Punch-Drunk Love (2002)

Director:

Paul Thomas Anderson

Writer (WGA):

Paul Thomas Anderson (written by)

Release Date:

1 November 2002 (USA)

Genre:

Comedy | Drama | Romance

Plot:

A beleaguered small-business owner gets a harmonium and embarks on a romantic journey with a mysterious woman.

Plot Keywords:

No Title At Beginning | No Opening Credits | Love | Happiness | Forklift

Awards:

Nominated for Golden Globe. Another 13 wins & 15 nominations

Cast

Adam Sandler	...	Barry Egan
Jason Andrews	...	Operator Carter (voice)
Don McManus	...	Plastic (voice)
Emily Watson	...	Lena Leonard
Luis Guzmán	...	Lance
David Schrempf	...	Customer #1
Seann Conway	...	Customer #2
Rico Bueno	...	Rico
Hazel Mailloux	...	Rhonda
Karen Kilgariff	...	Anna (voice)
Julie Hermelin	...	Kathleen
Salvador Curiel	...	Sal
Jorge Barahona	...	Jorge
Ernesto Quintero	...	Ernesto
Julius Steuer	...	Mechanic

Also Known As:

Just Desserts (USA) (working title)
Punchdrunk Knuckle Love (USA) (working title)
The X-4 Project (USA) (working title)
Untitled P.T. Anderson Project (USA) (working title)

MPAA:

Rated R for strong language including a scene of sexual dialogue.

Runtime:

95 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS-ES | Dolby Digital EX | SDDS

Certification:

Brazil:14 | Iceland:12 | Malaysia:18SX | Argentina:13 | Australia:M | Canada:13+ (Québec) | Canada:14A (Alberta/British Columbia) | Canada:14A (Ontario) | Finland:K-11 | France:U | Germany:12 | Italy:VM14 | Netherlands:12 | Norway:11 | Philippines:R-18 | Singapore:NC-16 | South Korea:15 | Spain:13 | Sweden:11 | Switzerland:12 (canton of Zurich) | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Claremont, California, USA

Company:

Revolution Studios

Trivia:

When Barry punches his office wall then rests a bloody hand on his piano, the cuts on his knuckles spell the word 'love'.

Goofs:

Continuity: When Barry punches the wall under the map, the map is stuck inside the hole. Later, there is a quick shot of him in front of the map again where you can see the hole above the map, but in the next shot, the map is clearly still stuck inside the hole.

Quotes:

Barry: My sister's a liar. I have to go to the bathroom.

Movie Connections:

Referenced in In Good Company (2004)

Soundtrack:

Moana Chimes

Biggest surprise of the year - an Adam Sandler art film

I caught this at the New York film festival and my expectations were about as low as they could be. I was never a huge Adam Sandler fan, and I hadn't ever taken a liking to PT Anderson's other films. I thought that Magnolia was pretty flimsy writing-wise, and I also thought that it got way too much undue attention when it came out.

I couldn't believe how great Punch Drunk Love was. It seems to be the polar opposite of Magnolia. Where Magnolia was sprawling, messy and often generic, Punch Drunk Love is short, tight and completely fresh. It reminded me of Fargo, in a way. It centers on a very small cadre of characters, it's incredibly focused, and it creates its own world for those characters to live and move around in.

It's been mentioned here before, but the art direction is stunning. I haven't seen such memorable visuals since The Royal Tenenbaums. In a grocery store scene, the items are stacked vertically by color (echoing the color bars that appear periodically between scenes), making the scene appear otherworldly. Other sets are bare of color or distinction. Sandler's love interest in the film (played by Emily Watson) lives in a maze of white corridors. Somehow, every "place" in the film has its own character and association. Even the characters become associated with particular colors.

The movie ends up being genuinely romantic while deviating completely from the very stale paradigm for romantic comedies of the last decade: Watson's character pursues Barry Egan; their inability to hit it off from the start is more character-driven and psychological than situational. Through the use of bizarre props and surreal scenes, the anxiety and frustration of Barry Egan becomes totally absorbing and affecting.

This is a wonderfully directed film. There isn't an extraneous moment. The visual style and pacing are particularly great. There's an interesting subtext in the film about communication - enormous background noise while characters are on the phone, Barry Egan's sisters' voices create this wall of noise (all voices making fun of him), telephones figure predominantly, the opening scene is completely bereft of background noise or music. There are a lot of interesting things to consider when it comes to the theme of communication and how sound is handled in the film.

That said, I'm already cringing at how most people are going to react to this. The Adam Sandler fans might find it too weird. People who liked PT Anderson's other movies might find it too pretensious. I was thrilled to have my low expectations completely overturned. This movie is great.