic descent into darker territory leads to an unexpected finale which is both sad and liberating, all at the same time. Unfortunately, the film has been saddled with an appalling English title which makes it sound like some kind of comedy, and prospective viewers are urged to look beyond this minor blemish. Brave, emotional, and played to perfection by a sterling cast, this is transgressive cinema at its most compelling.

(Korean dialogue)

Unique and touching

[Gordon-11 · 2 February 2008]

This film is about a young man falling in love with a girl he meets on the street. She then disappeared without a trace. 17 years later, he is convinced that his girl reincarnated as his male student.

I did not know a thing about the film before I watched it, and I was completely blown away. The plot is amazingly well written. It is a very well told love story. The past and present are intertwined, and the past is revealed only when it is relevant to the present. The relationship between the young couple is well built, setting a great scene for subsequent developments.

The second part of the film portrays a forbidden relationship. They face a lot of self doubt and pressure from others. It exemplifies how hard it is to live an alternative life. And to think In-woo is doing so because he "knows" Hyeon-bin is special makes me wonder what price people would pay to love, and to honour previous promises. The little signs that In-woo uses to make up his conclusion is well planned and well placed throughout the film. I was amazed by it, as every scene shows its significance later on in the film.

Hyeon-bin and In-woo's relationship is a double taboo, and I congratulate the filmmakers for having the courage and determination to make this film. "Bungee Jumping of Their Own" is captivating and touching. It is like no other film. and I certainly recommend it.

A well made melodrama that doesn't sit well with me at all

[refresh_daemon · 6/10 · 30 March 2009]

Bungee Jumping of their Own is the debut directorial effort by Kim Daeseung and after watching his other works, I have to say that certain things run through his films. The most prominent is that he has a strong fondness for flashback revelation. Now I could pin this on the writers, but his other two films also have a lot of flashback revelations and two-story elements that it's hard to ignore the connection between the films. The other notable thing is that all of his films boast great photography. Now, Bungee Jumping has a lot going for it, but it doesn't sit well with me because of its themes.

The story is divided in two parts, the first in 1983 as we witness the development of a relationship between two college students. The second part is set in 2000 and, for whatever reason, the male protagonist is now a teacher, no longer with his then-girlfriend. The strange thing is that he finds himself noticing similarities between a young male student of his and his previous girlfriend. Unfortunately, to keep writing about this film, I will have to go into spoilers, so skip to the last paragraph for the recap if you don't want to see them.

The story isn't actually a mystery, because the conflict has little to do with the fact that the young male student is so similar to his previous girlfriend, but rather how he can accept his feelings for a young male student. The conflict is internal angst within himself as he struggles with his identity as well as the greater struggle with both the student as well as the lines he cannot cross as a teacher (and husband/father as well). The structure of the storytelling is simple. It elides information at times but you can sort of fill in the blanks and so I felt that many of the flashbacks were a little redundant, but I guess in retrospect, they help fill a thematic space via repetition between present and past. Ultimately, the buildup works as it should in a film, leading to a climax and payoff.

But, while I went through the expected emotions when watching a decent film, something really ate at me while watching the film and it wasn't the homosexual tensions, but that the underlying ideology, or perhaps lack thereof, of the film's theme really rubbed me the wrong way. Essentially, the film is a self-pitying tragic ode to "The One" theory of love with reincarnation and gender swaps thrown into the mix. Both main characters "know" that they are to be together and are torn apart by the circumstantial death of the woman. The conflict that happens later when she is reborn as a male is mostly internal and dealing with identity issues. This might be fine for those who believe is the "love the soul" concept that floats among some LGBT folk, but it doesn't even serve that audience because the two commit suicide in the end in order to reincarnate in more favorable heterosexual relationship. It's a "woe is me" tale of destined love separated by... destiny! Now, I have a problem with "The One" theory, in that there's just one person out there for everyone, but at the same time, I can watch a good movie with that as an underpinning ideology and be okay with it. The problem here is that Bungee Jumping is so wishy-washy about it all, disservicing the queer community that it, on surface, seems to be trying to relate, but also is inherently selfish in its ideology. The protagonist causes massive amounts of pain to his students, his wife (and presumably his daughter) and then runs away with the boy to commit suicide with no regard for the consequence on those around them. In a story about love, seeing such a thing isn't so much tragic, as the circumstances weren't something they could overcome or failed trying to overcome, but rather, they just escape with no consideration of who it might affect. And with such a terribly hypocritical undercurrent, it's hard to find myself liking this movie on that level.

