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World Traveler (2001)

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10 out of 11 people found the following comment useful :-
another film glorifying a sociopathic narcissist (another Scott Peterson-type), 1 January 2005

Author: (spiritwriter)

*** This comment may contain spoilers ***

What a waste of talent -- although it appears that Crudup in real life is a lot more like the vapid, self- absorbed, character-less character he portrays in this disappointing movie.

In art, sometimes the empty spaces reveal more than the painted or created content. What this movie reveals is the unconsciousness and the contradictory/competing, unresolved impulses/consciousness of the film's director/writer. It unintentionally shows the LACK of awareness that a truly evolved, deeply aware character should have and be tormented about in order to deserve audience empathy or sympathy OR the lack of which is used to serve as a cautionary tale to the audience. But this film fails on either level in that regard.

The fact that Cal, the main character (very much an ANTagonist, not a protagonist in the true sense of the word), has no empathy for anyone, especially those most deserving of it (which does NOT include him) and that he has such overblown, entitled, self-pitying, whiney sympathy only for himself, combined with the hallmark lack of remorse and no sense of guilt or awareness of his impact on others -- all converge in this film to make him the epitome of the self-involved, developmentally arrested, narcissistic sociopath -- somehow this is now the gold standard for males on film and in the world at this point and time.

One of his counterpoints (James LeGros) states with a laser-true flash: "I bet you haven't done one good thing in life -- and I bet you won't". It captures the absolute essence of the Cal character. Something the other characters he bulldozes over in the film seem to realize fairly quickly despite the director having stacked the deck to manipulate sympathy for Cal. That is a testament to the supporting cast's talent and skills.

Cal's eventual 'return' has nothing to do with character development, transformation or evolution of consciousness. It has only to do with the ultimate capitulation that until something better comes along, he may as well be back in his comfy cozy status quo of entitled enablement where the living is easy and no one will demand that he grow up--something of which he is willfully incapable and uninterested in doing.

The film could have been pointed and intentional about showing the traps and tragedies -- the devastating effects of this kind of lack of conscience/ consciousness, but it excuses and glorifies it instead -- in fact, it wallows in self-pity right along with the arrogant, selfish, emotionally stunted main character.

(and it sure sent chills up my spine when thinking of the recent revelations about convicted murderer Scott Peterson).

If you want to see Crudup at his most nuanced and full of an exciting potential that has never been truly realized in my opinion, see the underrated 'Inventing the Abbotts' ....

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7 out of 10 people found the following comment useful :-
Joins the list of good "road movies", 20 October 2004
Author: Dan Kyle from Victoria, BC

When I think of good road movies, or even great ones, titles like 'Easy Rider', 'Two Lane Blacktop', 'Lost In America', and even the more recent 'Road Trip' and 'Bandits' come to mind quickly. The common link of all these - comedy or drama - is that the story is secondary to the scenery, and the music. The acting needs to be first rate, and if the movie has a "point", so much the better. 'World Traveler' has a point, but not a strong one: a man searching for a better life. I won't bother to re-iterate the story, however, but all the actors are excellent. The real payoff though is in the cinematography and soundtrack. America is a beautiful country from coast to coast, and with Interstate highways running like a grid from north to south, and east to west, anyone wishing to explore the variety of landscapes, cultures, food, and majesty of an entire nation only need fill up their tank and hit the road. I was surprised at the low rating and only semi-enthusiastic comments given by others here, as I felt this to be a good movie, one that I will recommend to my cinemaphile friends. I haven't checked out the IMDb files on the director/writer and cinematographer yet - I know a lot of credits, but did not recognize their names - and had never heard of the movie (a 2001 release) before I caught it late at night on Pay-TV. I'm glad that I did.

