Kill Bill: Vol. 1 (2003)

Director:

Quentin Tarantino

Writers:

Quentin Tarantino (character The Bride) &
Uma Thurman (character The Bride) ...

Release Date:

10 October 2003 (USA)

Genre:

Action | Crime | Drama | Thriller

Tagline:

In the year 2003, Uma Thurman will kill Bill

Plot:

The Bride wakes up after a long coma. The baby that she carried before entering the coma is gone. The only thing on her mind is to have revenge on the assassination team that betrayed her - a team she was once part of.

Plot Keywords:

Sadistic Violence | Violent Movie | Shot In The Head | Duology | Anti Hero

Awards:

Nominated for Golden Globe. Another 12 wins & 41 nominations

US TV Schedule:

Sat. May 24

4:00 PM

Telemundo

Cast

Uma Thurman	...	The Bride
Lucy Liu	...	O-Ren Ishii
Vivica A. Fox	...	Vernita Green
Daryl Hannah	...	Elle Driver
David Carradine	...	Bill
Michael Madsen	...	Budd
Julie Dreyfus	...	Sofie Fatale
Chiaki Kuriyama	...	Gogo Yubari
Sonny Chiba	...	Hattori Hanzo
Chia Hui Liu	...	Johnny Mo (as Gordon Liu)
Michael Parks	...	Earl McGraw
Michael Bowen	...	Buck
Jun Kunimura	...	Boss Tanaka
Kenji Ohba	...	Bald Guy (Sushi Shop) (as Kenji Oba)
Yuki Kazamatsuri	...	Proprietor

Also Known As:

Kill Bill (USA) (informal short title)
Kill Bill 1 (USA) (informal title)
Kill Bill: Volume 1 (USA) (alternative spelling)
Quentin Tarantino's Kill Bill: Volume One (USA) (promotional title)

MPAA:

Rated R for strong bloody violence, language and some sexual content.

Runtime:

111 min | Japan:112 min

Country:

USA

Language:

English | Japanese | French

Color:

Black and White | Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Singapore:R(A) | South Korea:18 (re-rating) (cut) (DVD rating) (uncut) | Canada:18A (Alberta/British Columbia/Ontario) | Taiwan:R-18 | Hungary:18 | Germany:18 | Malaysia:18SG (re-rating) | USA:NC-17 (Special Edition DVD) | Iceland:16 | Argentina:16 | Australia:MA (cable rating) | Australia:R (original rating) | Brazil:18 | Canada:16+ (Québec) | Canada:18 (Nova Scotia) | Chile:14 | Finland:K-18 | France:-16 | Hong Kong:III | Ireland:18 | Israel:16 | Italy:VM14 | Japan:R-15 | Netherlands:16 | Norway:18 | Philippines:R-18 | Poland:15 | Portugal:M/16 | South Africa:18 | South Korea:Limited (original rating) | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 | USA:R (certificate #40294)

Filming Locations:

Austin, Texas, USA

Company:

Miramax Films

Trivia:

When The Bride stands over the remains of the Crazy 88s, a masked Quentin Tarantino is among them.

Goofs:

Continuity: When "#2" shows the picture of her daughter, she holds by the top/side between shots.

Quotes:

[first lines]
Bill: Do you find me sadistic? You know, I bet I could fry an egg on your head right now, if I wanted to. You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. Well, maybe towards those other... jokers, but not you. No Kiddo, at this moment, this is me at my most...
[cocks pistol]
Bill: masochistic.
The Bride: Bill... it's your baby...
[BLAM!]

Movie Connections:

Spoofed in "Robot Chicken: The Deep End (#1.8)" (2005)

Soundtrack:

Run Fay Run

An adrenaline-driven coaster-ride through gratingly bold and captivating martial-arts extravaganza.

Sure it's outlandishly violent and bloody. Can anyone expect Tarantino's movie not to be a true mind-blowing, adrenaline-pumping shocker? Of course not! Gritty and slick, his first installment of KB rocks with moody western imagery, the '60s and '70s-era of Hong Kong martial arts-action, the influences of the ritualistic samurai swordsmanship, and Japanese anime. Like in all his films, Tarantino never fails to merge dark humor with terror. It's impossible not to smile over the Shaw Bros.' iconic introduction ploy and the De Palma-esque split screens. Observe the `Carrie' blank-starry eyed image settled on The Bride's gory face as she's introduced to the audience. Perhaps, Uma Thurman in her yellow suit is a salute to the yellow-suited Bruce Lee in his last film, The Game of Death. Or is The Bride 'Just another little Western girl playing at being a samurai' - as O-Ren Ishii blatantly puts it?

This film's a sampling of the Tarantino 'fury,' short of the Tarantino customary fiery tongue. It celebrates the Tarantino trademark of avoiding the use of computer-generated CGI special effects. It's almost as if I'm watching a colorful and bloodied kabuki stage that's displaying a stunningly massive tournament of multi-layered kung-fu and female samura sword-fighting styles to dazzle the audience. It's examining how Tarantino catalogues the great stylistic elements of his favorite 'old-school' filmmakers and transforms them into a phenomenally creative and mesmerizing film. Yep, there's a great deal of captivatingly artistic boldness in this film. Powerfully portrayed and not to be easily forgotten. Violently brutal and gloriously gory without doubt, and yet so aesthetically operatic and astoundingly artful. The music and lyrics that accompany the scenes are astounding. They set the moods so appropriately with the events.

Even at 'The House Of Blue Leaves', we get to see Tarantino weaving the artistic styles of Lucio Fulci, Chang-Che, Sergio Leone, Kurosawa, Zhang Yimou and Busby Berkeley to bring the audience a stylistic exhibit of remarkable montage grandeur. The themes of betrayal and revenge come off strong. Every camera shot and scene seems to scream out, non-stop, `Kill Bill and all of Bill's DVAS members.' My adrenaline's still flowing as I'm recalling the scenes. Tarantino has make a solid point with this film to show that martial arts scenes should stick to the artful and realistic choreographic treatment to sustain the true spiritual spirit of martial arts. A+