That's not to say it's a bad film. It's actually very well crafted as far as a melodrama is concerned. It doesn't wallow in sentimentality, does a great job at presenting the romance and the resulting conflicts and is really great to look at. It builds up your emotions and lets you go just as a melodrama should. I certainly found myself drawn in and affected at the end. Technically, the film is more than proficient with solid performances by the leads (and a couple supporting characters lend a lot to the film as well), wonderful design and costuming. Beautiful photography. But, still, the problem at the thematic core really prohibits me from loving this film. I don't think everyone will see it as a flaw and the rest of the film is so well put together that I can't call it a failure. But, I can't say I loved this otherwise proficient and even risk-taking example of mainstream Corean melodrama. 7/10.

Original and impressive

[simon_booth · 9/10 · 28 June 2003]

A hot chick meets a cute guy at a bus stop, and they fall in love just like that. 17 years later, the cute guy is a teacher. Gradually, we learn more about what happened 17 years ago (thanks to some flashbacks), as events take a surprising turn in the present.

"Bungee Jumping Of Their Own" has to be one of the strangest movie titles of all time, and doesn't make the slightest bit of sense until the very end of the film. Extreme sports fans, I'm sorry to report than Bungee Jumping is *not* a major part of the film. Also, despite the sappy dvd cover that put me off watching the film for ages, it's not some kind of girly love story either. Yes, it is a love story, but a strange and interesting one.

It's not often I stoop to watch a drama, especially a love story, but I'll generally make an exception for Korean films as they are so often very well done, with an intelligence and depth that you are unlikely to find in Hollywood or Hong Kong for instance. Bungee is no MY SASSY GIRL, but it's a fine piece of film-making. The production values are excellent - beautiful cinematography and soundtrack and well written script, but the big stand-out is the quality of the acting. I don't think I recognised any of the actors, but they all gave superb performances full of depth and emotion.

I'm in a phase at the moment where I'm kind of bored of cinema - seen so many movies they all kind of blur together and few films leave lasting impressions. Bungee Jumping Of Their Own stands out because of the unexpected places it goes, the intelligence and the technical virtues, and will certainly stick in my mind for a while. I'd expected to put it up for trade once I'd seen it, but it's definitely a keeper

Strongly recommended.

One out of the box

[JonSturgess · 10/10 · 16 March 2003]

Have just arrived home from seeing this movie and felt I had to add my words of praise to a 'gentle' film about the most important thing in life - love and our relationship with that one 'true love' that some of us are lucky to meet during out life time.

For those like me, who were touched by a first true love this film is for you. As I watched it was like replaying a most awesome part in my life when I encountered that soul mate who I knew from the first second, was going to be the only one for me.

Others have done justice to the story and construction of the movie in their comments. For my part, I would simply say that if you have had that mystical encounter with that one true love for you then you 'must' seem this film if you see nothing else.

This is certainly - one of out the box!

Love, story and cinematography

[christian94 · 9/10 · 29 November 2002]

This love story is quite engaging. It portrays relatively simple, but very touching characters. There is an aura of innocence and naive charm that transpires.

The story itself is sweet. It deals with the themes of typical teenage romance (teasing, awkwardness, tension, comfort, confusion, initial steps into sexuality) and of deeper love (transcendence, bond, implicit connection, sharing, understanding).

The begging is excellent and shows Seo In-woo and In Tae-hee fall in love and figuratively leap together towards the uncertainties of life. They form a bond of heart-felt love, trust and appreciation. The cinematography and the dialogue of their sequences in the rain are magnificent. The right mixture of simple and grand. They're intimacy is also very well expressed and we feel like we almost fell in love anew as a viewer. Quite marvellously done.

