Pie in the Sky: The Brigid Berlin Story (2000) Poster

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8/10
The "Overweight Troublemaker" Tells All
gftbiloxi3 February 2008
Brigid Berlin was the child every parent fears having. Born in 1939 to media mogul Richard Berlin and his socialite wife Honey, Brigid seemed to be on the fast track to a world of wealth and social registers--but she had a weight problem, and when mother Honey focused upon this Brigid rebelled. It was a rebellion that would ultimately lead her reject her parents, their way of life, and their values as absurdly superficial.

In 1964 Brigid met rising artist Andy Warhol, who had a knack for picking up extreme personalities and using them to fuel both his ambitions and inspiration. For once, however, he gave almost as much as he took: Brigid not only developed an arts reputation in her own right, she also managed to remain friends with Warhol until his 1987 death--something that very few people, and particularly those of Warhol's 1960s circle, ever managed.

PIE IN THE SKY might best be described as a collage of Brigid Berlin then and now. Released in 2000, the film finds her living in New York, where she has considerable cache in the avant guarde arts world--and obsessing about her weight, her smoking habit, her past, her present, her future--and indeed virtually everything. In fact, the word "obsessing" might be the keynote in her life, which she documents as it unfolds with a degree of relentlessness that is quite astonishing.

Yesterday--be it literally yesterday or fifty years ago--is just as intense in Berlin's mind as today, and a good portion of the film is given over to her reflections on her parents, the way of life that she rejected, and the pleasure she took in horrifying the social world throughout her life. She talks about art. She demonstrates her technique, which might be generously described as body painting. Now slim, she breaks her eternal diet to binge on Key Lime pies. She is incredibly compulsive, it is difficult to know whether she is as mad as she is insane, and it is impossible to know how much of the madness or sanity is calculated.

What she most certainly is is interesting, and directors Shelly and Vincent Freemont keep the focus unerringly upon their subject throughout. A fascinating look into the life of a woman who was, and in many ways remains, on the cutting edge of both art and life.

GFT, Amazon Reviewer
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7/10
Interesting life of spoiled rich girl
nekanderson88120 April 2004
This interesting documentary of Warhol superstar Berlin (aka Brigid Polk) traces her life from the beginnings as the wealthy daughter of a Hearst employer and his socialite wife Honey. Berlin's life-long struggles with dieting and with her parents and siblings are detailed here. Clips from 'Bike Boy', 'The Chelsea Girls', and 'Imitation of Christ' are shown. Berlin's daily telephone conversations with Andy Warhol were taped by her and we're treated to several bits of these here. It is also interesting that she claims to have been filmed for three hours talking about vacuuming her George Washington apartment. We see her walk into the Chelsea Hotel's lobby. The weight issue with Berlin is monumental. Her cravings of key lime pie is sated only after two whole pies are consumed. She also has a 'c**k book' that is composed of her famous friends' renderings of the male organ. She talks about the impact of the Manson murders, Warhol's death, Max's Kansas City, and her annual chest x-rays. She is also renown for her 'tit paintings', which are created by smearing paint on her chest and pressing down on paper. Now 60 years of age, Berlin is in many ways the same rebellious person she was in her teens.
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8/10
Worth it, despite difficult moments.
onepotato225 February 2006
Warning: Spoilers
Forget the throwaway title, this documentary about the wayward, moneyed Brigid Berlin is the equal of Terry Zwigoff's Crumb; a similarly troubling yet funny biography.

Berlin is astonishing in her obsessiveness and her audacity. She manages to convincingly take credit for many of Warhol's ideas, and demonstrates a sophisticated understanding of what it means to be a media construction whom no one actually knows (a la warhol). Her creative work ethic is a refutation of other artist/poseurs who want to avoid actual thought and/or effort.

Personal highlights in the film: Berlin's pained return to the Chelsea hotel and the bankruptcy of trying to revisit the past / The examination of a jam-packed apartment with fastidiously organized Polaroid pictures / The penis book / The tone-for-tone reperformance of lousy, bourgeois parenting lectures / And of course Brigid's failure to resist Key Lime pie, while representing (to her) a major personal failure, is the funniest thing in the whole movie. I was laughing till I hurt.

Berlin makes her difficult personality look like a great time, and the only reasonable way to proceed through the absurdities of western culture.
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9/10
Entertaining and insightful
CarPort15 July 2004
One of the best things about this film is that, unlike many of the Warhol-superstar documentaries, the subject is still alive and participates by actually being interviewed (instead of just archival footage). It is a fascinating, funny, educational, and even touching portrait of one of the lesser known but most fabulous personalities to emerge from the New York scene.

