Cuban Blood (2003) User Reviews

Sweet film, true story...Worth seeing

[mambo771975 · 7/10 · 8 February 2004]

I saw this film and heard the writer-director, Juan Gerard, speak at the Santa Barbara Int'l Film Festival.

All I knew about it was that it was the story of an 8-year-old boy at the time of the Cuban Revolution in 1958 and how it affects his home and family.

Its opening scene will bring to mind "Cinema Paradiso". In fact, the film is filled with references to classic films: The Roulette Wheel (Casablanca), "chicken clucking" (Rebel Without a Cause), references to Bunuel, "Touch of Evil"; you'll find more. The homeless man (Georg Stanford Brown)is a reference to Cuban folklore which often uses a black man as a type of Greek chorus.

What this film really is is the culmination of a dream. Gerard's wish to honor his family and medium of film that he has loved all of his life.

This is the true story of Juan Gerard and all the people in it are real,as are the events depicted. Gerard is actually an architect and engineer (and passionate film lover) but his dream was to make this movie. He and his wife decided to live that dream and Harvey Keitel became an "angel" who believed in Gerard and agreed to produce and star in it. Keitel holds the screen powerfully as the mysterious and secretive grandfather "Che". Brown and Keitel are the only Americans in the cast. Iben Hjejle (High Fidelity) and Gael Garcia Bernal (Y tu Mama Tambien) offer strong support in key roles.

Truthfully, the first half of the film suffers from stiff delivery of lines, and some overracting, but stay with it. The last half is much better as the events of the revolution combine for the bittersweet, and honest climax. It is the first effort of Juan Gerard, but it is honest as he is and his passion and heart really come through,in this sincere first effort. I would definitely see it again, and hope that he continues his film career.

Not good not too bad

[AzraelGuevara-1 · 5/10 · 5 May 2005]

If you're expecting to learn something about History and the Cuban Revolution, this is not the movie you want to see. The movie focuses on the life of a boy and how the events of the revolution affect his wealthy family. Since the events of the revolution are unexplained it could give the sense to the viewer that what happened is not complex. There are subtle criticisms of both Batista and Fidel but they are also left unexplained. The US role is not even mentioned. For those that don't know Cuban History, there is different versions of what happened in Cuba (Cubans have one version and Cuban-Americans have another).

Rating

5 - 1 for NOT making the movie in Spanish - 1 for NOT making the movie in Cuba - 1 for the mistakes in acting or directing - 1 for simplistic storyline - 1 for the lack of historical background and explanation + 1 for Harvey Keitel's talent + 1 for Gael Garcia's talent + 1 for having Gael as a Revolutionary + 1 for original story + 1 for having well rounded characters and not making it a Good vs. Evil

= 5

Some of the historic events that are recognized by the great majority of historians that can help as background:

• Batista was a dictator that used torture and widely spread violence to protect his regime and the wealth of the elites. - Fidel Castro had the support of the great majority of Cubans at the time of the Revolution - The revolutionary government did execute about 400 of Batista's close allies. - The revolutionary government did expropriate all the belongings of the wealthy class in the name of the general wealth being.

Another Look at Pre-Castro Cuba: An Homage to Family and Memory

[gradyharp · 6/10 · 15 January 2007]

CUBAN BLOOD, a direct to DVD little film, has a long history. Shot in the year 2000 in the Dominican Republic as the first film for director/writer Juan Gerard (with writing assistance from Letvia Arza-Goderich) the film began as a 3 1/2 epic about the small town of Holguín, Cuba in the year 1958, a place where the Bautista/Castro clash was not as evident as in Havana. Originally named DREAMING OF JULIA (referencing both the sole entertainment for the little town - a movie house - as well as the sole Americana Julia who plays a significant pivotal role in the story), the film was next called CUBA LIBRE and finally titled (rather inappropriately CUBAN BLOOD. Juan Gerard has yet to make another film and one can understand why.

Holguín is a pretty, peaceful town whose patriarch is Che (Harvey Keitel - and the Che is an old grandfather, not the revolutionary), married to Beta (the very talented and dignified Mexican actress Diana Bracho), who are the beloved grandparents of the little boy (Andhy Méndez) whose story this film is as narrated by off screen mature Tony Planas. The impending revolution results in a loss of power for the town and the story is a simple coming to grips with the changes that are to be inevitable. The boy meets the Americana Julia (Iben Hjejle) who befriends him; he struggles with the town youths who mimic him as a chicken; he dotes on movies he watches with his grandmother Beta; he falls in love with the older Carmen (Farah Alfonseca) who in turn is in love with a quiet revolutionary sympathizer Ricky (Gael García Bernal in his second film after his debut in AMORES PERROS); he learns of Che's infidelity to Beta; and he watches the town and his family disperse with the coming of Fidel Castro's revolution. Seeing the events of 1958 through the eyes of a child is enchanting and for the most part makes for a sweet, though saccharine, film.