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7 out of 10 people found the following comment useful :-
Unfocused, rambling and uneven. What a mess!, 29 January 2003

Author: Greg Page from United States

This film was so unfocused, rambling and uneven that it was an effort to watch the whole thing. (I actually thought some interesting plot elements might develop.) This was nothing more than a "coming-of-age" film for the thirty-something generation. Total crap and I have no idea what Julianne Moore was doing in this since it was the only reason I picked it off the shelf at the rental store.

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8 out of 12 people found the following comment useful :-
A big bore., 25 March 2004

Author: dbdumonteil

This is one of those road movies that would like to tell you a lotta things about women,the universe,the better life,the terrible solitude of the brilliant architect from Manhattan who severs all links with everyone,including his three years old child -which may seem irresponsible to some-Actually the hero wins hands down when it comes to selfishness and the scene with his old school pal ,which begins as some kind of good old days conversation and ends on a threatening note is the oasis in a desert movie.

The scene with-the-father-who-left-home-when -I-was-a child has been told and told and TOLD.Of course it did not prevent the offspring from making his way of life.And when you see the hero's wife's attitude ,you may think she must never have heard about woman's lib.

The best is the soundtrack which includes superb songs by Willie Nelson,Tom Waits or Bonnie Raitt...But you can enjoy them without this tedious pretentious work.

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6 out of 9 people found the following comment useful :-
a good road movie about a non-dumb theme., 2 January 2004

Author: markwriter from los angeles

I'm not sure why this movie scores so low. Without knowing anything about it, I took a risk and rented it based on the cast of Billy Crudup and Julianne Moore. Both of them are very good, there are many supporting cast performances which are also very good. Simply put, the movie doesn't insult the intelligence of the viewer.

On the DVD commentary track the director mentions the resistance he got from many studio execs while trying to fund the movie, and he got lots of criticism that his main character (Crudup) was unlikeable. Seeing this movie while knowing that "hollywood" resisted mightily might lead to some insight as to the mindset of the power players. The main character has more of a human range of behaviors than seems comfortable to those who crave cartoon superheros.

I don't think the title is great. I don't have a better one, see if you do after you see it. "Father" should be in the title somewhere.

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1 out of 1 people found the following comment useful :-
Looking for Love in All the Wrong Places, 18 May 2005

Author: B24 from Arizona

*** This comment may contain spoilers ***

This curiosity filled the screen on Sundance recently and I found myself watching it right through to the end. In it, a thirty-something married man panics when he finds himself psychologically strained by an excess of responsibility on the one hand and too much testosterone on the other. Thus begins a cross country flight in his appropriately yuppie Volvo station wagon to find himself.

What happens next is almost as preposterous as the apparent idea that there is anything likable about the guy at all. Like Tom Ewell in The Seven Year Itch, actor Crudup mugs his way through the vicissitudes of meeting one improbable and willowy blonde, brunette, or redhead (all of whom seem to be taller than he) after another. Each one is either too smothering or loony, offering him the altogether too-easy option of dumping them as he makes his way to Oregon to link up with his estranged father, who proves just as selfish and unpleasant as himself -- thus hastening a predictable conclusion in which he finally gets exactly what he doesn't deserve.

It is not so much that there are innumerable geographical goofs in the film that annoy the hell out of me (most of it was either filmed from helicopters or in odd parts of Oregon and Alabama -- say what? -- including sudden impossible changes in weather and one shot of the Minneapolis airport with mountains in the background), but rather that the main character exudes an ambiguity unrelieved by a plot that goes nowhere.

One interesting and commendable feature, however, is that of showing out-of-sequence flashes in his head that are alternately dreamlike and threatening. Although it's been done before, there is much to be said about this cinematic device as displayed here.