In addition to the interviews with Brigid herself, there are some other great current interviews plus the requisite archival footage. I have added this to my collection along with the better known documentaries on Edie, Nico, and of course Warhol himself, plus some of the original films (such as Chelsea Girls).
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Burned but still sparking
patrickf27 September 2001
One of the many amazing documentaries charting the rise & fall of the satellites in the Warhol constellation ("Edie", "Nico Icon" etc.)This creepily voyeuristic - yet fascinating - film charts Berlin from overweight, unhappy, heiress to spaced-out Warhol "superstar" to aged, compulsive dieter. Blessed (or cursed) with a photographic memory, she relishes the compulsively non-stop retelling of her life as a kind of sordid cleansing (her monologues were used verbatim for the Warhol book "A to B & Back Again" -but really written by Bob Colacello. Be amazed as this elegant New York lady displays her famous "Cock Book" , relives her "tit paintings", opens her cupboards & drawers (where EVERYTHING is labelled !!) & watch her descend into sin by eating Key Lime Pie! (her dream food - her pie in the sky)Food has now replaced drugs as her ultimate taboo. The emotional roller-coaster she goes through is devastating to watch. Warhol often made "friends" with these wounded heiresses, while shamelessly exploiting their eccentricities and vanities for his films and personal entertainment. In the end this is a strangely triumphant story, as she struggles to maintain her personal equilibrium. A must-see.
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9/10
One of the best documentaries ever on one of my idols
Mojomann118 August 2007
This is an amazing documentary on a truly unique woman, and I purchased this immediately upon its original release on VHS. Many people may label her as "eccentric", "odd" and "rebellious", and while she has been all of these things, she strikes me most as being INTELLIGENT..in fact probably TOO intelligent compared to most people. What's interesting is to see the contrast between the Brigid of the '60s/'70s and the Brigid of today (I guess we really do become our parents after all!). I had the pleasure of meeting Miss Berlin in person at a reading she gave in NYC in April 2007. There, she autographed a piece of Warhol memorabilia for me. I was in heaven for a week! Soon after this show, I bought the DVD version which has about 20 minutes of deleted scenes, all of which are hilarious. I would have given "Pie In The Sky" 10 stars, but I feel it could have been longer.
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10/10
UnHumble Pie
NoDakTatum13 November 2023
This is yet another fantastic documentary about a member of Andy Warhol's 1960's Factory. Unlike "Nico Icon" or the fictional "Ciao Manhattan," Brigid Berlin was alive and well when this film was done, and still a wonderful character. Brigid was born to Richard and Honey Berlin in 1939. Her father eventually became chairman of the board of the Hearst Corporation, having to wrestle the company from William Randolph Hearst. She never met Patricia Hearst until John Waters brought them together on the set of "Serial Mom," and the two are friends despite the bad blood between the blue bloods. Brigid was rewarded with food as a child, and became overweight almost immediately. Her mother was a socialite, concerned with what everyone else thought of her wild child. Brigid has two sisters and a brother, and is not on speaking terms with any of them. Brigid became a confidante of Andy Warhol. She recorded hundreds of hours of telephone conversations with everyone, from her angered mother to her best friend Andy. She would be onstage, and call unsuspecting subjects, using the conversations as theater pieces. She also double exposed the new technology of Polaroid film, creating montages of her nude self and flowers, etc. At 260 pounds, she was not self conscious, and the film makers show a number of topless shots of Berlin. At the time this was filmed, Brigid was down to a healthy 123 pounds, hardly recognizable from her larger days. She was still a firebrand, obsessive about remembering everything, and she does imitations of her mother and Warhol that are both funny and enlightening. She has a bit of a key lime pie binge, gains ten pounds in a few days, and the camera never looks away from this woman who has always been comfortable in her body, it is every one else who has told her to lose weight.

Over the course of the documentary, I came to like her immensely. She has these blue eyes that mesmerize you, whether she is lighting up her umpteenth cigarette of the interview, or just talking about her life. I thought she was very pretty when she was younger, fat or not. Now, she is older but still someone who would be fun to interview and talk with. Her remembrances of Andy Warhol are often touching. The film makers, Vincent Fremont and Shelly Dunn Fremont, rely on tons of footage from the Andy Warhol Museum, but we always get to see present day Brigid as well. Brigid did some unorthodox work, and these examples are the highlight of the film. She would strip off her shirt, make prints using her breasts and paint, and give them away. She has an old blank bible, where the famous and the infamous would leave drawings and other paraphernalia strictly about penises. It would be a gas to see other trip books, blank books created while the subject or subjects were high. This is a fantastic, strong documentary. The Fremonts picked their subject well, and tell the story in a straightforward manner, without resulting to obvious flourishes to enliven the subject matter. Brigid Berlin is a flourish herself, with fire in her eyes, a compulsion to clean and organize, and not a care in the world as to what people think of her, then and now. I really liked Brigid, and I really liked this film.
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