For my 30th Japanese film viewing of August 2019,I decided to dig deep into online sites for a lesser known title by major auteurs. Having found Seigi no tatsujin: Nyotai tsubo saguri (2000-also reviewed) a delight,I was happy to stumble on another Sion Sono rarity,which led to me meeting Keiko.
View on the film:
Breaking the 4th wall with a clapperboard click in the opening shot,writer/directing auteur Sion Sono threads the audience on the passage of time across the reels of film, ringing in to long, stilted shots of a clock fading to clocks facing the camera as Keiko faces the viewers. Sitting down in just one room, Sono continues to display the developmental in his eye for colour, via looking towards Keiko with strikingly bright plain red,green and blue backdrop, subtly highlighting the darkness in the dialogue.
Talking directly to the audience, the screenplay by Sono opens the box on a thoughtful study of depression, unwrapped in Keiko talking about the death of her dad from cancer, and the feeling of time and life continuing to countdown to a emptiness which beeps on a blank answer machine. Later working with Sono again on Suicide Club (2001) Keiko Suzuki gives a delicate turn as Keiko, bringing out in her fragile voice the withdrawn state of Keiko.
View on the film:
Breaking the 4th wall with a clapperboard click in the opening shot,writer/directing auteur Sion Sono threads the audience on the passage of time across the reels of film, ringing in to long, stilted shots of a clock fading to clocks facing the camera as Keiko faces the viewers. Sitting down in just one room, Sono continues to display the developmental in his eye for colour, via looking towards Keiko with strikingly bright plain red,green and blue backdrop, subtly highlighting the darkness in the dialogue.
Talking directly to the audience, the screenplay by Sono opens the box on a thoughtful study of depression, unwrapped in Keiko talking about the death of her dad from cancer, and the feeling of time and life continuing to countdown to a emptiness which beeps on a blank answer machine. Later working with Sono again on Suicide Club (2001) Keiko Suzuki gives a delicate turn as Keiko, bringing out in her fragile voice the withdrawn state of Keiko.