Kora Kagaz (1974) User Reviews

An ordinary family drama brought to life by Jaya Bhaduri

[Peter_Young · 7/10 · 11 July 2009]

Kora Kagaz is overall a realistic, simple and enjoyable family drama. The story itself, however, though handled with understanding and honesty, is nothing extraordinary and it has its share of unrestrained emotions. It is about a young married couple. She comes from a rich family, and he is a simple professor who lives a poor lifestyle with his aunt. She enters his house and the problems begin mainly because of her mother, who was never really happy with this marriage.

The film stars Jaya Bhaduri in a fantastic author-backed role. She carries the film on her able shoulders, and is undoubtedly the main reason it works. There is something inevitably compelling about this pretty, petite and naturally gifted actress. She is always restrained and real, she never goes over-the-top, even when it is easier to do so, and rather than acting her parts, she inhabits them. And indeed, hers is an exceptional, nuanced portrayal that is replete with depth and maturity.

Anil Ganguly is one film director who was probably keen on making meaningful mainstream movies, which had both the conventional ingredients of popular cinema and a fair share of substance. The authenticity with which Kora Kagaz portrays the complexity of marriage and relationships is appreciable, and at the same time it has entertainment value and mass appeal. It is overall a well-made Hindi picture of the 1970s, but Jaya Bhaduri makes it even better and a must-watch.

Kora kagaz

[IPyaarCinema · 8/10 · 1 May 2021]

Review By Kamal K

Bespectacled Jaya Bhadhuri walking the dusty street, where the blank paper is flying with the wind, in a white saree, along with equally serious Chetan Anand had given me an impression that the movie is about a very serious social issue. Yes now indeed it has become a social issue - interferance of the bride's mother in her matrimonial household.

Jaya Bhaduri is the daughter of a college Principal. The Principal is married to a fiesty wife excellently played by Achala Sachdev. The Principal has an obedient student, Chetan Anand who has now become a professor. Jaya falls in love with Chetan. Achala does not approve of the alliance.

Post the marriage in an attempt to keep her daughter happy she tries to provide all the material comfort to her daughter which she feels her husband would not afford for her. That starts to create a rift between the couple. Plus she also lies to her relatives that he is doing a doctorate from a foreign university. That given Chetan a feeling that his in-laws are ashamed of him.

These small issues assume bigger proportions and the couple splits up. Sachdev is too eager to get her daughter divorced and marry her off to a wealthy man who equals her status.

Inspite of more than four decades passing since its release the movie appears surprisingly fresh. It has something which even today's movies lack - content. The stars do not overpower the script. The actors do perfect justice to their roles. The music is another attraction. Even in a script like this the melodious music fills in the lines beautifully. The movie is highly recommended for it reminds us of a time when content was important than the stars and scripts were more important than the marketing skills.

The blank paper of life sans the colours of love

[jmathur_swayamprabha · 24 October 2011]

Whenever I guide someone on interpersonal relations or self-motivation to do something worthwhile with the help of networking with significant others, I always assert one sentence - keep remember that communication gap is the biggest enemy of all relationships. I reiterate on this page too - if you consider your certain relationship is a very significant one for your life, then never allow any communication gap to creep into that. It destroys any relationship (howsoever strong it might be) the same way termite eats up wood.

And which relationship can be more significant than the relationship of life-partners in wedlock. There is no dearth of jealous people or idiots or free consultants or the ones who interfere in your personal affairs without any need or a right on their part for doing so. Then it's the duty of the married couple only to at least maintain free and frank communication with each other (like we should maintain with MS) so that the issues get timely resolution and no eruption gets an opportunity to turn into a canker with the passage of time. Hurting your partner through words is bad but keeping mum and suppressing your feelings towards him / her within yourself is worse. And that's what Vijay Anand and Jaya Bhaduri starrer Kora Kaagaz (1974) underscores. It is an underrated classic from Bollywood which every newly married (or marrying) couple should give watch.