Cinematographer Kramer Morgenthau takes terrific advantage of the 'year without electricity' motif and makes most of the film shot at night with candles and lanterns creating a storybook loveliness that heightens the romantic aspect of this film. Perhaps in the original 3 1/2 hour version there were better character developments - especially in the case of Gael García Bernal's very small but pivotal role, and in the use of Georg Stanford Brown as a Greek Chorus 'Black Bum' who seems to be placed to make the events unfold with some sense of order.

The supporting cast includes some strong actors: Gabino Diego, Cecilia Suárez, Aline Küppenheim, Daniel Lugo, etc whose roles were no doubt better fleshed out in the original. But it is clearly the influence of Harvey Keitel that helped Juan Gerard make this film happen. It has moments but it too often falls into the novella melodrama realm to make it work for audiences trying to figure out whether this is an historic drama or a Cuban version of 'Cinema Paradiso'-type Italian films. Grady Harp

Care was taken on Holguin 1958.

[marcosthecuban · 6/10 · 21 November 2012]

Cheers to Letvia and Juan for the care taken to depict Holguin,Cuba of 1958.

It is quite a thrill to see the incredible city of Holguin in a movie.

The city, perhaps 100,000 strong in 1958, has grown substantially since then.

Today, you can still fly direct to Holguin from Miami. Well , maybe not you but I can. :)

Armin and Tete, characters in this story, are my aunt and uncle and, yes, they were in Holguin in 1958 the year i was born (in Holguin). Armin and Tete are alive and well and living in Hialeah, Florida.

[e-mail]. 11/21/2012 http://www.imdb.com/name/nm5020153/

Little boy grows up in confusing time and place

[smweaver911 · 1/10 · 20 January 2007]

The central theme in this movie seems to be confusion, as the relationships, setting, acting and social context all lead to the same place: confusion. Even Harvey Keitel appears to be out of his element, and lacks his usual impeccable clarity, direction and intensity. To make matters worse, his character's name is 'Che', and we are only told (directly, by the narrator) well into the film that he is not 'that' Che, just a guy named Che. The family relationships remain unclear until the end of the film, and once defined, the family is divided - the younger generation off to America. So cliché. Other reviews discuss how the movie depicts the impact of the revolution on a boy's family; however the political stance of the director is murky at best, and we are never quite sure who is responsible for what bloodshed. So they lost their property (acquired by gambling profits) - so what? Refusing to take a political stand, when making a movie about the Cuban revolution, is an odd and cowardly choice. Not to mention the movie was in English! Why are all these Cubans speaking English? No wonder they did not get permission to film in Cuba. And if family life is most important to look at here, it would be great if we could figure out who is who - we are 'introduced' to them all in the beginning - a cheap way out of making the relationships clear throughout the film! The acting was mostly shallow, wooden, and unbelievable, timing was off all around. The 'special' visual effects were confusing and distracting. References to American films - and the black character as Greek chorus - strictly gratuitous, intellectually ostentatious, and consistently out of place. I only watched the whole movie because I was waiting for clarity, or some point to it all. It never happened.

Un-expectedly excellent!

[seanchai · 10/10 · 23 October 2004]

Saw this at the Hawaii Film Festival where the director and his wife (who produced it) took a Q&A afterwards.

I found it hard to believe this is a first time director and all kudos to Harvey Keitel for once again taking a risk and going out on a limb for a script he liked.

Certainly reminiscent of Cinema Paradiso, it tells the story of the young director on the turning of the revolution in Cuba. However, don't expect this to be a movie about the revolution, it's political stance is wonderfully ambiguous. Many references to the directors obvious love of film history (a great "Bicycle Thief" homage") and some whimsical scenes which work with out being pretentious.

Enjoy!

recommended

[winner55 · 9/10 · 1 January 2008]

Harvey Keital's best performance so far the new century. Very nicely photographed, a beautiful snap-shot of pre-Castro Cuba. The story revolves around the nephew of a local minor crime boss who develops a friendship with an American with Hollywood connections. It's really about the moment when a boy awakens to the fact that the small circle of people he knows actually live in a much larger, much more complex world that he doesn't yet understand.the script is strong and filled with humor, the direction is crisp. Over all, a really professional job that fits in well with the tradition of Latin American cinema. The one weakness is the decision to shoot in sync-sound English rather than Spanish - probably to improve sales in the US. Unfortunately, this just makes the film a little less convincing. But if you can see beyond this, you will find a heartfelt trip to another world. Recommended.

