Directed by
| Mitch Davis | ||
Writing Credits (in alphabetical order)
| Mitch Davis | ||
| John H. Groberg | ... | (book) |
Cast (in credits order)
Produced by
| Tim Coddington | ... | co-producer |
| Mitch Davis | ... | executive producer |
| John Garbett | ... | producer |
| Gerald R. Molen | ... | producer |
| Steven Ramirez | ... | associate producer |
| David Shoshan | ... | executive producer |
Music by
| Kevin Kiner | ||
Cinematography by
| Brian J. Breheny | ||
Editing by
| Steven Ramirez | ||
Casting By
| Christina Asher | ||
Production Design by
| Rick Kofoed | ||
Set Decoration by
| Michelle Davis | ||
Costume Design by
| Barbara Darragh | ||
Makeup Department
| Michael Krehl | ... | key makeup artist |
Production Management
| Tim Coddington | ... | unit production manager |
| John Garbett | ... | production manager |
Second Unit Director or Assistant Director
| Carey Carter | ... | first assistant director |
| Vanessa Rare | ... | second assistant director |
| Tony Simpson | ... | first assistant director: second unit |
| Amand Weaver | ... | trainee assistant director (uncredited) |
Art Department
| Christopher Halligan | ... | carpenter |
| Carey Johnson | ... | art dept co-ordinator |
| Jon Lithgow | ... | art department runner |
| Paulo Alegria | ... | graphic designer (uncredited) |
Sound Department
| Ray Beentjes | ... | adr editor / dialogue editor |
| Gethin Creagh | ... | re-recording mixer |
| Jim Hannah | ... | boom operator |
| Mark Hinkley | ... | sound utility |
| Robyn McFarlane | ... | foley recordist |
| Polly McKinnon | ... | assistant sound editor |
| Carolyn McLaughlin | ... | foley artist |
| Tim Prebble | ... | sound designer |
| Mike Westgate | ... | sound mixer |
| Dave Whitehead | ... | sound effects editor |
Special Effects by
| Dean Clarke | ... | special effects technician |
| Jason Durey | ... | special effects supervisor |
| Oliver Gee | ... | special effects assistant |
| Carl Krehl | ... | special effects technician |
Visual Effects by
| Dave Asling | ... | model shop supervisor |
| Steve Avoujageli | ... | technical director |
| Dave Axford | ... | visual effects production manager |
| Barb Benoit | ... | digital compositor |
| Mike Borrett | ... | visual effects producer |
| Dan Brooks | ... | model builder |
| Joshua Chaiton | ... | visual effects producer |
| Debora Dunphy | ... | digital compositor |
| John Gajdecki | ... | visual effects supervisor |
| Aruna Inversin | ... | digital compositor |
| Christine Kowbuz | ... | model builder |
| Sarah Norton | ... | digital compositor |
| Christine Petrov | ... | digital compositor |
| Kennedy Shah | ... | motion control programmer |
| Betty Shaw | ... | systems administrator: GVFX |
| Joel Skeete | ... | lead compositor |
| Dan Trezise | ... | digital compositor: GVFX |
| Martin Wilk | ... | digital compositor |
Stunts
| Allan Poppleton | ... | stunt double |
Camera and Electrical Department
| Dion Hartley | ... | underwater grip |
| Brenden Holster | ... | first assistant camera |
| Luke Thomas | ... | first assistant camera: "a" camera |
| Martin Turner | ... | director of photography: second unit (as Martin J.K. Turner) |
Casting Department
| Christina Asher | ... | casting: New Zealand |
| Gretchen Rennell | ... | casting: USA |
Costume and Wardrobe Department
| Jenny Rushton | ... | key costume stand-by |
Editorial Department
| Victoria Chu | ... | telecine dailies vt operator/assistant editor: The Film Unit |
Music Department
| James Fitzpatrick | ... | music contractor |
Additional Crew
| Amanda Aitken | ... | production coordinator |
| Troy Benjamin | ... | office runner |
| Wynter Blathwayt | ... | title designer |
| John J. Lee Jr. | ... | distribution services |
| Felicity Letcher | ... | production coordinator |
| Birgitta Nilsson | ... | assistant coordinator |
| Amand Weaver | ... | body double / stand-in |
Thanks
| Alan Rast | ... | special thanks |
| Paul K. Woolley | ... | special thanks |