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2 out of 3 people found the following comment useful :-
Film-makers like this block the dooor for real talent., 26 December 2003

Author: Andrew Backinsell (raymondduck) from Cheltenham, England

I am one of those people that respect every film-maker as having achieved, each film I watch I usually respect(although I admit I select carefully) and appriciate for what it is. Not any more. This is truly one of the worst scripts I have seen produced as a film...so much so I felt compelled to warn others off it. The dialogue was truly unbelievable, the main protaganist was about the last person I would be interested in finding out more about. A scene were an old school friend 'tells it like it is' made me laugh only because it was a pathetic attempt to reveal the subtext of an already concluded plot. The direction is glib at best and at worst film-making by numbers. To compare this film to the atmospheric majesty of a film like Five Easy Pieces is a travesty.

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3 out of 5 people found the following comment useful :-
When Bad Movies Happen to Good Actors..., 15 March 2003

Author: vivesi-1 from NC, USA

You get something like "World Traveler." This movie rang so false throughout that it was sort of like sitting through a not-so-gifted recital of Rachmaninoff. There's mastery somewhere in there but you just can't see or feel it. And maybe the only mastery in World Traveler was the memories of the performances of the cast in other roles, in other, far better movies. It is unforgivable to squander such talent.

And the story held such promise! A man leaves his perfect life to freewheel it, booze it up, get laid, have no responsibilities. I like that story. That this writer/director took it no further than the surface is a mysterious shame. Why write this if there is no motivation given? Why waste our time like this?

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4 out of 7 people found the following comment useful :-
A fine film and a writer/director worth watching, 23 May 2004
Author: micahmarie from US

I was disappointed to see the reviews that this film is getting here when I thought that it was a beautiful, subtle film that packed an emotional wallop.

"World Traveler" is a love letter to anyone who has ever drifted or run from circumstance be it the way the protagonist of Freundlich's film did by jumping in his car and taking off or be it via emotionally resigning from a situation or relationship.

If you are looking for a "set-up-pay-off" story line this is not it, nor is it a pretentious art film. It is an engrossing and emotionally honest film in the vein of a John Cheever short story and it is well worth the watch as is his Myth of Fingerprints.

Oh, and watch it alone.

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5 out of 9 people found the following comment useful :-
The landscape of the land, 9 March 2005

Author: jotix100 from New York

Bart Freundlich, the talented young director, has created an enigmatic piece of film making with "World Traveler". Mr. Freundlich, writing his own screen play, shows he has a keen insight to these people he presents in the movie; he knows them well. Thanks to Billy Crudup, the star of "World Traveler", this is a film worth taking a look. It will stay with the viewer for weeks to come.

If you haven't watched the film, please stop reading.

The beginning of the film will disorient viewers not paying attention to this story about a man who one day, walks out of his present, prosperous life. What could he want, when for all appearances, he has it all. What we don't realize is that Cal's journey will bring him to deal with his own life and find closure, as he gets involved in all the situations one sees him in the film.

There is a point in the middle of the film where Cal meets an old school mate. It's clear that Jack, played brilliantly by James LeGros, has seen into Cal's soul and he didn't like what he saw. In a way, Cal has such a personality that provokes a dislike in many of the people that comes in contact with him. In Jack's view, Cal will never do anything that will matter in his life, but obviously, this long forgotten friend has no clue as to what's going on inside the drifter's head.

What we don't realize is that Cal, in turn, is looking for the elusive father that abandoned him when he was young. In fact, this is the surprise that is saved for the end and it rewards us by staying with the film, that plays at different levels, provoking us.

Billy Crudup's work is extraordinary. This young actor proves he was meant to play Cal. No other actor comes to mind that could have projected the range Mr. Crudup shows with this depiction of Cal. In minor roles we see a lot of excellent actors. Julianne Moore is perfect as Dulcie. Cleavant Derricks is the kind Carl. Liane Balaban makes a sweet Meg. Karen Allen makes a welcome appearance as Delores. Finally, David Keith is wonderful as Richard.

The cinematography by Terry Stacey is gorgeous. The original music was created by Clint Mansere. The great Willie Nelson is heard in the sound track.

Watch this film to see a new talent at work with a perfectly cast actor.

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