A beautifully made memoir

[bijou-2 · 9/10 · 12 February 2008]

This film is a lyrical and romantic memoir told through the eyes an eleven year old boy living in a rural Cuban town the year of the Castro revolution. It is an obviously genuine worthy labor of love.

The names CUBA LIBRE and CUBAN BLOOD are merely attempts to wrongly market this as an action film. DREAMING OF JULIA makes much more sense. It has more in common with European cinema than with RAMBO and the revolution is merely an inconvenience to people's daily lives and pursuits. That fact alone makes the film more honest than most works dealing with this time period in Cuban history.

The excessive use of the voice-over narrator does undermine the story but the film makes up for it with unqualified clips from Hollywood films that say so much more visually than the narrator could.

The comparisons to CINEMA PARADISO and are fair game as the film does wax melancholy about movies, but there is an underlying pain at the loss of a lifestyle that surpasses lost love.

The revolution, like the film JULIE, never seems to have an ending.

not the real title

[andreabrachob-1 · 8/10 · 30 March 2006]

Dreaming of Julia was the title of the original script, and was filmed in the summer of 2000 in Santo Domingo Republica Dominicana. To release the picture they change the original name to Cuba Libre. The director's cut was 3 and a half hours long. It was released on the festival of Bangkok in Thailand. It was the second film of Gael García Bernal (the first was Amores Perros)

and the first of Juan Gerard as a Director. In the poster the names of Diana Bracho and Cecilia Suares does not appear. Diana plays the grandmother and Cecilia the mother of the kid. They are great actresses and they keep the story together specially Diana. Check her out in other things you would be surprised.

good work

[wrlang · 9/10 · 15 January 2007]

Cuban Blood is one of those sleeper films that has a lot to say about life in a very traditional way. I actually watched it while sailing around Cuba on a western Caribbean cruise. It details the life of an 11 year old boy in a small town in Cuba in 1958 and 1959 during the revolution. Not much time is spent on the revolution until the very end, when the Socialist regime came and took the property of the boy's father. The majority of the film is the boy's coming of age and the relationships that arise in a small town where everyone knows everyone else. There are some powerful scenes that everyone can relate to. A class A film with fine acting and directing. This is a film that tells a story with no special effects or grand schemes or real twists. It is a film about people and their lives, their mistakes, and their triumphs. A good film worth watching several times annually.

A story of lost innocence set in 1958 Cuba

[lilrayrei87 · 10/10 · 26 March 2007]

Although some may call it a "Cuban Cinema Paradiso", the movie is closer to a How Green Was My Valley, a memory film mourning for a lost innocence. The film smartly avoids falling into a political trap of taking sides (pro-Castro? anti-Castro?, focusing instead in the human frailty of the characters and the importance of family. Filled with good acting, in particular from Mexican actress Diana Bracho, who plays Keitel's wife. A masterpiece, filled with references to classic movies, from CASABLANCA to Chaplin's CITY LIGHTS. Gael Garcia Bernal plays a small role which is critical for the dramatic payoff of the story. TV director Georg Stanford Brown, in a rare return to acting (remember THE ROOKIES?), plays a homeless bum who acts as Greek chorus, superbly. It is a pity that this movie, originally titled DREAMING OF JULIA, has been released in the States by THINKfilm with the atrocious title of CUBAN BLOOD, which has nothing to do with the movie.

Poignant coming of age story set in pre-Castro Cuba.

[zxdex88 · 8/10 · 7 August 2021]

I felt this is a very good and well made movie that focuses on and revolves around the life of a 12 year old Cuban boy who in the movie is known as "the boy". This movie reminds me a lot of Two Bits, starring Al Pacino and Jerry Barone as the grandfather and his grandson. This has that same type of poignant, nostalgic affection for the mysteries of childhood, all framed around a story of a boy coming of age in a Cuba right on the cusp of losing it's traditional old ways and becoming a revolutionary state. Politics are incidental, this is a story of a boy who is obsessed with movies and is discovering love (for an adult woman).

It's a sweet, artfully filmed and directed movie starring Andhy Méndez, who was actually born in Havana, Cuba but immigrated to Miami when he was 5 years old. He then began his career as an actor and a model when he co-starred in the Mexican made telenovela Morelia (which was shot in Miami). Andhy still acts today and has been in many TV series and movies.