Kora Kaagaz (blank paper) is the story of Archana (Jaya Bhaduri) and professor Sukesh (Vijay Anand). Archana has a full-fledged family containing father (A.K. Hangal), mother (Achala Sachdev), sister (Nazneen) and brother (Dinesh Hingu) whereas Sukesh is almost alone and has no living relative other than an aunt (Sulochana). Archana and Sukesh get married but despite their abundant love for each other, cracks appear in their marital life due to the undue interference of Archana's mother in her life. Misunderstandings prop up and lack of communication on the part of the married couple aggravates them to an extent that ultimately they become separate. Archana realizes her error of giving her mother too much free hand to play with her married life and repents but only when it's too late. She feels the depth of her love for Sukesh after they are divorced and her family members insist her to remarry.

However years later, destiny arranges their unexpected meeting in the waiting room of a railway station when both of them are going to ride different trains for their respective journeys. They get emotional and regret their mistakes. Once the suppressed love in the hearts of the husband and the wife is exasperated through the sweet memories of the past, they reunite.

Kora Kaagaz is the symbol of a life which can be compared to a plain sheet of paper without any picture or any colour or any words on it. Love is the thing which fills this blank sheet and turn it into a beautiful painting (or a beautiful story). Once the love is gone, the life is no better than a blank piece of paper. And let me say, it is even worse than that because due to the evaporation of the colours of love which were once there on it, it does not remain worthy of making a new painting or writing a new story on it. That's the pain of Sukesh and Archana vented out in the words of Kishore Kumar's immortal song - Mera Jeevan Kora Kaagaz Kora Hi Reh Gaya (my life was like a blank and it remained so).

The director of this movie, Anil Ganguly has given many good movies during the seventies. Kora Kaagaz is, inarguably, his best work in Hindi cinema. The story catches the viewer since beginning and leaves a highly feelgood impact upon him in the end after a time-span of two hours and odd minutes.

Kalyanji Anandji have composed highly admirable music for this movie. In addition to the immortal title song (brilliantly penned by M.G. Hashmat), the other songs - Mera Padhne Mein Laage Dil and Roothe Roothe Piya (both sung by Lata) are quite hilarious to hear and to watch on the screen.

Jaya Bhaduri has delivered one of the best performances of her career. The director of gems like Guide, Jewel Thief and Tere Mere Sapne, Vijay Anand has proved that he's no less when in front of the camera than he was when behind the camera. Others have supported them well. The only flaw in the movie is caricature like portrayal of certain characters.

The great lesson rendered by this movie is for the parents of married children (especially the girl who has to shift to a new household after her marriage). Once married, the children should be left free to manage their affairs (until and unless the life-partner of the child turns out to be a real villain). When the children are grown-up, educated and sensible, too much interference in their married life brings about disastrous results only. Misunderstandings may be arise and everything may be messed-up due to that, leaving a lot to be done for rectifying the things.. Please never give your child an opportunity to curse you one day because of your undue interference in his / her married life as Archana curses her mother after it's all over in her married life.

Finally, I revisit my assertion in the first para - communication gap is the biggest enemy of all relationships and especially the marital relationship, so please consider it a taboo in your married life. Before this review ends, I am reproducing the final dialogues of the lead pair in the ending scene : Archana : Kya Saara Dosh Mera Hi Tha (Did the complete fault lie with me only)? Sukesh : Kuchh Dosh Tumhaara Tha, Kuchh Mera, Aur Kuchh Hum Dono Ka (Some fault lay with you, some with me, and some with both of us.

I rest my case.

Love, Marriage, Tears - this is a feast for those who love drama

[abhi-9 · 10/10 · 15 November 2005]

Commercial Hindi movies tend to follow a cliché style. There is a hero and a heroin, there is a villain or villains in the path of true love, but in the end they live 'happily ever after' while they are at it they sing and dance together. This movie is a bit different.

While this movie borrows somewhat from such clichés, it is far from an assembly line production. They have mixed things so beautifully that they transformed the silver screen into a living work of art. In that process the movie makers have brought about and discussed social issues which could not be done in the conservative society of the time - such as marital discord, divorce and the role of in laws at a time when family set-up was moving from that of a joint to a nuclear family.

While I see this movie to have some intellectual value to it, I would still say it a moving drama that anyone can enjoy. Just keep your tissues ready. And so as not to spoil it for you, I will keep the ending in suspense.