After this exquisite prelude, the story then fast-forwards to a few years in the future, when Seo In-woo is now a professor. Little by little, we start to understand what has happened during the time gap and how the professor's inner world is resurfacing. It slowly comes back in a very interesting, non-conventional and unpredictable way.

While the characters remain simple, even if in conflict, the story then intensifies and reach a level of complexity and maturity that is truly exemplary.

The cinematography is again allowed to shine when we leave the classroom and even the interior scenes in Seo In-woo's home (or the earlier motel scene for that matter) are perfectly shot. Calculated, warm and poignant. The landscape, the window shots, the contrasts of light and colours are all top-notch. Picturesque. Incredible craft.

The dialogue is also very perky, often funny, and keeps the story moving along with ease. When it's not funny, it's deep and intense, allowing the actors to shine.

The resolution of the movie is at once unnerving and soothing. Unbelievable, but also fitting and true. We realize that it could not really have been otherwise. We are not sure if we approve or not, but we can somehow nevertheless understand. Life is also as such: we don't always agree with it, but in the end we have to accept it.

One of the best romantic stories ever made...

[hideone · 10/10 · 21 October 2001]

This film is simply innovative and beautiful. It leaves you such a warmth in your heart that you will appreciate more as whole. The plot contains full of witty and touching moments; it is a romance/fantasy genre between two soulmates in college with the amusing twist. I don't want to give out much details on the storyline, because they have almost the same effect, yet in a very comical way of what 'Sixth Sense' did in the ending; you dont want to know that Bruce Willis is already dead in the first place. Do you? You will find out when you see the movie. The script is perfect; it's got none of useless parts, and the actors give great lines with it. The cinematography is beautifully shot in clean and soft touches that fits to the theme. Just watch this one; I assure you it is different.

re homosexuality and possible past life origin

[kajong-v-p · 9/10 · 17 September 2007]

hi Arnold Yim - before you mentioned it, I've never looked at homosexuality in that way... you have indeed enlightened me!

I'm Korean myself too, and I come from a very conservative family who aren't open to homosexuality. I know how frustrating it could be for someone to be both Korean and homosexual. kind of like marrying a Caucasian instead of a Korean! ;)

This is in fact one of my favourite movies, because its theme deals with true love and reincarnation, and has a sad/happy ending (they commit suicide in order to be born again in different genders, so that they can be accepted by the society). Lastly, it has a tragically beautiful piece by Shostakovich, 'misidentified for years' as the "Jazz Suite Number 2", according to Wikipedia.

And Romeo and Juliette thought THEY had problems...

[Havan_IronOak · 8/10 · 29 November 2002]

Shy Korean boy meets pretty Korean girl when they share an umbrella in the rain. They finally get together only to have the boy leaving for military service. She's on her way to see him off when she's killed by a bus.

Skip ahead a few years and the boy is now a man teaching in a high school. He becomes convinced that his love has been reincarnated into the body of a 17 year old boy that is his student. What are they to do?

A Kim Dae Sung film in which bungee jumping becomes a symbol of undying love !!!!

[FilmCriticLalitRao · 10/10 · 19 June 2015]

At a time when most South Korean films are full of violence, the making of 'Bungee Jumping of Their Own' comes like a breath of fresh air. It is a different kind of South Korean film which advocates the notion of love at first sight. This idea is reinforced when both protagonists declare that their undying love for each other is entirely due to have experienced love through 'love at first sight'. In this film, director Kim Dae Sung has used all his imagination to ensure that 'Bungee Jumping of Their Own' transforms itself into something more than merely an ordinary romantic film. . The film also makes good use of its reincarnation angle and a discussion about sexuality without being too overt. For this reason, love is celebrated in all its forms. One gets to watch how two lovers watch their love grow over a period of time. Actors Byung-Hun Lee and Eun- Ju Lee reveal their acting prowess at different times as the film depicts two different time periods. Lastly, this film is recommended for those viewers who would like to explore the world of romantic films which has been hitherto dominated by Hollywood films.